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Conversations with creators and thinkers who are charting the way forward in a tech-saturated society. Tech, community, video games, and whatever else is next.
Also available as an MP3 podcast.
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November 20, 2017: Cheyenne Hohman, director of the Free Music Archive
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Artist | Track | Images | Approx. start time | |
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Mark interviews Cheyenne Hohman, director of the Free Music Archive - a WFMU project that proves it's possible to create an online project that serves the online community for good - without surveillance or creepiness. | ||||
Tomaš Dvořák |
Game Boy Tune
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Corp |
Your Call Is Important To Us
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0:10:31 (MP3 | ) | ||
Mark's Interview with Cheyenne Hohman, director of Free Music Archive | 0:13:34 (MP3 | ) | |||
Stark Effect |
Stop I'm Watching TV
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0:25:45 (MP3 | ) | ||
VISITORS |
Rocket Science
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0:39:44 (MP3 | ) | ||
Armageddon Gospel Revival |
Teenage Girl Ghoul A Go-Go
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0:57:34 (MP3 | ) |
Listener comments! | |
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![]() Hey hey, Mark and Cheyenne and all! |
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♥
Mon. 11/20/17 6:01pm
geezerette:
what the great L James FW said! |
Mon. 11/20/17 6:02pm
Aaron in Minneapolis:
Hey first time listener long time techie | |
Mon. 11/20/17 6:02pm
melinda:
Hola | |
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![]() Oh hey everyone! Nice to see y'all! |
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![]() Hi Cheyenne! |
Mon. 11/20/17 6:04pm
Aaron in Minneapolis:
Oh this is why she isn't doing the listening party this week | |
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Mon. 11/20/17 6:04pm
Number Six:
Good Evening, Mark, Cheyenne & All! |
Mon. 11/20/17 6:06pm
Aaron in Minneapolis:
Oh we didn't tell him about that grant from apple | |
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♥
Mon. 11/20/17 6:07pm
geezerette:
Kenzo is brilliant. |
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![]() Yes, it was the first live ios radio feed, before there were user-created apps, using a trick with Safari and the way it played streamed quicktime movies. |
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![]() I remember reading about WFMU in the Wire in 1998 when in college, and my office had great (at the time) bandwidth and I was able to get the tinny sound of WFMU in FL and Monica was playing, I've been addicted ever since, and then got to move to NYC and play at WFMU. |
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♥
Mon. 11/20/17 6:09pm
geezerette:
The Whole Earth Catalogue was the analogue ancestor to the web. |
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![]() There are also podcasts that aren't streamed! as well as much of the radio broad/stream cast since 2000 in the archives. |
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![]() Webhamster Henry was there during WFMU's first primordial online times, helping push the state of the art. |
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![]() Howdeez Mark and Cheyenne! |
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![]() So, I've been listening to WFMU online for 19 years. |
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![]() I didn't do that quicktime trick - that was some other friendly dot-com company, but I did write the first WFMU and JM/AM iOS apps. |
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♥
Mon. 11/20/17 6:11pm
geezerette:
.Thank you, Webhamster Henry! |
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![]() what geezerette said. |
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![]() fine work, webhampster |
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![]() Hi all! Henry! Aaron! Westwood! Geezerette! Northgh! Common! |
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![]() Oh. dang, now I'll never speak to that representative about my insurance claim... |
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![]() WFMU was streaming before apps, though, via a satellite link to audionet. Some of my old web pages are still around from then like this one from 1997: www.wfmu.org... |
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![]() I could see a Claymation video for this in which the caller slowly ties themselves into knots, or maybe just melts over the course of 15 minutes into a broad pool. |
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![]() Webhamster Henry: Yep, that was about 7 months before I discovered the WFMU stream in the wild. |
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♥
Mon. 11/20/17 6:20pm
geezerette:
www.youtube.com... Sita Sings The Blues is a great example of the Creative Commons. |
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![]() I saw that movie at IIFF. Good stuff |
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♥
Mon. 11/20/17 6:22pm
geezerette:
Thanks, Mark and Cheyenne for this discussion. |
Mon. 11/20/17 6:22pm
Aaron in Minneapolis:
Were you involved in the creation of playlist comments Henry? | |
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![]() Good call, geezerette! |
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![]() True WFMU out-of-towners used the special Bell Labs phone number, set up by WFMU fan/volunteer Brian Redmond, that was could be called into from anywhere. |
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♥
Mon. 11/20/17 6:24pm
geezerette:
@ultradamno, :) ! thanks, James! |
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![]() The main WFMU playlist system and modern marathon system and a few other things are all from Kenzo, who you can hear on the Give the Drummer Stream. |
Mon. 11/20/17 6:25pm
Aaron in Minneapolis:
I'm just looking for someone to blame | |
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![]() Indeed, Mic In Track was a whole genre, sui generis! |
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![]() Who has a question for Cheyenne? Post it here or I'll open up to calls soon at 201-209-9368. |
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![]() Stark Effect: Know for Bunnyrabbits, Satan, Cheese , and Milk. (well, probably Seitan, but that's not as exciting). |
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![]() Cheyenne: talk about a few of the FMA contests, like the Birthday Song! |
Mon. 11/20/17 6:29pm
Aaron in Minneapolis:
How many grey hairs have you gotten since taking this job? | |
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♥
Mon. 11/20/17 6:30pm
geezerette:
so funny! |
Mon. 11/20/17 6:31pm
Aaron in Minneapolis:
Does the fma accept whole podcasts? | |
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![]() ayy that's me |
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![]() Call in at 201-209-9368! |
♥
Mon. 11/20/17 6:32pm
Listener Robert:
Today on Reason's Hit & Run blog, they put up a "Reason TV" video with a FMA credit in the text. | |
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![]() I got the FMA shirt! ;) |
Mon. 11/20/17 6:33pm
Aaron in Minneapolis:
Phil them in | |
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![]() All of the good shows that I want to call into happen when I'm at work about to leave work., |
Mon. 11/20/17 6:35pm
Aaron in Minneapolis:
Stay and call in | |
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![]() I have a listening party shirt |
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![]() Here is the way to the FMA Listening Party: www.wfmu.org... Tuesdays at 3PM Eastern Time on the Drummer Stream. |
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![]() My favorite song from the birthday contest, which I insist on playing over and over whenever I have a birthday, is Foul Mouthed Birthday Robot by A-1 Mr. Son: freemusicarchive.org... |
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![]() Ken, doing the universe's good work, (and Webhamster Henry) |
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![]() Jeff, I love it too but the song is not RADIO FRIENDLY!!! But really, everyone should hear it at least once. |
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![]() Creating a database and a geoserver has been fun (never created a geoserver before) I'm not used to being the 'IT' guy. |
Mon. 11/20/17 6:41pm
herb.nyc:
By coincidence, my laptop won't let me use it. Doesn't like the password. I may toss laptop out the window to get last laugh. (Ouch) | |
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![]() Going to a performance art/noise/bedroom lo-fi/and a robot dance party from an artist from NYC (I can't remember her name, and I'm not infecting my phone or work computer w/ FB to remember). |
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![]() Just now seeing the Google screen image. Hahaha. |
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![]() Whee! How timely! My mail today had the FMA sticker, designed by Mayuko, one of the premiums from the last FMA fund drive. Thank you, Cheyenne and everyone! |
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![]() VISITORS looks like someone from a Michel Fiffe drawing. |
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![]() That's funny I was going to ask if anyone was using the FMA as Machine Learning Training information! |
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![]() We're taking calls for a few more minutes! 201-209-9368! |
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![]() Hey I am on my laptop now, hence the profile pic |
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![]() Are there a lot of international submissions? if so, are there legal subtleties in the copyrights? |
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![]() I don't mind infecting my home laptop w/ FB, as I can mitigate what happens there. (I don't have enough time to do that at work). |
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![]() I like how Liz Berg would include lots of FMA selections on her show. |
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![]() Here are some genres of WFMU tracks! wfmu.org... |
Mon. 11/20/17 6:54pm
Aaron in Minneapolis:
I miss Liz | |
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![]() Yes, Liz was always great for sampling that huge trove. Miss the hell out of her. All the more vital that Cheyenne is giving us a great hour's dose each week! |
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![]() And when you play an FMA song - you don't get an ad first! |
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![]() Thanks Mark and Cheyenne and WoofMooers! |
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♥
Mon. 11/20/17 6:55pm
geezerette:
This show needs two hours. Thanks, Mark, Cheyenne and all! |
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![]() Thanks Mark & Cheyenne! |
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![]() Thanks Mark & Cheyenne! |
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![]() Thanks! |
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![]() Thanks, everyone! Appreciate you all joining us. |
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![]() Thanks y'all!!! |
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![]() Thanks, Cheyenne and Mark! |
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![]() Just opened a Google tab and it _does_ fill in "your" data. Wow. |
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![]() Great show. I showed my daughter some of this stuff (15). She can now do two notes at once, she wants to learn it, amazing. |
![]() I love this stuff. I adore Meredith Monk. But given her contemporaies in Brooklyn, Quens, and the Bronx, who scratched records and improvised their lyrical beats, and became an international phenomenon, you have to wonder how to determine who truly created someting phenomenal and authentic, and who was lost in solopsism. Or more importantly. How a successful artistic platform was promoted and marginslized simultaneously, a form of course found ed by poor brown skin kids willing to dig the dirt and create and a Macarthur Grant Winner who is in essence completely forgotton. Who is the real authentic cultural purveyor and how is marginalization determined. Rich and forgotten, or exploited and exhausted. Clearly bets were lost. Meredith verse the boro of the Bronx. I don't think there was any contest. Cultural was out of her reach. And genuine trends were exploited, cheapened, and exhausted. | |
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