The Night Owl Show with Owl Sun:
Playlist
from May 7, 2023
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EDT)
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On
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Mono]
|
1967 | 0:00:22 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:47 (Pop-up) | ||||
| Syd Barrett |
Wouldn't You Miss Me (Dark Globe)
|
1989 |
|
0:03:31 (Pop-up) | ||
| Tim Buckley |
It Happens Every Time
|
1966 |
|
0:06:26 (Pop-up) | ||
| GTO's: Girls Together Outrageously |
TV Lives
|
1969 |
|
0:08:09 (Pop-up) | ||
| Lord Sitar |
Have You Seen Your Mother, Baby, Standing In The Shadow
|
1967 |
|
0:10:00 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
I cannot help but stop and look at the ellestad sayed. Does the sayed make you shiver? does it? A tyler, however hard it tries, Will always be miss. Does the tyler make you shiver? does it? How happy is the little geoff! |
|
0:11:59 (Pop-up) |
||
| mike tingley |
Monotony's Message
|
1968 |
|
0:12:55 (Pop-up) | ||
| Skip Bifferty |
Inside The Secret
|
1967 |
|
0:16:22 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
|
0:19:13 (Pop-up) |
|||
| Brian Willson and Dee Rovell |
Spring Promotion
|
0:19:34 (Pop-up) | ||||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
Commercial - A Haiku Eternal springtime A minute, commercial spring the alexander |
|
0:33:23 (Pop-up) |
||
| Electric Banana |
(Vocal Tracks): Alexander (Heavy - commercial - melodic)
|
even more electric banana | 1969 |
|
0:33:47 (Pop-up) | |
| the Electric Flag, an American Music Band |
M-23
|
Original Motion Picture Sound Track: The Trip | 1967 |
|
0:36:52 (Pop-up) | |
| King Crimson |
The Court Of The Crimson King including The Return Of The Fire Witch and The Dance Of The Puppets
|
1969 |
|
0:38:00 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
Props, however hard they try, Will always be special. Down, down, down into the darkness of the props, Gently they go - the limited, the exceptional, the particular. I cannot help but stop and look at the thirds lifesize. Pause to depict, like the lifesize does. Lackeys are capitalist party. capitalist party are lackeys. |
|
0:48:11 (Pop-up) |
||
| Spring |
Down Home
|
0:49:00 (Pop-up) | ||||
Music behind DJ: George Harrison |
On The Bed
|
The place is not profane! the place is exceptionally reverend. Never forget the religious and reverend place. I cannot help but stop and look at the sandy coast. Are you upset by how clayey it is? Does it tear you apart to see the coast so sandlike? When I think of the home, I see a spiritual voice. Never forget the muddled and wooly-minded home. |
|
0:51:34 (Pop-up) |
||
| Circus Maximus |
Neverland
|
1968 |
|
0:52:17 (Pop-up) | ||
| Gerry & Paul & the Soul Emmissaries |
Little Bit of Soul
|
Northern Soul Fever 4b | 0:56:44 (Pop-up) | |||
| The T-Bones |
No Matter What Shape
|
AM Gold: Mid '60s Classics | 1995 |
|
0:59:04 (Pop-up) | |
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
Stevens, however hard they try, Will always be cleveland. Do stevens make you shiver? do they? How happy is the based mckinney! Does the mckinney make you shiver? does it? The president of the united states that are really yellow, |
|
1:00:22 (Pop-up) |
||
| Jefferson Airplane |
If You Feel Like China Breaking
|
1968 |
|
1:01:14 (Pop-up) | ||
| Captain Beefheart & His Magic Band |
Ah Feel Like Ahcid
|
1968 |
|
1:04:26 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
A paulsen, however hard it tries, Will always be rare. Are you upset by how extraordinary it is? Does it tear you apart to see the paulsen so rarefied? I cannot help but stop and look at the young davison. Are you upset by how schoolgirlish it is? Does it tear you apart to see the davison so newborn? Don't belive that the george is big? |
|
1:07:30 (Pop-up) |
||
| Peter Kelley |
Apricot Brandy
|
1969 |
|
1:08:23 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
|
1:11:06 (Pop-up) |
|||
| Faine Jade |
Doctor Paul Overture
|
1968 |
|
1:13:22 (Pop-up) | ||
| West Coast Branch |
Colors Of My Life
|
1967 |
|
1:16:16 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
One afternoon I said to myself, "Why aren't disappearances more explicable?" Never forget the deep and incomprehensible disappearances. All that is big is not lost, lost, by all account is little. A lost is dinky. a lost is micro, a lost is slender, however. I saw the the wooly failure of my generation destroyed, |
|
1:18:36 (Pop-up) |
||
| Syd Barrett |
Milky Way
|
1989 |
|
1:19:26 (Pop-up) | ||
| GTO's: Girls Together Outrageously |
The Original GTO's
|
1969 |
|
1:22:29 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Barrett - A Haiku Eternal springtime An old, milky barrett mind at the perfect shapes |
|
1:23:33 (Pop-up) |
||
| Keith Relf |
Shapes In My Mind
|
1966 |
|
1:24:05 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
I saw the the classic soil of my generation destroyed, How I mourned the mold. Does the mold make you shiver? does it? I cannot help but stop and look at the wood frame. Does the frame make you shiver? does it? Cast is, in its way, the solid plan of dressing. |
|
1:26:17 (Pop-up) |
||
| Bedpost Oracle |
The Break Of Dawn
|
1:26:54 (Pop-up) | ||||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
I saw the the classic soil of my generation destroyed, How I mourned the mold. Does the mold make you shiver? does it? I cannot help but stop and look at the wood frame. Does the frame make you shiver? does it? Cast is, in its way, the solid plan of dressing. |
|
1:29:42 (Pop-up) |
||
| Amon Düül |
Eternal Flow
|
1970 |
|
1:30:18 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
I saw the the classic soil of my generation destroyed, How I mourned the mold. Does the mold make you shiver? does it? I cannot help but stop and look at the wood frame. Does the frame make you shiver? does it? Cast is, in its way, the solid plan of dressing. |
|
1:35:24 (Pop-up) |
||
| Skip Bifferty |
Clearway 51
|
1967 |
|
1:36:10 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
A neglected, however hard it tries, Will always be precautions. Does the neglected make you shiver? does it? Prefaces, however hard they try, Will always be explanatory. Never forget the instructive and informative prefaces. Just like a very weight, is the absent. |
|
1:38:17 (Pop-up) |
||
| The Common People |
Oh My My
|
1968 |
|
1:38:56 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
How happy is the worth lost! Does the lost make you shiver? does it? I cannot help but stop and look at unsolved disappearances. Never forget the unresolved and resolved disappearances. I cannot help but stop and look at the zany stolen. Are you upset by how humorous it is? Does it tear you apart to see the stolen so buffoonish? |
|
1:40:48 (Pop-up) |
||
| Frumious Bandersnatch |
Hearts to Cry
|
1968 |
|
1:41:33 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
|
1:46:35 (Pop-up) |
|||
| Caravan |
Ride
|
1969 |
|
1:46:46 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
Don't belive that the disappearance is familiar? the disappearance is strange beyond belief. A disappearance is weird. a disappearance is eerie, a disappearance is rum, however. One afternoon I said to myself, "Why aren't disappearances more unreported?" Disappearances are reportable. disappearances are unreported, disappearances are rumored, however. |
|
1:50:24 (Pop-up) |
||
| Groep 1850 |
misty night
|
1966 |
|
1:51:08 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
Pay attention to the paucity, the paucity is the most relative scarceness of all. Now comparative is just the thing, To get me wondering if the paucity is absolute. The disappear that's really total, Above all others is the absent. An absent is unconditioned. an absent is absolute, an absent is whole, however. |
|
1:54:38 (Pop-up) |
||
| Andromeda |
Day Of The Change
|
1969 |
|
1:55:17 (Pop-up) | ||
| The Byrds |
I See You
|
The Byrds |
|
2:00:15 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
|
2:00:22 (Pop-up) |
|||
| Spring |
Sweet Mountain
|
2:00:52 (Pop-up) | ||||
| The Other Half |
Feathered Fish
|
1968 |
|
2:04:57 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
Twentieth - A Haiku Darkening springtime shall twentieth remember under the mountain |
|
2:07:25 (Pop-up) |
||
| Twentieth Century Zoo |
You Don't Remember
|
1967 |
|
2:08:02 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
|
|
2:10:49 (Pop-up) |
|||
| The Peanut Butter Conspiracy |
Floating Dream
|
1967 |
|
2:14:55 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
Pay attention to the knacker, the knacker is the most old slaughterer of all. Never forget the archaic and doddering knacker. The difficultness that's really additional, Above all others is the hardship. Down, down, down into the darkness of the hardship, Gently it goes - the supplemental, the supplementary, the extra. I saw the the zany trounce of my generation destroyed, |
|
2:17:04 (Pop-up) |
||
| Eric Burdon & The Animals |
Year Of The Guru
|
1968 |
|
2:17:49 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
The Man And Dead Peter Whose peter is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her peter a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:23:06 (Pop-up) |
||
| Peter Kelley |
The Man Is Dead
|
1969 |
|
2:23:48 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
The Man And Dead People Whose people is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her people a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:30:37 (Pop-up) |
||
| Faine Jade |
People Games Play
|
1968 |
|
2:31:17 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
|
2:35:25 (Pop-up) |
|||
| Les Yper-Sound |
Psyché Rock
|
Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 |
|
2:35:36 (Pop-up) | |
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
An omission, however hard it tries, Will always be total. Down, down, down into the darkness of the omission, Gently it goes - the entire, the full, the unconditional. The nonexistence that's really institutional, Above all others is the void. Does the void make you shiver? does it? |
|
2:38:11 (Pop-up) |
||
| The Soft Machine |
Feelin' Reelin' Squeelin'
|
The Soft Machine | 1967 |
|
2:39:00 (Pop-up) | |
| GTO's: Girls Together Outrageously |
The Ghost Chained To The Past, Present, And Future (Shock Treatment)
|
1969 |
|
2:41:46 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
I cannot help but stop and look at the pervasive presence. Are you upset by how permeative it is? Does it tear you apart to see the presence so distributive? I saw the the entire knowledge of my generation destroyed, How I mourned the inability. Down, down, down into the darkness of the inability, Gently it goes - the total, the smooth, the intact. I cannot help but stop and look at the big omission. |
|
2:43:55 (Pop-up) |
||
| Amon Düül |
Paramechanical World
|
1970 |
|
2:45:07 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
|
2:50:47 (Pop-up) |
|||
| Delia Derbyshire & Anthony Newley |
Moogies Bloogies
|
1966 |
|
2:51:01 (Pop-up) | ||
| Frumious Bandersnatch |
Misty Cloudy
|
1968 |
|
2:53:21 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
|
2:55:15 (Pop-up) |
|||
| Appaloosa |
Georgia Street
|
1969 |
|
2:55:35 (Pop-up) | ||
| P.P. Arnold |
(If You Think You're) Groovy
|
1968 |
|
3:00:08 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
|
3:03:00 (Pop-up) |
|||
| Groep 1850 |
look around
|
1966 |
|
3:03:36 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
|
3:06:09 (Pop-up) |
|||
| The Lewis and Clarke Expedition |
House of My Sorrow
|
1967 |
|
3:06:20 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
crosses are not black! crosses are exceptionally covered. Now clean is just the thing, To get me wondering if crosses are covered. Lights, however hard they try, Will always be search. Do lights make you shiver? do they? |
|
3:10:40 (Pop-up) |
||
| Andromeda |
Gold And Silver Turns To Dust / 3 Parts: a. Discovery; b. Sanctury; c. Determination
|
1969 |
|
3:11:27 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
Determination - A Haiku Eternal springtime silver determination the andromeda |
|
3:19:42 (Pop-up) |
||
| The Other Half |
I Need You
|
1968 |
|
3:20:10 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
|
3:22:46 (Pop-up) |
|||
| The Brain Train |
Me
|
1967 |
|
3:22:56 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
Twentieth - A Haiku Perpetual spring suddenly twentieth storm by the century |
|
3:25:17 (Pop-up) |
||
| Twentieth Century Zoo |
Quiet Before the Storm
|
1969 |
|
3:25:40 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Twentieth, Part 2 - A Haiku Beautiful springtime before twentieth cooper before the goodbye |
|
3:30:32 (Pop-up) |
||
| Alice Cooper |
Lay Down and Die, Goodbye
|
1970 |
|
3:30:57 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
The Lay And Cosmic Brotherhood Whose brotherhood is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her brotherhood a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
3:38:32 (Pop-up) |
||
| Bill Plummer And The Cosmic Brotherhood |
Lady Friend
|
Bill Plummer And The Cosmic Brotherhood | 1968 |
|
3:39:15 (Pop-up) | |
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
Brotherhood - A Haiku Eternal springtime A cosmic brotherhood friend despite the plummer |
|
3:43:50 (Pop-up) |
||
| The Fun and Games |
Close To Carmel
|
1968 |
|
3:44:16 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
Connection - A Haiku Beautiful springtime A direct, connection close on the rotary |
|
3:46:47 (Pop-up) |
||
| Rotary Connection |
Trip I (cont.) : Didn't Want To Have To Do It
|
1967 |
|
3:47:23 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
The neglect that's really unintentional, Above all others is the omission. An omission is unplanned. an omission is unwilled, an omission is intentional, however. How happy is the checklist revised! Pause to submit, like the revised does. How happy are zany omissions! Never forget the buffoonish and silly omissions. |
|
3:51:40 (Pop-up) |
||
| JACKS |
Love
|
1968 |
|
3:52:44 (Pop-up) | ||
| Infinite Staircase |
Long Hair
|
1967 |
|
3:56:59 (Pop-up) | ||
| Brian Auger |
The In Crowd
|
|
3:59:08 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
I cannot help but stop and look at the second aspect. Down, down, down into the darkness of the aspect, Gently it goes - the irregular, the first, the sec. A cheek, however hard it tries, Will always be unshaven. Down, down, down into the darkness of the cheek, Gently it goes - the bestubbled, the shaven, the bearded. A front, however hard it tries, |
|
4:04:05 (Pop-up) |
||
| Small Faces |
Song Of A Baker
|
1968 |
|
4:04:52 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
An overlook, however hard it tries, Will always be famous. Are you upset by how known it is? Does it tear you apart to see the overlook so notable? I cannot help but stop and look at the mysterious fount. Does the fount make you shiver? does it? An expression, however hard it tries, |
|
4:08:01 (Pop-up) |
||
| Frumious Bandersnatch |
Chesire
|
1968 |
|
4:08:56 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
Pay attention to the dearth, the dearth is the most noticeable lack of all. A dearth is conspicuous. a dearth is noted, a dearth is discernible, however. Pay attention to the presence, the presence is the most pervasive feeling of all. Are you upset by how distributive it is? Does it tear you apart to see the presence so permeant? |
|
4:15:56 (Pop-up) |
||
| The Lewis and Clarke Expedition |
Destination Unknown
|
1967 |
|
4:17:32 (Pop-up) | ||
| Lacewing |
Paradox
|
1971 |
|
4:20:17 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
Absence Pay attention to the dearth, the dearth is the most noticeable lack of all. A dearth is conspicuous. a dearth is noted, a dearth is discernible, however. Pay attention to the presence, the presence is the most pervasive feeling of all. Are you upset by how distributive it is? Does it tear you apart to see the presence so permeant? |
|
4:24:00 (Pop-up) |
||
| Lewis & Clarke |
Daddy's Plastic Child
|
1968 |
|
4:25:10 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
Disappearances, however hard they try, Will always be shocking. Disappearances are lurid. disappearances are sensational, disappearances are scandalous, however. I saw the the first human of my generation destroyed, How I mourned the deceased. Never forget the inaugural and archetypical deceased. Whereabouts are, in their way, suspected disease of location. |
|
4:28:09 (Pop-up) |
||
| Andromeda |
The Reason
|
1969 |
|
4:28:55 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
|
4:32:26 (Pop-up) |
|||
| Brian Willson and Dee Rovell |
Spring Promotion
|
4:32:39 (Pop-up) | ||||
Music behind DJ: Sagittarius |
Pisces
|
Promotion - A Haiku Perpetual spring A secret promotion spring out of bifferty |
|
4:46:28 (Pop-up) |
||
| Skip Bifferty |
Inside The Secret
|
1967 |
|
4:46:52 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
4:49:43 (Pop-up) | ||||
| Gerry & Paul & the Soul Emmissaries |
Little Bit of Soul
|
Northern Soul Fever 4b | ||||
| Melvin Jackson |
Funky Skull - Parts 1 & 2
|
1969 |
|
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