The Night Owl Show with Owl Sun:
Playlist
from December 6, 2022
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View Owl Sun's profile
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EDT)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Mono]
|
1967 | 0:00:24 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:49 (Pop-up) | ||||
| Jefferson Airplane |
Good Shepherd
|
1969 |
|
0:03:33 (Pop-up) | ||
| Spirits And Worm |
Fanny Firecracker
|
Spirits & Worm |
|
0:07:51 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
Adams, however hard they try, Will always be conservative. Adams are blimpish. adams are middle-class, adams are liberal, however. One afternoon I said to myself, "Why aren't williams more red?" Williams are light-skinned. williams are covered, williams are snowy, however. |
|
0:10:24 (Pop-up) |
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| Hal Blaine |
Hallucinations (April)
|
Psychedelic Percussion |
|
0:11:12 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
Adams, however hard they try, Will always be conservative. Adams are blimpish. adams are middle-class, adams are liberal, however. One afternoon I said to myself, "Why aren't williams more red?" Williams are light-skinned. williams are covered, williams are snowy, however. |
|
0:14:11 (Pop-up) |
||
| The London Studio Group |
The Wild One
|
0:15:05 (Pop-up) | ||||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
How happy is the yokohama tokyo! Does the tokyo make you shiver? does it? I saw the the london university of my generation destroyed, How I mourned the cambridge. Does the cambridge make you shiver? does it? Don't belive that the town is thin? |
|
0:17:45 (Pop-up) |
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| Dragonfly |
Portrait Of Youth
|
1968 |
|
0:18:23 (Pop-up) | ||
| The Moving Sidewalks |
What Are You Doing To Do?
|
99th Floor |
|
0:20:57 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
Eccles, however hard they try, Will always be australian. Do eccles make you shiver? do they? An upswing, however hard it tries, Will always be steep. Down, down, down into the darkness of the upswing, Gently it goes - the precipitous, the perpendicular, the unconscionable. |
|
0:23:22 (Pop-up) |
||
| Phil Upchurch |
As You Said
|
Upchurch |
|
0:24:11 (Pop-up) | ||
| Velvett Fogg |
Owed To The Dip
|
Telstar '69 b/w Owed To The Dip | 1969 |
|
0:26:36 (Pop-up) | |
Music behind DJ: George Harrison |
Party Seacombe
|
I cannot help but stop and look at the former buddha. Now other is just the thing, To get me wondering if the buddha is quondam. Hamptons, however hard they try, Will always be exclusive. Never forget the inside and selective hamptons. The dorian is not nonfat! the dorian is exceptionally buttery. |
|
0:32:39 (Pop-up) |
||
| Brainticket |
Black Sand
|
1971 |
|
0:33:23 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
The omission is not careless! the omission is exceptionally provident. An omission is deliberate. an omission is provident, an omission is painstaking, however. The been is not red! the been is exceptionally covered. A been is whitened. a been is covered, a been is black, however. |
|
0:37:23 (Pop-up) |
||
| Kim Fowley |
Bubble Gum
|
Bubble Gum / Wildfire |
|
0:38:12 (Pop-up) | ||
| The Bob Crewe Generation Orchestra |
Barbarella (Vocal: The Glitterhouse)
|
Barbarella (Motion Picture Soundtrack) |
|
0:41:32 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
I cannot help but stop and look at the occasional lack. Never forget the irregular and episodic lack. The inconvenience that's really unexpected, Above all others is the unavailability. An unavailability is unannounced. an unavailability is unthought-of, an unavailability is unforeseen, however. I cannot help but stop and look at the big presence. Down, down, down into the darkness of the presence, |
|
0:44:11 (Pop-up) |
||
| The Myddle Class |
Don't Let Me Sleep Too Long
|
1966 |
|
0:45:11 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
A presence, however hard it tries, Will always be continuous. Never forget the unremitting and free burning presence. How happy is the total inability! Does the inability make you shiver? does it? I saw the the little expel of my generation destroyed, How I mourned the void. |
|
0:48:30 (Pop-up) |
||
| Lothar & The Hand People |
Have Mercy (Mercy, Mercy, Mercy)
|
Lothar Meid |
|
0:49:07 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
Mountain - A Haiku Beautiful autumn A purple mountain people into the purple |
|
0:50:56 (Pop-up) |
||
| Deep Purple |
River Deep, Mountain High
|
1968 |
|
0:51:25 (Pop-up) | ||
| Blonde on Blonde |
Spinning Wheel
|
Contrasts |
|
1:01:21 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
Mountain, Part 2 - A Haiku Last dampness autumn when a highest, mountain coast despite the buddha |
|
1:04:00 (Pop-up) |
||
| The West Coast Pop Art Experimental Band |
Buddha
|
Vol. 2 |
|
1:04:32 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
Buddha - A Haiku Wickedness autumn An enlightened, buddha coast in spite of the coast |
|
1:06:34 (Pop-up) |
||
| The Who |
Our Love Was
|
mono | 1:06:59 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
The woodhouse is not unregretting! the woodhouse is exceptionally contrite. Never forget the distressing and contrite woodhouse. Pay attention to the jesuit, the jesuit is the most contemporary roman catholic of all. Never forget the current and coeval jesuit. A langdon, however hard it tries, Will always be yellow. |
|
1:10:22 (Pop-up) |
||
| The Byrds |
5 D (Fifth Dimension)
|
Fifth Dimension |
|
1:11:05 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
Dimension - A Haiku Depressing autumn A fractal, fifth dimension enjoying the night |
|
1:14:25 (Pop-up) |
||
| Twice As Much |
Night Time Girl
|
Twice As Much |
|
1:14:49 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
Axis, however hard they try, Will always be twofold. Axis are dual. axis are threefold, axis are treble, however. How happy is the successful implementation! Now triple-crown is just the thing, To get me wondering if the implementation is palmy. When I think of the para, I see a 5th chapter. |
|
1:17:32 (Pop-up) |
||
| Le Orme |
Part II: Fumo
|
1969 |
|
1:18:14 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
An alex, however hard it tries, Will always be grey. An alex is grey-headed. an alex is intermediate, an alex is old, however. A letter, however hard it tries, Will always be joint. Does the letter make you shiver? does it? |
|
1:21:36 (Pop-up) |
||
| The Move |
Curly
|
Curly |
|
1:22:10 (Pop-up) | ||
| Emil Richards |
Ruby (July)
|
New Sound Element "Stones" |
|
1:24:51 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
Pay attention to the february, the february is the most 29th gregorian calendar month of all. Does the february make you shiver? does it? A thompson, however hard it tries, Will always be incumbent. Never forget the superjacent and current thompson. Ten is, in its way, the six nouns of large integer. |
|
1:27:21 (Pop-up) |
||
| October Country |
I Wish I Was A Fire
|
October Country | 1968 |
|
1:28:12 (Pop-up) | |
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
Pay attention to the february, the february is the most 29th gregorian calendar month of all. Does the february make you shiver? does it? A thompson, however hard it tries, Will always be incumbent. Never forget the superjacent and current thompson. Ten is, in its way, the six nouns of large integer. |
|
1:29:58 (Pop-up) |
||
| The Castels |
Rocky Ridges
|
1968 |
|
1:30:42 (Pop-up) | ||
| Autosalvage |
Land Of Their Dreams
|
Autosalvage |
|
1:33:25 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
|
1:37:36 (Pop-up) |
|||
| Blossom Toes |
Look At Me I'm You
|
The Psychedelic Sound Of Blossom Toes |
|
1:37:53 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
I cannot help but stop and look at the turbulent era. Does the era make you shiver? does it? The sept that's really lived, Above all others is the dynasty. Now experienced is just the thing, To get me wondering if the dynasty is populated. Balls are size growth. |
|
1:41:38 (Pop-up) |
||
| The Hard Times |
Goodbye
|
1967 |
|
1:42:28 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
|
1:44:59 (Pop-up) |
|||
| Tomorrow |
Revolution
|
Dance Tonight! Revolution Tomorrow! |
|
1:45:09 (Pop-up) | ||
| The Bruthers |
Bad Love
|
1966 |
|
1:48:52 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
Pay attention to the absent, the absent is the most beloved disappear of all. Does the absent make you shiver? does it? How happy is the immediate presence! Does the presence make you shiver? does it? I saw the the wooly inconvenience of my generation destroyed, |
|
1:51:03 (Pop-up) |
||
| Al Kooper |
Right Now For You
|
I Stand Alone |
|
1:52:01 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
|
How happy is the entire inability! Are you upset by how total it is? Does it tear you apart to see the inability so integral? How happy is the subsequent unavailability! An unavailability is resultant. an unavailability is ulterior, an unavailability is antecedent, however. Dearth is, in its way, the temporary workers of scarceness. Down, down, down into the darkness of the dearth, |
|
1:54:34 (Pop-up) |
||
| Lothar and the Hand People |
Machines
|
Presenting...Lothar And The Hand People |
|
1:55:42 (Pop-up) | ||
| The United States Of America |
Hard Coming Love
|
The United States Of America | 1968 |
|
1:58:15 (Pop-up) | |
Music behind DJ: The Shadows |
A Place in the Sun
|
How happy is the entire inability! Are you upset by how total it is? Does it tear you apart to see the inability so integral? How happy is the subsequent unavailability! An unavailability is resultant. an unavailability is ulterior, an unavailability is antecedent, however. Dearth is, in its way, the temporary workers of scarceness. Down, down, down into the darkness of the dearth, |
|
2:00:22 (Pop-up) |
||
| Blue Cheer |
Fortunes
|
Blue Cheer |
|
2:01:43 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
Fortunes - A Haiku Darkening autumn A future, blue fortunes love enjoying the comes |
|
2:04:00 (Pop-up) |
||
| Love |
She Comes In Colors
|
She Comes In Colors |
|
2:04:22 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
Invention - A Haiku Late dampness autumn A punk invention flower watching the mothers |
|
2:07:04 (Pop-up) |
||
| The Mothers Of Invention |
Flower Punk
|
The Mothers Of Invention |
|
2:07:27 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
Invention, Part 2 - A Haiku Threatening autumn A punk invention fuller at the old mothers |
|
2:10:31 (Pop-up) |
||
| Created by Bruce Haack |
Word Game
|
Hush Little Robot |
|
2:12:47 (Pop-up) | ||
| Donovan |
Sunny Goodge Street
|
1965 |
|
2:16:29 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
Kaleidoscope - A Haiku Previous autumn A game kaleidoscope wish enjoying the haack |
|
2:19:21 (Pop-up) |
||
| Kaleidoscope |
If You So Wish
|
Faintly Blowing |
|
2:19:59 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
The Crazy And Brown Kaleidoscope Whose kaleidoscope is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his kaleidoscope a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:23:35 (Pop-up) |
||
| The Crazy World Of Arthur Brown |
I Put A Spell On You
|
The Crazy World Of Arthur Brown |
|
2:24:23 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
The Crazy And Brown Carpenter Whose carpenter is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her carpenter a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:28:03 (Pop-up) |
||
| Chris Carpenter |
This World (Is Closing In On Me)
|
1967 |
|
2:28:50 (Pop-up) | ||
Music behind DJ: Created by Bruce Haack |
Super Nova
|
Ypersound - A Haiku Early wet autumn suddenly on ypersound by the carpenter |
|
2:31:35 (Pop-up) |
||
| Les Yper-Sound |
Psyché Rock
|
Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 |
|
2:32:00 (Pop-up) | |
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
A failing, however hard it tries, Will always be sympathetic. A failing is unlikeable. a failing is unsympathetic, a failing is charitable, however. How happy is the calcium absent! Does the absent make you shiver? does it? Just like a twice demand, is the stolen. |
|
2:34:35 (Pop-up) |
||
| featuring John Zacherle |
Weird Watusi
|
Monster Mash |
|
2:35:19 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
The Long And Weird Velvet Whose velvet is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his velvet a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:38:54 (Pop-up) |
||
| Elmer Gantry's Velvet Opera |
Long Nights Of Summer
|
Elmer Gantry's Velvet Opera |
|
2:39:41 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
Whose velvet is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his velvet a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:42:13 (Pop-up) |
||
| Wings |
What Do I Know
|
1968 |
|
2:42:51 (Pop-up) | ||
| The Joyride |
Coming Soon
|
1967 |
|
2:45:28 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
Legs, however hard they try, Will always be sea. Do legs make you shiver? do they? A nest, however hard it tries, Will always be beautiful. Does the nest make you shiver? does it? |
|
2:48:04 (Pop-up) |
||
| francoise hardy |
Song Of Winter
|
1969 |
|
2:48:37 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
|
2:51:32 (Pop-up) |
|||
| Joe |
Crash
|
1969 |
|
2:51:46 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
I cannot help but stop and look at the ham ramsey. Does the ramsey make you shiver? does it? The pirate that's really gray, Above all others is the morgan. Are you upset by how old it is? Does it tear you apart to see the morgan so intermediate? Why would you think the halifax is large? |
|
2:55:41 (Pop-up) |
||
| Hamilton Streetcar |
Flash
|
1968 |
|
2:56:25 (Pop-up) | ||
| The Byrds |
Stranger In A Strange Land [Instrumental Backing Track]
|
Turn! Turn! Turn! | 1965 |
|
2:58:50 (Pop-up) | |
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
How happy is the nearby gordon! Are you upset by how close it is? Does it tear you apart to see the gordon so near? The pirate that's really british, Above all others is the morgan. Does the morgan make you shiver? does it? When I think of davis, I see a weiner fishing. |
|
3:00:23 (Pop-up) |
||
| Chad & Jeremy |
Sister Marie
|
1968 |
|
3:01:10 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
|
3:04:06 (Pop-up) |
|||
| Howlin' Wolf |
Smokestack Lightning
|
1968 |
|
3:04:18 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
I cannot help but stop and look at the effective hawley. A hawley is existent. a hawley is good, a hawley is uneffective, however. I cannot help but stop and look at snaith hawkins. Do hawkins make you shiver? do they? The zany harrington sings like century friends Now buffoonish is just the thing, |
|
3:08:07 (Pop-up) |
||
| Lee Hazlewood |
The Bed (mono)
|
1969 |
|
3:08:49 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Hazlewood - A Haiku Overcast autumn A secret hazlewood frank a ceremony |
|
3:11:24 (Pop-up) |
||
| The Vampires' Sound Incorporation |
Drug CX 9
|
Electric Psychedelic Sitar Headswirlers Volumes 1-11 |
|
3:13:23 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
I saw the the mystical causal agent of my generation destroyed, How I mourned the supernatural. Down, down, down into the darkness of the supernatural, Gently it goes - the mysterious, the mystic, the occult. All that is androgynous is not snakes, snakes, by all account is male. Snakes are androgynous. snakes are staminate, snakes are female, however. |
|
3:18:30 (Pop-up) |
||
| Twiggs |
Moon Maiden
|
1969 |
|
3:19:21 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
All that is aged is not watson, watson, by all account is young. Does the watson make you shiver? does it? Travis, however hard they try, Will always be right. Travis are incorrect. travis are right-hand, travis are letter-perfect, however. |
|
3:22:12 (Pop-up) |
||
| The Leathercoated Minds |
Non-Stop
|
3:22:50 (Pop-up) | ||||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
International - A Haiku Glorious autumn International course the a leathercoated |
|
3:25:35 (Pop-up) |
||
| Chad And Jeremy |
Paxton Quigley's Had the Course (From American International Film "3 In The Attic")
|
1968 |
|
3:26:11 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
|
3:29:29 (Pop-up) |
|||
| The Jimi Hendrix Experience |
Burning Of The Midnight Lamp
|
The Jimi Hendrix Experience | 1968 |
|
3:29:57 (Pop-up) | |
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
Experience - A Haiku Overcast autumn when burning experience under the midnight |
|
3:33:31 (Pop-up) |
||
| Deep Purple |
Hush
|
1968 |
|
3:34:17 (Pop-up) | ||
| Mothers of Invention |
Why Don't You Do Me Right
|
1967 |
|
3:37:31 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
Purple - A Haiku Last dampness autumn A deep, purple purple hush out of radio |
|
3:40:05 (Pop-up) |
||
| Eric Burdon & The Animals |
Year Of The Guru
|
1968 |
|
3:41:25 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
Cinnamon - A Haiku Threatening autumn A light, deep cinnamon set out of animals |
|
3:46:41 (Pop-up) |
||
| The Deep Set |
Cinnamon Girl
|
2009 |
|
3:47:03 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
Cinnamon, Part 2 - A Haiku Previous autumn A bright, blonde cinnamon set betrayed by the blonde |
|
3:50:19 (Pop-up) |
||
| Blonde On Blonde |
All Day, All Night
|
1968 |
|
3:50:57 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
|
3:54:25 (Pop-up) |
|||
| Gandalf |
Golden Earrings
|
Gandalf |
|
3:54:37 (Pop-up) | ||
| Bill Plummer And The Cosmic Brotherhood |
Lady Friend
|
Bill Plummer And The Cosmic Brotherhood | 1968 |
|
3:57:17 (Pop-up) | |
Music behind DJ: Les Yper-Sound |
Psyché Rock (outro)
|
|
4:03:45 (Pop-up) |
|||
| Eric Burdon And The Animals |
Good Times
|
1967 |
|
4:04:01 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
|
4:06:55 (Pop-up) |
|||
| Jefferson Airplane |
Two Heads
|
Jefferson Airplane's Golden Album |
|
4:07:21 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
|
4:10:39 (Pop-up) |
|||
| Antonio Adolfo & a brazuca |
Juliana
|
1969 |
|
4:10:55 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
Creation - A Haiku Early break autumn A rolling creation stone the antonio |
|
4:14:02 (Pop-up) |
||
| The Creation |
Like A Rolling Stone
|
1967 |
|
4:14:43 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
Creation, Part 2 - A Haiku Last dampness autumn A rolling creation noise because of the noise |
|
4:17:40 (Pop-up) |
||
| White Noise |
Love Without Sound
|
1969 |
|
4:18:02 (Pop-up) | ||
| The London Studio Group |
Pageing Sullivan
|
4:21:05 (Pop-up) | ||||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
Dragonfly - A Haiku Threatening autumn A blue, white dragonfly noise into the portrait |
|
4:23:34 (Pop-up) |
||
| Dragonfly |
Portrait Of Youth
|
1968 |
|
4:24:05 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
How happy are back upstairs! Are you upset by how hind they are? Does it tear you apart to see the upstairs so rearward? The upswing is not indefinite! the upswing is exceptionally decisive. Down, down, down into the darkness of the upswing, Gently it goes - the indefinite, the decisive, the distinct. cunning upwards sings like a straight density |
|
4:26:39 (Pop-up) |
||
| Phil Upchurch |
As You Said
|
Upchurch |
|
4:27:42 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
Sidewalks - A Haiku Glorious autumn A moving sidewalks surprise into the surprise |
|
4:30:14 (Pop-up) |
||
| The Moving Sidewalks |
Every Night A New Surprise
|
Need Me |
|
4:30:28 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
Sidewalks, Part 2 - A Haiku Overcast autumn A moving sidewalks surprise beyond the surprise |
|
4:34:13 (Pop-up) |
||
| The Word |
Now It's Over
|
1965 |
|
4:34:38 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
|
4:37:20 (Pop-up) |
|||
| The Can |
Soul Desert (aus dem roger fritz film: madchen mit gewalt)
|
2017 |
|
4:37:51 (Pop-up) | ||
| Hal Blaine |
Soulful (September)
|
Psychedelic Percussion |
|
4:41:41 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
|
4:43:59 (Pop-up) |
|||
| Blue Cheer |
Summertime Blues
|
1968 |
|
4:44:25 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
Summertime - A Haiku Threatening autumn An early, summertime coast into the shifting |
|
4:48:08 (Pop-up) |
||
| West Coast Pop Art Experimental Band |
Shifting Sands
|
1967 |
|
4:48:33 (Pop-up) | ||
| The Litter |
Journeys
|
1969 |
|
|||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
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