The Night Owl Show with Owl Sun:
Playlist
from December 15, 2021
 |
View Owl Sun's profile
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EDT)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Stereo Mix]
|
1967 | 0:00:29 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:55 (Pop-up) | ||||
| H.P. Lovecraft |
Anyway That You Want Me
|
1967 |
|
0:03:22 (Pop-up) | ||
| The Kaleidoscope |
Little Orphan Nannie
|
1967 |
|
0:05:51 (Pop-up) | ||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07
|
Lovecraft - A Haiku Overcast autumn A young, laughing lovecraft stock despite the laughing |
|
0:07:41 (Pop-up) |
||
| Love |
Laughing Stock
|
1968 |
|
0:08:22 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
Dimension - A Haiku Previous autumn A new, laughing dimension after the laughing |
|
0:11:33 (Pop-up) |
||
| The 5th Dimension |
Requiem: 820 Latham
|
1968 |
|
0:11:54 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
Dimension, Part 2 - A Haiku Depressing autumn then dimension dimension by the requiem |
|
0:16:17 (Pop-up) |
||
| The West Coast Pop Art Experimental Band Vol.3 |
Ritual #1
|
1968 |
|
0:16:45 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Robertson - A Haiku Glorious autumn A poynting, robertson coast out of ritual |
|
0:18:47 (Pop-up) |
||
| The Byrds |
Old John Robertson
|
1967 |
|
0:19:23 (Pop-up) | ||
| Aphrodite's Child |
Plastics Nevermore
|
1968 |
|
0:21:11 (Pop-up) | ||
Music behind DJ: The Beatles |
The Bus
|
|
0:23:38 (Pop-up) |
|||
| Dorothy Ashby |
Soul Vibrations
|
1968 |
|
0:24:10 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
America - A Haiku Darkening autumn A white, america love on the dorothy |
|
0:27:20 (Pop-up) |
||
| The United States Of America |
Hard Coming Love
|
The United States Of America | 1968 |
|
0:27:46 (Pop-up) | |
Music behind DJ: The Beatles |
Flying
|
Connection - A Haiku Depressing autumn A working connection love before the working |
|
0:32:24 (Pop-up) |
||
| Rotary Connection |
I Got My Mojo Working
|
1969 |
|
0:32:50 (Pop-up) | ||
Music behind DJ: Created by Bruce Haack |
Super Nova
|
Connection, Part 2 - A Haiku Beautiful autumn A working connection pink near the oranges |
|
0:35:59 (Pop-up) |
||
| The Pink Floyd |
Apples and Oranges
|
1967 |
|
0:36:34 (Pop-up) | ||
Music behind DJ: Created by Bruce Haack |
Super Nova
|
Instant Request |
|
0:39:36 (Pop-up) |
||
| The Sonics |
He's Waiting
|
For: Candy-O'67 | 0:39:39 (Pop-up) | |||
| Don Malena and the Dry Ice |
Land Of Summertime
|
1968 |
|
0:42:15 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
I cannot help but stop and look at the lovely jessie. Now lovable is just the thing, To get me wondering if the jessie is endearing. I cannot help but stop and look at the beloved ronnie. Now dear is just the thing, To get me wondering if the ronnie is dearest. One afternoon I said to myself, "Why aren't spinks more fat-free?" |
|
0:45:48 (Pop-up) |
||
| Traffic |
Smiling Phases
|
1967 |
|
0:46:44 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
|
0:49:14 (Pop-up) |
|||
| KAK |
Everything's Changing
|
1969 |
|
0:49:26 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
|
0:53:27 (Pop-up) |
|||
| Eric Burdon And The Animals |
Sky Pilot Part 2
|
1968 |
|
0:53:41 (Pop-up) | ||
| electric banana; Arranged and Directed By Reginald Tilsley |
Vocal Versions with Accompaniment: Danger Signs (Driving "Rhythm and Blues" number with double - tracked vocal)
|
1967 |
|
0:56:30 (Pop-up) | ||
| TSU Toronados |
Play the Music Toronadoes
|
Play The Music Toronados |
|
0:59:02 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
|
1:00:30 (Pop-up) |
|||
| Musique De William Sheller |
Generissimo
|
1969 |
|
1:01:12 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
Sagittarius - A Haiku Darkening autumn For sagittarius york generissimo |
|
1:02:54 (Pop-up) |
||
| Sagittarius |
I Guess The Lord Must Be In New York City
|
1969 |
|
1:03:28 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
Sagittarius, Part 2 - A Haiku Overcast autumn silver sagittarius after the apples |
|
1:05:55 (Pop-up) |
||
| Silver Apples |
I Have Known Love
|
1969 |
|
1:06:40 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock (outro)
|
People - A Haiku Glorious autumn A silver people pretend after the lothar |
|
1:11:26 (Pop-up) |
||
| Lothar & The Hand People |
Let The Boy Pretend
|
1967 |
|
1:11:47 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
The Man And Frantic Midnight Whose midnight is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his midnight a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
1:13:54 (Pop-up) |
||
| Frantic |
Midnight To Six Man
|
1970 |
|
1:14:40 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
Pictures - A Haiku Beautiful autumn A frantic pictures fever above the midnight |
|
1:18:43 (Pop-up) |
||
| fever tree |
Man Who Paints The Pictures
|
1968 |
|
1:19:03 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
Accompaniment - A Haiku Previous autumn why accompaniment fever by the electric |
|
1:21:35 (Pop-up) |
||
| electric banana |
Vocal Version with Accompaniment: I See You
|
1968 |
|
1:22:01 (Pop-up) | ||
| Stu Phillips |
Hells Angels On Wheels
|
Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 |
|
1:25:43 (Pop-up) | |
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Accompaniment, Part 2 - A Haiku Previous autumn before accompaniment see betrayed by the thoughts |
|
1:28:07 (Pop-up) |
||
| Nomads |
Thoughts Of A Madman
|
1:28:45 (Pop-up) | ||||
Music behind DJ: David Axelrod |
The Human Abstract
|
The jardine is not nonphilosophical! the jardine is exceptionally nonphilosophical. Now ideological is just the thing, To get me wondering if the jardine is nonphilosophical. I cannot help but stop and look at dear hopkins. Down, down, down into the darkness of the hopkins, Gently they go - the pricey, the near, the pricy. I cannot help but stop and look at the yellow herman. |
|
1:31:42 (Pop-up) |
||
| Pink Floyd |
Julia Dream
|
1968 |
|
1:32:28 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
One afternoon I said to myself, "Why isn't the fedor more old?" Never forget the tender and old fedor. I cannot help but stop and look at the gorton mcmahon. Does the mcmahon make you shiver? does it? The selena is not small! the selena is exceptionally astronomical. |
|
1:35:20 (Pop-up) |
||
| The 13th Floor Elevators |
Nobody To Love
|
1967 |
|
1:36:00 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
|
1:38:48 (Pop-up) |
|||
| FUGS |
The Ten Commandments
|
1967 |
|
1:38:59 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
I cannot help but stop and look at earlier prefaces. Never forget the past and early prefaces. I saw the the conspicuous neglect of my generation destroyed, How I mourned the omission. Down, down, down into the darkness of the omission, Gently it goes - the outstanding, the open, the glaring. When I think of the been, I see a harm behav. Are you upset by how blubbery it is? |
|
1:41:54 (Pop-up) |
||
| The Bob Crewe Generation Orchestra |
Love Love Love Drags Me Down (Vocal: The Glitterhouse)
|
1968 |
|
1:42:53 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
I saw the the strange epilepsy of my generation destroyed, How I mourned the absence. Does the absence make you shiver? does it? The leaving that's really tragic, Above all others is the disappearance. Now sad is just the thing, To get me wondering if the disappearance is tragical. |
|
1:46:28 (Pop-up) |
||
| The Bonzo Dog Doo Dah Band |
Alley Oop
|
1966 |
|
1:47:12 (Pop-up) | ||
| The Holy Mackerel |
Bitter Honey
|
The Holy Mackerel | 1968 |
|
1:49:38 (Pop-up) | |
Music behind DJ: The Shadows |
A Place in the Sun
|
How happy are polemical prefaces! Never forget the polemic and controversial prefaces. How happy is the miserable neglected! Are you upset by how abject it is? Does it tear you apart to see the neglected so uncomfortable? A forgotten, however hard it tries, Will always be yellow. Now dishonourable is just the thing, |
|
1:51:53 (Pop-up) |
||
| Judy Henske & Jerry Yester |
Snowblind
|
1969 |
|
1:52:59 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
Snowblind - A Haiku Beautiful autumn An unspoken snowblind word into the sunday |
|
1:55:50 (Pop-up) |
||
| The Unspoken Word |
Sunday Suit Of Clothes
|
1968 |
|
1:56:16 (Pop-up) | ||
| The T-Bones |
No Matter What Shape
|
AM Gold: Mid '60s Classics | 1995 |
|
1:58:35 (Pop-up) | |
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
Goodbye - A Haiku Darkening autumn An unspoken goodbye word at the perfect blonde |
|
2:00:29 (Pop-up) |
||
| Blonde on Blonde |
Goodbye
|
1969 |
|
2:01:05 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
|
2:03:11 (Pop-up) |
|||
| Screamin' Jay Hawkins |
I'm Lonely
|
1970 |
|
2:03:28 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
|
2:05:42 (Pop-up) |
|||
| William Sheller |
Leslie Simone
|
1969 |
|
2:06:10 (Pop-up) | ||
| The id |
Short Circut
|
1967 |
|
2:09:19 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
|
2:12:14 (Pop-up) |
|||
| The Monkees |
The Door Into Summer
|
Pisces, Aquarius, Capricorn and Jones Ltd. | 1967 |
|
2:12:35 (Pop-up) | |
Music behind DJ: Big Jim Sullivan |
The Koan
|
A jonny, however hard it tries, Will always be dear. Does the jonny make you shiver? does it? Hargreaves, however hard they try, Will always be english. Do hargreaves make you shiver? do they? |
|
2:15:14 (Pop-up) |
||
| The Velvet Underground & Nico |
Sunday Morning
|
1966 |
|
2:15:55 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
The Pale And Underground Underground Whose underground is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his underground a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:18:43 (Pop-up) |
||
| Procol Harum |
A Whiter Shade Of Pale
|
1967 |
|
2:19:28 (Pop-up) | ||
| Les Yper-Sound |
Psyché Rock (outro)
|
Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 |
|
2:23:22 (Pop-up) | |
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
Electric - A Haiku Darkening autumn A hydro, electric sound out of banana |
|
2:23:38 (Pop-up) |
||
| Electric Banana |
(Vocal Tracks): Blow Your Mind (Heavy 'rhythm & blues' sound)
|
even more electric banana | 1969 |
|
2:24:18 (Pop-up) | |
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
Beefheart - A Haiku Darkening autumn suddenly beefheart captain out of electric |
|
2:27:50 (Pop-up) |
||
| Captain Beefheart and His Magic Band |
Who Do You Think You're Fooling?
|
1966 |
|
2:28:20 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
I cannot help but stop and look at the best forgotten. A forgotten is good. a forgotten is high-grade, a forgotten is optimal, however. Pay attention to the left, the left is the most dead faction of all. Down, down, down into the darkness of the left, Gently it goes - the numb, the unanimated, the exanimate. Revised is basic newspaper. |
|
2:31:22 (Pop-up) |
||
| The Head Shop |
Head Shop
|
1969 |
|
2:32:12 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
I cannot help but stop and look at the best forgotten. A forgotten is good. a forgotten is high-grade, a forgotten is optimal, however. Pay attention to the left, the left is the most dead faction of all. Down, down, down into the darkness of the left, Gently it goes - the numb, the unanimated, the exanimate. Revised is basic newspaper. |
|
2:35:09 (Pop-up) |
||
| Frantic |
Hey Joe
|
1970 |
|
2:36:07 (Pop-up) | ||
| monks |
Drunken Maria
|
1966 |
|
2:41:17 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
A rodriguez, however hard it tries, Will always be torres. Does the rodriguez make you shiver? does it? The barrister that's really canadian, Above all others is the sergeant. Does the sergeant make you shiver? does it? |
|
2:43:00 (Pop-up) |
||
| Glass Sun |
Silence Of The Morning
|
1971 |
|
2:43:45 (Pop-up) | ||
| The Asylum Choir |
Soul Food
|
1968 |
|
2:48:52 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
|
2:51:07 (Pop-up) |
|||
| The Ceylibe People |
Changes (Tygstl): from "Tanyet"
|
1968 |
|
2:51:33 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
Rooftop - A Haiku Depressing autumn An orange rooftop people into the ceylibe |
|
2:53:42 (Pop-up) |
||
| The Blue Things |
The Orange Rooftop Of Your Mind
|
1966 |
|
2:54:18 (Pop-up) | ||
| BOOKER T. & THE MG'S |
SOUL SANCTION
|
2:57:03 (Pop-up) | ||||
| Velvett Fogg |
Owed To The Dip
|
Telstar '69 b/w Owed To The Dip | 1969 |
|
2:59:41 (Pop-up) | |
Music behind DJ: Velvett Fogg |
Telstar '69
|
Rooftop, Part 2 - A Haiku Beautiful autumn A next, orange rooftop saint under the steven |
|
3:00:29 (Pop-up) |
||
| Saint Steven |
Over The Hills: Ay-Aye Poe Day
|
1968 |
|
3:01:22 (Pop-up) | ||
| daughters of albion |
hey, you, wait, stay
|
1968 |
|
3:04:39 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
Nitzsche - A Haiku Overcast autumn suddenly merry nitzsche hound before the clayton |
|
3:07:32 (Pop-up) |
||
| Jack Nitzsche |
Poor White Hound Dog - Vocal by Merry Clayton
|
1970 |
|
3:07:59 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
Underground - A Haiku Glorious autumn A nazi, underground light betrayed by the nitzsche |
|
3:12:08 (Pop-up) |
||
| The Velvet Underground |
White Light / White Heat
|
1967 |
|
3:12:34 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
Underground, Part 2 - A Haiku Overcast autumn A polish, underground light above the velvet |
|
3:15:16 (Pop-up) |
||
| Berries |
Baby That's All
|
1995 | 3:15:42 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
Gandalf - A Haiku Glorious autumn A dear, dark gandalf travel watching the travel |
|
3:17:59 (Pop-up) |
||
| Gandalf |
Can You Travel In The Dark Alone
|
1969 |
|
3:18:21 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
Country - A Haiku Glorious autumn A poor, dark country travel beyond the gandalf |
|
3:21:20 (Pop-up) |
||
| Blood Sweat & Tears |
House In The Country
|
1968 |
|
3:21:41 (Pop-up) | ||
| The Electric Prunes |
Shadows (From "The Name Of The Game Is Kill") (A Poore & Todd Production - Fanfare Film Release)
|
3:24:42 (Pop-up) | ||||
Music behind DJ: Created by Bruce Haack |
Super Nova
|
An eddie, however hard it tries, Will always be dear. An eddie is devout. an eddie is pricey, an eddie is earnest, however. Don't belive that the haley is aged? the haley is young beyond belief. A haley is newborn. a haley is teenaged, a haley is schoolgirlish, however. |
|
3:26:57 (Pop-up) |
||
| The Grains Of Sand |
That's When Happiness Began
|
1966 |
|
3:27:47 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
A dolby, however hard it tries, Will always be good. A dolby is upright. a dolby is bad, a dolby is solid, however. How happy is the pre postproduction! Does the postproduction make you shiver? does it? Don't belive that televisions are fatless? |
|
3:30:07 (Pop-up) |
||
| The Yardbirds |
Ha Ha Said The Clown
|
1967 |
|
3:30:48 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Yardbirds - A Haiku Darkening autumn How an old, young yardbirds clown by the anymore |
|
3:34:05 (Pop-up) |
||
| Kim Fowley |
I'm Not Young Anymore
|
1969 |
|
3:34:42 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
The Young And Small Small Whose small is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her small a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
3:38:56 (Pop-up) |
||
| Small Faces |
Lazy Sunday
|
1968 |
|
3:39:39 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
Whose small is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her small a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
3:42:40 (Pop-up) |
||
| Smokey & His Sister |
A Lot of Lovin'
|
1967 |
|
3:43:17 (Pop-up) | ||
| Danny McCulloch |
Colour Of The Sunset
|
1970 |
|
3:45:38 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
|
3:48:11 (Pop-up) |
|||
| Blossom Toes |
Love Is
|
1967 |
|
3:48:32 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
All that is dry is not laces, laces, by all account is wet. Are you upset by how sticky they are? Does it tear you apart to see the laces so stiff? shins are not boneless! shins are exceptionally haggard. Shins are thin. shins are haggard, shins are pinched, however. |
|
3:51:11 (Pop-up) |
||
| Tomorrow |
Colonel Brown
|
1968 |
|
3:52:01 (Pop-up) | ||
| Hamilton Streetcar |
Invisible People
|
pebbles presents | 1968 |
|
3:54:49 (Pop-up) | |
| Musiche Originali Di Ennio Morricone |
Beat N° 3
|
1968 |
|
3:57:46 (Pop-up) | ||
| The Millennium |
It's You
|
1968 |
|
4:01:59 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
|
4:04:18 (Pop-up) |
|||
| July |
Dandelion Seeds
|
1968 |
|
4:04:34 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
|
4:07:43 (Pop-up) |
|||
| The Moles |
We Are The Moles (Part 2)
|
1968 |
|
4:07:59 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
Documentary - A Haiku Depressing autumn How documentary part the generation |
|
4:10:39 (Pop-up) |
||
| Love |
No. Fourteen
|
1967 |
|
4:13:45 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Smiles, however hard they try, Will always be wreathed. Do smiles make you shiver? do they? I cannot help but stop and look at different styles. Do styles make you shiver? do they? I saw the yellow deportment of my generation destroyed, |
|
4:15:22 (Pop-up) |
||
| The Far Cry |
Shapes
|
1968 |
|
4:15:58 (Pop-up) | ||
| Larry Williams & Johnny Watson with The Kaleidoscope |
nobody
|
1968 |
|
4:20:21 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
I cannot help but stop and look at the experimental condition. Does the condition make you shiver? does it? Don't belive that the physique is feminine? the physique is masculine beyond belief. A physique is butch. a physique is mannish, a physique is male, however. One afternoon I said to myself, |
|
4:22:51 (Pop-up) |
||
| Aorta |
Shape Of Things To Come
|
1968 |
|
4:23:38 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
How happy are rival praxiteles! Do praxiteles make you shiver? do they? Pay attention to the tyche, the tyche is the most own greek deity of all. Pause to appear, like the tyche does. Apple is, in its way, the baked girl of edible fruit. Are you upset by how yellow-bellied it is? |
|
4:25:47 (Pop-up) |
||
| Aphrodite's Child |
Plastics Nevermore
|
1968 |
|
4:26:28 (Pop-up) | ||
| Dorothy Ashby |
Soul Vibrations
|
1968 |
|
4:28:56 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
|
4:32:08 (Pop-up) |
|||
| The United States Of America |
The American Metaphysical Circus
|
1968 |
|
4:32:42 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
The error that's really accidental, Above all others is the omission. Does the omission make you shiver? does it? One afternoon I said to myself, "Why aren't prefaces more descriptive?" Prefaces are historic. prefaces are existent, prefaces are diachronic, however. |
|
4:38:26 (Pop-up) |
||
| Mad River |
Merciful Monks
|
1968 |
|
4:39:09 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
Brandenburg - A Haiku Glorious autumn A western, brandenburg roll out of ensemble |
|
4:42:41 (Pop-up) |
||
| New York Rock & Roll Ensemble |
Brandenburg
|
1969 |
|
4:43:05 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
I saw the the potsdam limousine of my generation destroyed, How I mourned the berlin. Does the berlin make you shiver? does it? The lucille is not aged! the lucille is exceptionally puppyish. Now childlike is just the thing, To get me wondering if the lucille is puppyish. |
|
4:48:19 (Pop-up) |
||
| Ars Nova |
And How Am I To Know Entracte: Dancer
|
4:49:09 (Pop-up) | ||||
| Yochanan |
Hot Skillet Mama
|
1957 |
|
|||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
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Listener comments!
Owl Sun:
Candy-O'67:
Candy-O'67:
tom tom the pipers son:
tom tom the pipers son:
Candy-O'67:
Owl Sun:
Candy-O'67:
Owl Sun:
Owl Sun:
Owl Sun:
Candy-O'67:
Candy-O'67:
tom tom the pipers son:
Candy-O'67:
tom tom the pipers son:
Candy-O'67:
tom tom the pipers son:
Candy-O'67:
Candy-O'67:
tom tom the pipers son:
Candy-O'67:
tom tom the pipers son:
Candy-O'67:
Candy-O'67:
tom tom the pipers son:
Candy-O'67:
Owl Sun:
Candy-O'67:
tom tom the pipers son:
Candy-O'67:
tom tom the pipers son:
Candy-O'67:
Candy-O'67:
Candy-O'67:
Candy-O'67:
tom tom the pipers son:
Candy-O'67:
Candy-O'67:
tom tom the pipers son:
you see any butthole surfers shows
Candy-O'67:
tom tom the pipers son:
Candy-O'67:
Owl Sun:
Candy-O'67:
tom tom the pipers son:
Candy-O'67:
Candy-O'67:
tom tom the pipers son:
tom tom the pipers son:
Candy-O'67:
Candy-O'67:
Candy-O'67:
tom tom the pipers son:
Owl Sun:
Candy-O'67:
Candy-O'67:
Candy-O'67:
tom tom the pipers son:
tom tom the pipers son:
tom tom the pipers son:
Candy-O'67:
Candy-O'67:
Candy-O'67:
tom tom the pipers son:
Owl Sun:
Candy-O'67:
tom tom the pipers son:
Candy-O'67:
tom tom the pipers son:
Candy-O'67:
Candy-O'67:
Owl Sun:
tom tom the pipers son:
Candy-O'67:
Candy-O'67:
tom tom the pipers son:
Candy-O'67:
tom tom the pipers son:
Candy-O'67:
Owl Sun:
Candy-O'67:
tom tom the pipers son:
Candy-O'67:
tom tom the pipers son:
Candy-O'67:
tom tom the pipers son:
tom tom the pipers son:
Candy-O'67:
Candy-O'67:
Owl Sun:
Candy-O'67:
tom tom the pipers son:
Candy-O'67:
Candy-O'67:
tom tom the pipers son:
Owl Sun:
Candy-O'67:
tom tom the pipers son:
Candy-O'67:
Owl Sun:
Candy-O'67:
Candy-O'67:
tom tom the pipers son:
i should probably get going... i have something happening in my throat for which i should gargle with salt water before i turn in .... good night candy
Candy-O'67:
Owl Sun:
tom tom the pipers son:
Owl Sun: