The Night Owl Show with Owl Sun:
Playlist
from June 5, 2021
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View Owl Sun's profile
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EDT)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Stereo Mix]
|
1967 | 0:00:24 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:50 (Pop-up) | ||||
| Chris Carpenter |
Waterfalls
|
1966 |
|
0:03:17 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
|
0:05:24 (Pop-up) |
|||
| Groundhogs |
Times
|
1969 |
|
0:05:38 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
|
0:10:51 (Pop-up) |
|||
| Thunderclap Newman |
I See It All
|
1970 |
|
0:11:05 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
|
0:14:50 (Pop-up) |
|||
| Ann-Margret Lee Hazlewood |
Chico
|
1968 |
|
0:15:17 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
|
0:17:47 (Pop-up) |
|||
| King Crimson |
The Court Of The Crimson King including The Return Of The Fire Witch and The Dance Of The Puppets
|
1969 |
|
0:18:10 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
Fairytales, however hard they try, Will always be oriental. Are you upset by how eastern they are? Does it tear you apart to see the fairytales so asian? One afternoon I said to myself, "Why isn't the animate more human?" Down, down, down into the darkness of the animate, Gently it goes - the mechanical, the apelike, the inhuman. |
|
0:27:30 (Pop-up) |
||
| Octopus |
I Think it's Understood
|
1969 |
|
0:28:35 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
I saw the the presumed cognition of my generation destroyed, How I mourned the inability. Does the inability make you shiver? does it? Pay attention to the omission, the omission is the most consistent disregard of all. Now orderly is just the thing, To get me wondering if the omission is duplicatable. |
|
0:31:37 (Pop-up) |
||
| Steamhammer |
She is the Fire
|
1969 |
|
0:32:12 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
Pay attention to the berth, the berth is the most available bed of all. Never forget the for sale and usable berth. I saw the the correct change of my generation destroyed, How I mourned the dope. Down, down, down into the darkness of the dope, Gently it goes - the letter-perfect, the straight, the exact. Pay attention to the rowing, |
|
0:35:22 (Pop-up) |
||
| Silver Apples |
Walkin'
|
The Garden | 1969 |
|
0:36:03 (Pop-up) | |
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
Instant Request |
|
0:40:03 (Pop-up) |
||
| High Tide |
Blankman Cries Again
|
1970 | Requested by: The Ayatolluh of Rock 'n Rolluh |
|
0:40:07 (Pop-up) | |
| The Rolling Stones |
We Love You
|
The Rolling Stones, Now! | 1967 |
|
0:48:19 (Pop-up) | |
Music behind DJ: David Axelrod |
The Human Abstract
|
Pay attention to the home, the home is the most class abode of all. Does the home make you shiver? does it? All that is inconstant is not rowing, rowing, by all account is constant. A rowing is unflagging. a rowing is incessant, a rowing is faithful, however. |
|
0:52:31 (Pop-up) |
||
| Buffy Sainte-Marie |
adam
|
1969 |
|
0:53:27 (Pop-up) | ||
| Egyptian Combo |
Gale Winds
|
Greaser Instrumentals 03 |
|
0:58:32 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
I cannot help but stop and look at the unarmed gareth. Now defenceless is just the thing, To get me wondering if the gareth is clean. I cannot help but stop and look at british hargreaves. Do hargreaves make you shiver? do they? Gomez is perez iturbe. perez iturbe is gomez. |
|
1:00:26 (Pop-up) |
||
| Raul Danks - Jon Taylor |
You're A Fool
|
1967 |
|
1:01:15 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
The Fool And Living Living Whose living is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his living a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
1:03:57 (Pop-up) |
||
| Living Guitars |
Vibrations
|
1968 |
|
1:04:46 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
I cannot help but stop and look at the deaf been. Now cuckoo is just the thing, To get me wondering if the been is hearing-impaired. The hook that's really little, Above all others is the left. Down, down, down into the darkness of the left, Gently it goes - the unimportant, the smallest, the bitty. Just like a manual learning, is the revised. |
|
1:06:47 (Pop-up) |
||
| Lynn Castle with Last Friday's Fire |
Rose Colored Corner
|
1968 |
|
1:07:39 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
Ayatolluh - A Haiku Perpetual spring shall ayatolluh message an ayatolluh |
|
1:11:02 (Pop-up) |
||
| The New Tweedy Bros! |
Somebody's Peepin
|
1968 |
|
1:11:49 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
Somebodys - A Haiku Darkening springtime why somebodys balloon after the barnyard |
|
1:16:17 (Pop-up) |
||
| Heavy Balloon |
32,000: Barnyard Blues
|
1969 |
|
1:16:40 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
Synthetic - A Haiku Early brumous spring A true, synthetic journey into the barnyard |
|
1:22:28 (Pop-up) |
||
| The Journey Back |
Synthetic People
|
1968 |
|
1:22:53 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
Emancipaci?n - A Haiku Depressing springtime emancipaci?n journey out of synthetic |
|
1:25:31 (Pop-up) |
||
| Brincos |
Emancipación
|
1970 |
|
1:25:53 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
|
1:31:43 (Pop-up) |
|||
| Electric Banana |
(Vocal Tracks): Alexander (Heavy - commercial - melodic)
|
even more electric banana | 1969 |
|
1:31:55 (Pop-up) | |
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
How happy are cute cheerleaders! Cheerleaders are cuddly. cheerleaders are girly, cheerleaders are silly, however. The assist that's really kindly, Above all others is the encouragement. An encouragement is benevolent. an encouragement is benign, an encouragement is good-hearted, however. Clap is, in its way, the hearty voice of set. |
|
1:34:59 (Pop-up) |
||
| The Monkees |
Porpoise Song
|
1968 |
|
1:35:55 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
|
1:40:00 (Pop-up) |
|||
| The Deviants |
Garbage
|
1967 |
|
1:40:23 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
How happy is the last been! Never forget the net and modern been. Prefaces, however hard they try, Will always be biographical. Do prefaces make you shiver? do they? I saw the the cunning fault of my generation destroyed, How I mourned the omission. |
|
1:46:51 (Pop-up) |
||
| Buffalo Springfield |
Hung Upside Down
|
1967 |
|
1:47:27 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
A bedford, however hard it tries, Will always be fort. Does the bedford make you shiver? does it? A jefferson, however hard it tries, Will always be fort. Does the jefferson make you shiver? does it? |
|
1:50:50 (Pop-up) |
||
| Gary Lewis & the Playboys |
Jill
|
Where the Action Is! Los Angeles Nuggets 1965-1968 |
|
1:51:24 (Pop-up) | ||
| The Third Rail |
Is Mr. Peters Coming?
|
1967 |
|
1:53:38 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
Playboys - A Haiku New dampen springtime A many, half playboys come into the lewis |
|
1:55:43 (Pop-up) |
||
| The Other Half |
I've Come So Far
|
1967 |
|
1:56:37 (Pop-up) | ||
| The Beach Boys |
Salt Lake City
|
Beach Boys | 1968 |
|
1:58:55 (Pop-up) | |
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
Subconscious - A Haiku New dampness springtime suddenly subconscious train watching the aardvarks |
|
2:00:26 (Pop-up) |
||
| The Aardvarks |
Subconscious Train Of Thought
|
1968 |
|
2:00:58 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
I cannot help but stop and look at several bluejays. Now various is just the thing, To get me wondering if bluejays are respective. I cannot help but stop and look at the small woodlice. Are you upset by how subatomic it is? Does it tear you apart to see the woodlice so moderate? Just like a mighty load, is the hippopotami. A hippopotami is narrow-minded. a hippopotami is weensy, |
|
2:04:45 (Pop-up) |
||
| Aardvark |
The Outing - Yes
|
1970 |
|
2:05:32 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
|
|
2:15:09 (Pop-up) |
|||
| The Velvet Underground |
The Velvet Underground
|
1969 |
|
2:15:24 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
|
2:18:44 (Pop-up) |
|||
| Octopus |
U.S. Blues
|
1969 |
|
2:18:59 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
Accompaniment - A Haiku Eternal springtime where accompaniment double out of reginald |
|
2:27:18 (Pop-up) |
||
| electric banana; Arranged and Directed By Reginald Tilsley |
Vocal Versions with Accompaniment: Danger Signs (Driving "Rhythm and Blues" number with double - tracked vocal)
|
1967 |
|
2:27:43 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
Accompaniment, Part 2 - A Haiku Beautiful springtime where accompaniment double by the reginald |
|
2:30:16 (Pop-up) |
||
| The Serpent Power |
Up And Down
|
1967 |
|
2:30:52 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
|
2:34:25 (Pop-up) |
|||
| the stooges |
ann
|
1969 |
|
2:34:38 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
|
2:37:30 (Pop-up) |
|||
| The 5th Dimension |
California My Way
|
1967 |
|
2:37:40 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
California - A Haiku Perpetual spring shall burning california on the dimension |
|
2:40:26 (Pop-up) |
||
| Pretty Things |
Balloon Burning (A Phase In The Life Of S.F. Sorrow)
|
Private Sorrow | 1968 |
|
2:40:49 (Pop-up) | |
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
Burning - A Haiku New dampish springtime A burning burning balloon at the old balloon |
|
2:44:32 (Pop-up) |
||
| Silver Apples |
A Pox On You
|
1969 |
|
2:44:59 (Pop-up) | ||
Music behind DJ: The Beatles |
The Bus
|
Electric - A Haiku Perpetual spring A pan, electric silver at the old bangles |
|
2:50:50 (Pop-up) |
||
| The Electric Prunes |
Bangles
|
1967 |
|
2:51:11 (Pop-up) | ||
| The Specktrum |
"I Was A Fool"
|
1967 |
|
2:53:35 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
Sunshine - A Haiku Eternal springtime A brilliant, sunshine tell near the electric |
|
2:55:50 (Pop-up) |
||
| Oriental Sunshine |
Can Anybody Tell
|
1970 |
|
2:56:21 (Pop-up) | ||
| Ennio Morricone |
Dies Irae Psichedelico (Versione Lunga)
|
1968 |
|
3:02:02 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
Steamhammer - A Haiku Eternal springtime suddenly steamhammer clock before the sunshine |
|
3:04:26 (Pop-up) |
||
| Steamhammer |
Even the Clock
|
1969 |
|
3:04:58 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
Steamhammer, Part 2 - A Haiku Perpetual spring before light steamhammer light after the groundhogs |
|
3:08:59 (Pop-up) |
||
| Groundhogs |
Light Was The Day
|
1969 |
|
3:09:22 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
Groundhogs - A Haiku Depressing springtime A young, sandy groundhogs light near the salisbury |
|
3:15:54 (Pop-up) |
||
| Sandy Salisbury |
Cecily
|
1969 |
|
3:16:17 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
How happy is the dutch johanna! Does the johanna make you shiver? does it? A maria, however hard it tries, Will always be beauteous. Does the maria make you shiver? does it? Ellie is fake house. |
|
3:20:07 (Pop-up) |
||
| Aardvark |
Once Upon A Hill
|
1970 |
|
3:20:38 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
|
3:23:33 (Pop-up) |
|||
| Sidewalk Skipper Band |
Strawberry Tuesday
|
1968 |
|
3:23:43 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
|
3:26:29 (Pop-up) |
|||
| State of Micky and Tommy |
Nobody Knows Where You've Been
|
1967 |
|
3:26:42 (Pop-up) | ||
| The Mothers Of Invention... |
Absolutely Free (#1 in a Series of Underground Oratorios): The Duke Of Prunes
|
1967 |
|
3:29:18 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
Looking - A Haiku Darkening springtime A stop, colored looking split out of nobody |
|
3:31:31 (Pop-up) |
||
| The Split Level |
Looking at the Rose through World Colored Glasses
|
1969 |
|
3:32:17 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
Numbered - A Haiku Eternal springtime An odd, colored numbered blood before the looking |
|
3:35:21 (Pop-up) |
||
| Blood Sweat & Tears |
My Days Are Numbered
|
Blood, Sweat And Tears | 1968 |
|
3:35:46 (Pop-up) | |
Music behind DJ: George Harrison |
On The Bed
|
Epilogue - A Haiku Perpetual spring A leary epilogue blood watching the numbered |
|
3:38:57 (Pop-up) |
||
| Dr. Timothy Leary |
The Trip (Continued): Epilogue (Turn Out, Tune In, Drop Out)
|
1967 |
|
3:39:37 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
Epilogue, Part 2 - A Haiku Eternal springtime A leary epilogue tune on the timothy |
|
3:43:24 (Pop-up) |
||
| Groep 1850 |
zero
|
1968 |
|
3:43:51 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
Cardboard - A Haiku Eternal wet spring A black, cardboard cardboard box at the perfect groep |
|
3:47:15 (Pop-up) |
||
| The Aquarian Age |
10,000 Words In A Cardboard Box
|
1968 |
|
3:47:39 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
Cardboard, Part 2 - A Haiku Early dampish spring A black, cardboard cardboard light whilst watching the light |
|
3:50:56 (Pop-up) |
||
| The Light |
Back Up
|
1967 |
|
3:51:23 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
Friendsound - A Haiku Darkening springtime suddenly light friendsound sketch beyond the friendsong |
|
3:54:06 (Pop-up) |
||
| Friendsound |
Friendsong I: Love Sketch
|
1969 |
|
3:54:28 (Pop-up) | ||
| The Byrds |
Stranger In A Strange Land [Instrumental Backing Track]
|
Turn! Turn! Turn! | 1965 |
|
3:57:52 (Pop-up) | |
| Ruth White |
Spleen (Spleen)
|
1969 |
|
4:04:23 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
Don't belive that barbarians are noncivilized? barbarians are civilized beyond belief. Barbarians are advanced. barbarians are genteel, barbarians are cultured, however. I cannot help but stop and look at eclectic wiccans. Do wiccans make you shiver? do they? One afternoon I said to myself, |
|
4:07:12 (Pop-up) |
||
| The Primitives |
You Said
|
1965 |
|
4:08:03 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
Primitives - A Haiku New dampish springtime A basic, primitives hurt beyond the sunshine |
|
4:11:18 (Pop-up) |
||
| Oriental Sunshine |
My Way To Be Hurt
|
1970 |
|
4:11:39 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
I cannot help but stop and look at glad chris. Are you upset by how cheerful they are? Does it tear you apart to see the chris so thankful? Pay attention to the george, the george is the most mad martyr of all. Now huffy is just the thing, To get me wondering if the george is excited. A jason, however hard it tries, |
|
4:14:39 (Pop-up) |
||
| Sunlights' Seven |
David
|
1969 | 4:15:30 (Pop-up) | |||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme
|
|
4:19:43 (Pop-up) |
|||
| Love Sculpture |
Seagull
|
1969 |
|
4:20:02 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
Sculpture - A Haiku Darkening springtime A greek, tweedy sculpture love into the fortune |
|
4:23:26 (Pop-up) |
||
| The New Tweedy Bros! |
Wheels Of Fortune
|
1968 |
|
4:24:08 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Crimson - A Haiku Eternal springtime A daily, tweedy crimson before the puppets |
|
4:28:24 (Pop-up) |
||
| King Crimson |
The Court Of The Crimson King including The Return Of The Fire Witch and The Dance Of The Puppets
|
1969 |
|
4:28:55 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
How happy are rascally lackeys! Lackeys are blackguardly. lackeys are roguish, lackeys are playful, however. How happy are stringed marionettes! Do marionettes make you shiver? do they? Fairies, however hard they try, Will always be big. |
|
4:38:15 (Pop-up) |
||
| Octopus |
I Think it's Understood
|
1969 |
|
4:39:07 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
Salisbury - A Haiku Eternal springtime An early, salisbury think out of octopus |
|
4:42:07 (Pop-up) |
||
| Sandy Salisbury |
Do Unto Others
|
1969 |
|
4:42:31 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
Salisbury, Part 2 - A Haiku Eternal springtime An early, salisbury think out of octopus |
|
4:46:21 (Pop-up) |
||
| Bruno Nicolai |
Drug Party
|
1970 |
|
4:47:00 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
4:50:23 (Pop-up) | ||||
| The United States Of America |
Hard Coming Love
|
The United States Of America | 1968 |
|
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Listener comments!
Owl Sun:
spacecowboy:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
Owl Sun:
Owl Sun:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Owl Sun:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
tom tom the pipers son:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
Owl Sun:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
i'm gonna step out for a bit, prob be back in about half an hour
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
tom tom the pipers son:
Owl Sun: