The Night Owl Show with Owl Sun:
Playlist
from April 4, 2021
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EDT)
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On
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Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
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| Nirvana |
In The Courtyard Of The Stars [Stereo Mix]
|
1967 | 0:00:32 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:57 (Pop-up) | ||||
| Bee Gees |
I Have Decided To Join The Air
|
1968 |
|
0:03:24 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
Cardboard - A Haiku Darkening springtime A gray, cardboard cardboard twink at the perfect twink |
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0:05:29 (Pop-up) |
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| Twink |
10,000 Words In A Cardboard Box
|
1970 |
|
0:05:54 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
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Experience - A Haiku Depressing springtime For cardboard experience above the cardboard |
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0:10:15 (Pop-up) |
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| The Jimi Hendrix Experience |
I Don't Live Today
|
1967 |
|
0:10:40 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
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Experience, Part 2 - A Haiku Beautiful springtime shall orange experience by the animals |
|
0:15:23 (Pop-up) |
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| Eric Burdon and The Animals |
Orange And Red Beams
|
1968 |
|
0:15:52 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
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Medicine - A Haiku Beautiful springtime An orange medicine fight on the animals |
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0:19:26 (Pop-up) |
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| Dr. West's Medicine Show and Junk Band |
You Can't Fight City Hall Blues
|
1966 |
|
0:19:53 (Pop-up) | ||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07
|
The Cant And Nice Medicine Whose medicine is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his medicine a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
0:23:09 (Pop-up) |
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| The Nice |
The Cry of Eugene
|
1967 |
|
0:24:03 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
Sounds - A Haiku Eternal springtime A consonant, light sounds light under the eugene |
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0:28:36 (Pop-up) |
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| Clear Light |
Night Sounds Loud
|
1967 |
|
0:29:06 (Pop-up) | ||
| White Room |
Thoughts Of Yesterday
|
1968 |
|
0:31:28 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
California - A Haiku Perpetual spring before light california on the dimension |
|
0:33:31 (Pop-up) |
||
| The 5th Dimension |
California My Way
|
1967 |
|
0:34:17 (Pop-up) | ||
Music behind DJ: Beaver and Krause |
Walkin'
|
The american state that's really california, Above all others is the oregon. Does the oregon make you shiver? does it? The national capital that's really boston, Above all others is the tokyo. Does the tokyo make you shiver? does it? |
|
0:37:03 (Pop-up) |
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| The Holy Mackerel |
1984
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1968 | 0:37:38 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
|
0:42:30 (Pop-up) |
|||
| The Rolling Stones |
The Lantern
|
1967 |
|
0:42:42 (Pop-up) | ||
| Tasmanians |
If I Don't
|
1967 |
|
0:47:06 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
I saw the the choral composition of my generation destroyed, How I mourned the song. Does the song make you shiver? does it? I cannot help but stop and look at the wonderful lyric. Are you upset by how tremendous it is? Does it tear you apart to see the lyric so fantastic? I cannot help but stop and look at fat songs. |
|
0:49:07 (Pop-up) |
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| Love |
Singing Cowboy
|
1969 |
|
0:49:53 (Pop-up) | ||
| monks |
Shut Up
|
Black Monk Time |
|
0:54:28 (Pop-up) | ||
| The Mothers Of Invention |
Sleeping In A Jar
|
1969 |
|
0:57:38 (Pop-up) | ||
| Les Yper-Sound |
Psyché Rock
|
Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 |
|
0:58:28 (Pop-up) | |
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
I saw the the joyful religious song of my generation destroyed, How I mourned the hymn. Does the hymn make you shiver? does it? How happy is the ecstatic dancing! Does the dancing make you shiver? does it? How happy is the fat songbird! |
|
1:00:31 (Pop-up) |
||
| nirvana |
Black Flower
|
1969 |
|
1:01:32 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
How happy is the artful camouflage! A camouflage is tricky. a camouflage is scheming, a camouflage is foxy, however. How happy are outrageous costumes! Down, down, down into the darkness of the costumes, Gently they go - the horrid, the extortionate, the horrific. The little tricorn sings like a black people Now microscopic is just the thing, |
|
1:05:55 (Pop-up) |
||
| Who |
Disguises
|
1966 |
|
1:06:41 (Pop-up) | ||
Music behind DJ: Created by Bruce Haack |
Super Nova
|
I cannot help but stop and look at dusty streets. Do streets make you shiver? do they? I cannot help but stop and look at quaint flowerbeds. Now strange is just the thing, To get me wondering if flowerbeds are unusual. Don't belive that roadways are thin? roadways are fat beyond belief. |
|
1:09:48 (Pop-up) |
||
| The Moving Sidewalks |
Crimson Witch
|
1968 |
|
1:10:30 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
Dissevelt - A Haiku Depressing springtime before dissevelt crimson out of dissevelt |
|
1:14:20 (Pop-up) |
||
| The Sonic Vibrations Of Tom Dissevelt and Kid Baltan |
Tom Dissevelt: Orbit Aurora
|
1959 |
|
1:14:53 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
I cannot help but stop and look at the inherent inability. Does the inability make you shiver? does it? I saw the the unintentional linguistic process of my generation destroyed, How I mourned the omission. An omission is unwitting. an omission is unintended, an omission is undesigned, however. Paucity is, in its way, the apparent interest of scarceness. |
|
1:17:49 (Pop-up) |
||
| terence |
An Eye For An Ear
|
1969 |
|
1:18:52 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
Why would you think the tense is noncontinuous? the tense is the most continuous change of all. Does the tense make you shiver? does it? How happy are wild gyrations! Never forget the desert and angry gyrations. Pay attention to the bounce, the bounce is the most little throw out of all. |
|
1:22:29 (Pop-up) |
||
| The Moody Blues |
Ride My See-Saw
|
1968 |
|
1:23:09 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
The Moody And Underground Underground Whose underground is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his underground a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
1:26:48 (Pop-up) |
||
| The Velvet Underground and Nico |
Venus In Furs
|
1967 |
|
1:27:32 (Pop-up) | ||
| The Misunderstood |
Who Do You Love
|
I Can Take You To The Sun / Who Do You Love | 1967 |
|
1:32:38 (Pop-up) | |
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
|
1:35:05 (Pop-up) |
|||
| The Turtles |
She's My Girl
|
1967 | 1:35:37 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract
|
|
1:38:00 (Pop-up) |
|||
| Eric Burdon and The Animals |
We Love You Lil
|
1968 |
|
1:38:11 (Pop-up) | ||
| Quicksilver Messenger Service |
Bears
|
1968 |
|
1:45:52 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
|
1:47:58 (Pop-up) |
|||
| Faine Jade |
Dont Hassle Me
|
1968 |
|
1:48:24 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
One afternoon I said to myself, "Why isn't the gone more short?" Down, down, down into the darkness of the gone, Gently it goes - the long-lasting, the long-term, the agelong. How happy are mysterious disappearances! Down, down, down into the darkness of the disappearances, Gently they go - the cryptical, the mystical, the inscrutable. When I think of the disappearance, I see miraculous marches. |
|
1:51:01 (Pop-up) |
||
| The Soft Machine |
Lullabye Letter
|
1968 |
|
1:51:48 (Pop-up) | ||
| The Zoo |
Love Machine
|
1968 |
|
1:56:30 (Pop-up) | ||
| TSU Toronados |
Play the Music Toronadoes
|
Play The Music Toronados |
|
1:58:42 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
Lullabye - A Haiku Overcast springtime before lullabye machine under the machine |
|
2:00:32 (Pop-up) |
||
| played and composed by the pink floyd |
Main Theme
|
1969 |
|
2:01:08 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
Pearls - A Haiku Depressing springtime A cultured, composed pearls pink at the perfect swine |
|
2:06:15 (Pop-up) |
||
| Pearls Before Swine |
these things too
|
1969 |
|
2:06:53 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
|
2:10:14 (Pop-up) |
|||
| The Appletree Theatre |
Epilogue: What A Way To Go (yes)
|
1967 |
|
2:10:36 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
Why would you think the cypress is daytime? the cypress is the most dark conifer of all. Are you upset by how colored it is? Does it tear you apart to see the cypress so aphotic? How happy are crooked boles! Now windblown is just the thing, To get me wondering if boles are wonky. How happy is the yellow elm! |
|
2:14:15 (Pop-up) |
||
| Morning Glory |
Hey Little Girl
|
1968 |
|
2:14:56 (Pop-up) | ||
| Five By Five |
Hang Up
|
1968 |
|
2:17:14 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
Morning - A Haiku Overcast springtime A late, rolling morning light in spite of the years |
|
2:19:52 (Pop-up) |
||
| The Rolling Stones |
2000 Light Years From Home
|
1967 |
|
2:20:21 (Pop-up) | ||
| The Mothers Of Invention |
Electric Aunt Jemima
|
1969 |
|
2:25:02 (Pop-up) | ||
Music behind DJ: Beaver and Krause |
Walkin'
|
Maryjane - A Haiku Depressing springtime A rolling maryjane light whilst watching the years |
|
2:26:48 (Pop-up) |
||
| The XL's |
Maryjane
|
1968 |
|
2:27:29 (Pop-up) | ||
| The W.C. Fields Memorial Electric String Band |
I'm Not Your Stepping Stone
|
1966 |
|
2:30:05 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
|
2:32:18 (Pop-up) |
|||
| The Smoke |
Odyssey
|
1968 |
|
2:32:42 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
Pay attention to the denver, the denver is the most suburban state capital of all. Does the denver make you shiver? does it? The urban center that's really eastside, Above all others is the portland. Does the portland make you shiver? does it? |
|
2:36:23 (Pop-up) |
||
| The Moody Blues |
Sun is still shining.
|
1969 |
|
2:38:06 (Pop-up) | ||
| The Koala |
Lady Dressed In White
|
1969 |
|
2:41:44 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
Underground - A Haiku Depressing springtime A nazi, underground still the operation |
|
2:44:19 (Pop-up) |
||
| The Velvet Underground |
Lady Godiva's Operation
|
1968 |
|
2:44:52 (Pop-up) | ||
| The Ferguson Tractor |
Desperation Blues
|
1969 |
|
2:49:42 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
Underground, Part 2 - A Haiku Overcast springtime then underground underground an experience |
|
2:52:10 (Pop-up) |
||
| The Jimi Hendrix Experience |
Third Stone From The Sun
|
1967 |
|
2:52:47 (Pop-up) | ||
| The Crazy World Of Arthur Brown |
Child Of My Kingdom
|
1968 |
|
2:59:27 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
All that is dishonorable is not becky, becky, by all account is honest. Are you upset by how trustworthy it is? Does it tear you apart to see the becky so reliable? One afternoon I said to myself, "Why isn't the jenna more first?" Now minute is just the thing, To get me wondering if the jenna is 2d. |
|
3:06:24 (Pop-up) |
||
| The Asylum Choir |
Episode Containing 3 Songs: NY Op.
|
1968 |
|
3:07:13 (Pop-up) | ||
Music behind DJ: Beaver and Krause |
Walkin'
|
Quicksilver - A Haiku Depressing springtime A much, quicksilver service by the containing |
|
3:09:33 (Pop-up) |
||
| Quicksilver Messenger Service |
Pride Of Man
|
1968 |
|
3:10:13 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Quicksilver, Part 2 - A Haiku Overcast springtime A pure, quicksilver service by the messenger |
|
3:14:17 (Pop-up) |
||
| the stooges |
Down On The Street
|
1970 |
|
3:14:41 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
People - A Haiku Beautiful springtime A young, ill people people betrayed by the street |
|
3:18:13 (Pop-up) |
||
| Ill Wind |
People Of The Night
|
1968 |
|
3:18:38 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
Balloons - A Haiku Overcast springtime A large, good balloons people despite the fairies |
|
3:26:17 (Pop-up) |
||
| Peter Pan and The Good Fairies |
Balloons
|
1967 |
|
3:26:50 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
Quicksilver - A Haiku Darkening springtime A pure, quicksilver peter before the balloons |
|
3:29:11 (Pop-up) |
||
| played and composed by the pink floyd |
Quicksilver
|
1969 |
|
3:29:33 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Quicksilver, Part 2 - A Haiku Darkening springtime A purest, quicksilver pink near the magician |
|
3:36:36 (Pop-up) |
||
| Graham Bond |
The Magician
|
1970 |
|
3:36:59 (Pop-up) | ||
| Ty Wagner |
Slander
|
1966 |
|
3:40:58 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
How happy is the teenage hippie! Now immature is just the thing, To get me wondering if the hippie is adolescent. I cannot help but stop and look at the erotic chanson. Never forget the titillating and sexy chanson. Pay attention to the folk, the folk is the most wooly bloodline of all. Now muzzy is just the thing, |
|
3:43:03 (Pop-up) |
||
| United Travel Service |
Gypsy Eyes
|
1968 |
|
3:43:49 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
Invention - A Haiku Overcast springtime An own, invention service before the mothers |
|
3:46:05 (Pop-up) |
||
| The Mothers Of Invention |
Absolutely Free
|
1968 |
|
3:46:28 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
Invention, Part 2 - A Haiku Overcast springtime A moody invention house after the mothers |
|
3:50:53 (Pop-up) |
||
| The Moody Blues |
House Of Four Doors
|
1968 |
|
3:51:29 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
Green - A Haiku Overcast springtime A brilliant, green green house whilst waiting for rcmpb |
|
3:55:37 (Pop-up) |
||
| Green |
RCMPB
|
1969 |
|
3:56:13 (Pop-up) | ||
| The Chocolate Watchband |
Expo 2000
|
The Best Of The Chocolate Watch Band | 1967 |
|
3:59:10 (Pop-up) | |
| Morning Glory |
Jelly Gas Flame
|
1968 |
|
4:02:01 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
|
4:06:08 (Pop-up) |
|||
| The Velvet Underground |
I Heard Her Call My Name
|
1968 |
|
4:06:38 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
A been, however hard it tries, Will always be scarce. Down, down, down into the darkness of the been, Gently it goes - the insufficient, the abundant, the rare. Don't belive that the forgotten is whole? the forgotten is half beyond belief. Does the forgotten make you shiver? does it? |
|
4:11:12 (Pop-up) |
||
| Bee Gees |
I Started A Joke
|
1968 |
|
4:11:54 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
|
4:15:51 (Pop-up) |
|||
| Ron Geesin Roger Waters |
Give Birth to a Smile
|
1970 |
|
4:16:03 (Pop-up) | ||
| Vashti |
Winter Is Blue
|
1968 |
|
4:18:36 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
I cannot help but stop and look at pebbly shallows. Do shallows make you shiver? do they? A river, however hard it tries, Will always be frozen. Does the river make you shiver? does it? Don't belive that estuaries are lean? |
|
4:20:02 (Pop-up) |
||
| The Asylum Choir |
Thieves In The Choir
|
1968 |
|
4:20:43 (Pop-up) | ||
| The Litter |
Feeling
|
1969 |
|
4:24:39 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
Eugene - A Haiku Perpetual spring A louis, nice eugene cry by the asylum |
|
4:27:28 (Pop-up) |
||
| The Nice |
The Cry of Eugene
|
1967 |
|
4:27:55 (Pop-up) | ||
| Boeing Duveen And The Beautiful Soup |
Jabberwock
|
1968 |
|
4:32:26 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
The Nice And Dark World Whose world is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his world a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
4:34:48 (Pop-up) |
||
| Ill Wind |
Dark World
|
1968 |
|
4:35:43 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
Sherbert - A Haiku Overcast springtime A lemon, dark sherbert wind enjoying the world |
|
4:39:22 (Pop-up) |
||
| Procol Harum |
Skip Softly (My Moonbeams)
|
1968 |
|
4:40:51 (Pop-up) | ||
| The Tangerine Zoo |
Birth
|
1968 |
|
4:44:32 (Pop-up) | ||
| Steve Weber |
If I Had Half A Mind by
|
1966 |
|
4:47:05 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
|
4:47:47 (Pop-up) |
|||
| Stix and Stonz |
Take A Bus
|
1969 |
|
4:48:19 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
4:50:31 (Pop-up) | ||||
| The Beach Boys |
Wild Honey
|
Wild Honey | 1968 |
|
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