The Night Owl Show with Owl Sun:
Playlist
from March 11, 2021
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EDT)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Stereo Mix]
|
1967 | 0:00:26 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:53 (Pop-up) | ||||
| Pulse |
My Old Boy
|
1969 |
|
0:03:19 (Pop-up) | ||
| orphan egg |
Mourning Electra
|
1968 |
|
0:05:41 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
I cannot help but stop and look at other philatelists. Down, down, down into the darkness of the philatelists, Gently they go - the strange, the additional, the former. How happy are porcelain collectibles! Do collectibles make you shiver? do they? Collections are private health. private health are collections. |
|
0:07:54 (Pop-up) |
||
| The Collectors |
Rainbow Of Fire
|
1969 |
|
0:08:42 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
Ayatolluh - A Haiku Muddy wintertime before ayatolluh shake beyond the evening |
|
0:12:00 (Pop-up) |
||
| CAN |
Paperhouse
|
1971 |
|
0:12:41 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
Requesting - A Haiku Early wintertime A swap, requesting message an ayatolluh |
|
0:20:03 (Pop-up) |
||
| Buffalo Springfield |
Broken Arrow
|
1967 |
|
0:20:41 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
The Green And Broken Buffalo Whose buffalo is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her buffalo a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
0:26:48 (Pop-up) |
||
| Amanda Ambrose |
Green Plant
|
1968 |
|
0:27:32 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
Instant Request |
|
0:29:57 (Pop-up) |
||
| The Savage Rose |
Her Story
|
1968 | Requested by: The Ayatolluh of Rock 'n Rolluh |
|
0:30:00 (Pop-up) | |
| Hearts and Flowers |
Highway in the Wind
|
1968 |
|
0:34:31 (Pop-up) | ||
| The Bethlehem Exit |
Walk Me Out
|
1966 |
|
0:38:28 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
Instant Request |
|
0:40:58 (Pop-up) |
||
| Spencer Davis Group |
Great Shakes
|
Great Shakes | For: J*Boogie | 0:41:00 (Pop-up) | ||
| Musiche Originali Di Ennio Morricone |
Beat N° 3
|
1968 |
|
0:41:59 (Pop-up) | ||
| The Johnnys |
Nothing Sacred
|
1967 |
|
0:44:39 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
Johnnys, Part 2 - A Haiku Previous winter A door, sacred johnnys see watching the nothing |
|
0:47:42 (Pop-up) |
||
| Bunches 'A Good |
See The Farmer
|
1968 |
|
0:48:14 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
Because I could not annex for trieste, it did kindly annex for me. Pause to annex, like the trieste does. I saw the the arid african country of my generation destroyed, How I mourned the tunisia. Does the tunisia make you shiver? does it? A chirac, however hard it tries, |
|
0:50:57 (Pop-up) |
||
| Chocolate Watch Band |
Voyage Of The Trieste
|
1968 |
|
0:51:38 (Pop-up) | ||
| Kathy and Larry |
Time
|
1967 |
|
0:55:09 (Pop-up) | ||
| Dorothy Ashby |
Soul Vibrations
|
1968 |
|
0:56:59 (Pop-up) | ||
| Musiche Originali Di Ennio Morricone |
Beat N° 3
|
1968 |
|
1:00:09 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
|
1:00:27 (Pop-up) |
|||
| The Enchanted Forest |
The Word Is Love
|
1967 |
|
1:00:58 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
Enchanted - A Haiku Severe wintertime A light, enchanted forest into the hobbits |
|
1:03:59 (Pop-up) |
||
| The New Hobbits |
I Could Hear The Grass Growing
|
1969 |
|
1:05:08 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
Hobbits - A Haiku Smoggy wintertime An apparent hobbits clown whilst watching the clown |
|
1:07:27 (Pop-up) |
||
| Eire Apparent |
The Clown
|
1969 |
|
1:08:04 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
A treviso, however hard it tries, Will always be nearby. Now close is just the thing, To get me wondering if the treviso is near. How happy is the great pavarotti! Does the pavarotti make you shiver? does it? Just like an international opportunity, is the flavour. |
|
1:11:58 (Pop-up) |
||
| Yesterday's Children |
What Of I
|
1969 |
|
1:12:35 (Pop-up) | ||
| "Big Joe" Long |
The Things You Do
|
1966 |
|
1:16:28 (Pop-up) | ||
Music behind DJ: Beaver and Krause |
Another Part Of Time
|
|
1:19:19 (Pop-up) |
|||
| orphan egg |
Circumstance
|
1968 |
|
1:19:36 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
I cannot help but stop and look at literary collections. Now well-written is just the thing, To get me wondering if collections are formal. Don't belive that antiquarians are national? antiquarians are local beyond belief. Antiquarians are localized. antiquarians are homegrown, antiquarians are native, however. I cannot help but stop and look at zany jewelers. |
|
1:22:28 (Pop-up) |
||
| The Collectors |
Seventeenth Summer
|
1969 |
|
1:23:43 (Pop-up) | ||
Music behind DJ: The Beatles |
The Bus
|
Brainticket - A Haiku Glooming wintertime before brainticket summer by the seventeenth |
|
1:27:08 (Pop-up) |
||
| Brainticket |
Black Sand
|
1971 |
|
1:27:30 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
How happy is the scarce been! Does the been make you shiver? does it? Prefaces, however hard they try, Will always be laudatory. Are you upset by how praiseful they are? Does it tear you apart to see the prefaces so complimentary? Why would you think the absent is thin? |
|
1:31:31 (Pop-up) |
||
| Velvett Fogg |
Owed To The Dip
|
Telstar '69 b/w Owed To The Dip | 1969 |
|
1:32:08 (Pop-up) | |
Music behind DJ: Roland Kirk |
Shaky Money
|
How happy are victorian quakers! Never forget the priggish and nonmodern quakers. Pay attention to the colly, the colly is the most haired alter of all. Never forget the hairy and hirsute colly. A parlour, however hard it tries, Will always be yellow. Does the parlour make you shiver? |
|
1:38:12 (Pop-up) |
||
| CAN |
Bring Me Coffee Or Tea
|
1971 |
|
1:38:55 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
Pay attention to the inability, the inability is the most relative knowledge of all. Are you upset by how relational it is? Does it tear you apart to see the inability so absolute? Pay attention to the presence, the presence is the most mere personal manner of all. Now simple is just the thing, To get me wondering if the presence is bare. |
|
1:46:30 (Pop-up) |
||
| Hearts and Flowers |
Second-Hand Sundown Queen
|
1968 |
|
1:47:38 (Pop-up) | ||
| Les Yper-Sound |
Psyché Rock (outro)
|
Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 |
|
1:51:13 (Pop-up) | |
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
|
1:51:30 (Pop-up) |
|||
| Shiva's Headband |
Ebeneezer
|
1969 |
|
1:52:05 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
Prefaces, however hard they try, Will always be explanatory. Do prefaces make you shiver? do they? I cannot help but stop and look at the intentional omission. Now undesigned is just the thing, To get me wondering if the omission is deliberate. A forgotten, however hard it tries, |
|
1:54:51 (Pop-up) |
||
| Kubla Kahn |
Out in the Country
|
1970 |
|
1:55:41 (Pop-up) | ||
| Rivieras |
H.B. Goose Step
|
California Sun-The Best Of The Rivieras | 2000 |
|
1:57:54 (Pop-up) | |
| George Kerr |
Airplane Song
|
Northern Soul Fever, Volume One |
|
1:59:46 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
Experience - A Haiku Severe wintertime why little experience despite the hendrix |
|
2:00:27 (Pop-up) |
||
| The Jimi Hendrix Experience with Dave Mason |
Little One
|
1967 |
|
2:01:19 (Pop-up) | ||
Music behind DJ: Beaver and Krause |
Walkin'
|
How happy is the own vivian! Does the vivian make you shiver? does it? All that is wrong is not gwen, gwen, by all account is right. Are you upset by how honorable it is? Does it tear you apart to see the gwen so mighty? Don't belive that the becky is small? |
|
2:05:22 (Pop-up) |
||
| The Jimi Hendrix Experience |
Calling All The Devil's Children
|
1968 |
|
2:06:31 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
|
2:11:58 (Pop-up) |
|||
| the tangerine ZOO |
Gloria
|
Venenos do Rock | 1968 |
|
2:12:12 (Pop-up) | |
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
I cannot help but stop and look at the old gregorian. Does the gregorian make you shiver? does it? I saw the the unique gustatory sensation of my generation destroyed, How I mourned the flavour. Now unparalleled is just the thing, To get me wondering if the flavour is singular. Don't belive that samaras are thin? |
|
2:19:10 (Pop-up) |
||
| Eire Apparent |
Rock 'N Roll Band
|
1969 |
|
2:20:10 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
Mind - A Haiku Gloomy wintertime An own, apparent mind mind beyond the open |
|
2:23:27 (Pop-up) |
||
| The Open Mind |
Girl I'm So Alone
|
1969 |
|
2:24:08 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
Yesterdays - A Haiku Sunless wintertime An open yesterdays mind under the children |
|
2:27:23 (Pop-up) |
||
| Yesterday's Children |
Sailing
|
1969 |
|
2:28:26 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
Yesterdays, Part 2 - A Haiku Glooming wintertime A day, yesterdays concern before the children |
|
2:35:57 (Pop-up) |
||
| The Growing Concern |
Hard Hard Year
|
1968 |
|
2:36:22 (Pop-up) | ||
| H.P. Lovecraft |
Wayfaring Stranger
|
H.P. Lovecraft | 1967 |
|
2:40:46 (Pop-up) | |
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
Morning - A Haiku Severe wintertime A growing morning concern watching the concern |
|
2:43:17 (Pop-up) |
||
| The Dirty Filthy Mud |
Morning Sun Flower
|
1968 |
|
2:43:51 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
Collectors - A Haiku Dampness wintertime A filthy collectors flower above the morning |
|
2:46:25 (Pop-up) |
||
| The Collectors |
Early Morning
|
1969 |
|
2:46:59 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
Collectors, Part 2 - A Haiku Cloudy wintertime A private, collectors orphan into the morning |
|
2:51:27 (Pop-up) |
||
| orphan egg |
Unvisual State Of Mind
|
1968 |
|
2:52:19 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
A dearth, however hard it tries, Will always be obvious. Down, down, down into the darkness of the dearth, Gently it goes - the patent, the visible, the spectacular. I cannot help but stop and look at the strong absent. Now muscular is just the thing, To get me wondering if the absent is sizeable. I saw the the little knowledge of my generation destroyed, |
|
2:54:11 (Pop-up) |
||
| Dschinn |
Let's Go Together
|
1972 |
|
2:55:08 (Pop-up) | ||
| The Vampires' Sound Incorporation |
There Is No Satisfaction
|
1969 |
|
2:58:11 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
The mistake that's really occasional, Above all others is the omission. An omission is irregular. an omission is episodic, an omission is unpredictable, however. Pay attention to the void, the void is the most institutional expel of all. Does the void make you shiver? does it? |
|
3:00:28 (Pop-up) |
||
| Hearts and Flowers |
Ode to a Tin Angel
|
1968 |
|
3:01:10 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
I cannot help but stop and look at exquisite bouquets. Never forget the keen and intense bouquets. I cannot help but stop and look at crimson roses. Never forget the bloody and flushed roses. I cannot help but stop and look at zany daffodils. Now cockamamy is just the thing, To get me wondering if daffodils are cuckoo. Refresh until you're happy with your poem. |
|
3:05:28 (Pop-up) |
||
| Moloch |
Maverick Woman Blues
|
1969 |
|
3:06:09 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
|
3:09:09 (Pop-up) |
|||
| Shiva's Headband |
Song For Peace
|
1969 |
|
3:09:57 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
|
3:14:19 (Pop-up) |
|||
| The Rolling Stones |
Have You Seen Your Mother, Baby, Standing In The Shadow?
|
1966 |
|
3:16:53 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
Invention - A Haiku Dampness wintertime A new, invention shadow before the standing |
|
3:19:24 (Pop-up) |
||
| The Mothers Of Invention |
WPLJ
|
1970 |
|
3:19:53 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
Invention, Part 2 - A Haiku Hazy wintertime A pure, game invention trust beyond the mothers |
|
3:22:40 (Pop-up) |
||
| The Insect Trust |
The Skin Game
|
1968 |
|
3:23:05 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
Tangerine - A Haiku Hazy wintertime A ripe, game tangerine trust before the insect |
|
3:27:09 (Pop-up) |
||
| the tangerine ZOO |
Trip To The Zoo
|
Venenos do Rock | 1968 |
|
3:28:02 (Pop-up) | |
| George Harrison |
Party Seacombe
|
Wonderwall Music | 1968 |
|
3:31:50 (Pop-up) | |
| monks |
Cuckoo
|
1966 |
|
3:36:17 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
The miss that's really apparent, Above all others is the lack. Down, down, down into the darkness of the lack, Gently it goes - the evident, the ostensible, the obvious. All that is caducous is not unavailability, unavailability, by all account is persistent. Down, down, down into the darkness of the unavailability, Gently it goes - the unforgettable, the caducous, the relentless. |
|
3:38:57 (Pop-up) |
||
| Hearts And Flowers |
The View From Ward 3
|
1967 |
|
3:39:51 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
The cavan is not north! the cavan is exceptionally southern. A cavan is southwestern. a cavan is southern, a cavan is southbound, however. How happy is the great pavarotti! Never forget the enthusiastic and big pavarotti. Pay attention to the hellenic, the hellenic is the most big indo-european of all. |
|
3:43:43 (Pop-up) |
||
| Eire Apparent |
Morning Glory
|
1969 |
|
3:44:37 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
Ultimate - A Haiku Dampness wintertime A single, ultimate trip after the spinach |
|
3:47:53 (Pop-up) |
||
| Ultimate Spinach |
Ego Trip
|
1968 |
|
3:48:46 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
Ultimate, Part 2 - A Haiku Dampish wintertime A great, ultimate concern into the concern |
|
3:51:52 (Pop-up) |
||
| The Growing Concern |
What Kind Of Life
|
1968 |
|
3:52:18 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
Concern - A Haiku Nighttime wintertime A growing concern concern because of the years |
|
3:55:15 (Pop-up) |
||
| The Traveling Salesmen |
Days Of My Years
|
1966 |
|
3:55:41 (Pop-up) | ||
| L. J. Reynolds and the Chocolate Syrup |
The Penguin Break Down
|
L. J. Reynolds |
|
3:57:31 (Pop-up) | ||
| Stu Phillips |
Hells Angels On Wheels
|
Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 |
|
3:59:57 (Pop-up) | |
| The Mandrake Memorial |
Ocean's Daughter
|
1969 |
|
4:01:59 (Pop-up) | ||
| Rex Holman |
Rowin'
|
1970 |
|
4:05:00 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
How happy are subpolar glaciers! Do glaciers make you shiver? do they? How happy are permeable seabeds! Never forget the leaky and semipermeable seabeds. I cannot help but stop and look at the yellow intertidal. An intertidal is chickenhearted. an intertidal is yellowish, an intertidal is irrational, however. |
|
4:07:24 (Pop-up) |
||
| stone country |
Love Psalm
|
1968 |
|
4:08:49 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
|
4:11:14 (Pop-up) |
|||
| Yesterday's Children |
Hunter's Moon
|
1969 |
|
4:12:46 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
Yesterdays - A Haiku Dampen wintertime A more, through yesterdays sand under the children |
|
4:18:53 (Pop-up) |
||
| The Grains Of Sand |
Passing Through The Night
|
1967 |
|
4:19:36 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
Flowers - A Haiku Previous winter A yellow, through flowers roll at the old gypsies |
|
4:22:48 (Pop-up) |
||
| Hearts and Flowers |
Extra, Extra / Rock and Roll Gypsies
|
1968 |
|
4:23:11 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
Kaleidescoptic - A Haiku Glooming wintertime why kaleidescoptic roll at the old headband |
|
4:26:58 (Pop-up) |
||
| Shiva's Headband |
Kaleidescoptic
|
1969 |
|
4:27:53 (Pop-up) | ||
| Amanda Ambrose |
Green Plant
|
1968 |
|
4:31:18 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
The Green And Savage Savage Whose savage is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her savage a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
4:33:41 (Pop-up) |
||
| The Savage Rose |
Her Story
|
1968 |
|
4:34:35 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
|
4:39:06 (Pop-up) |
|||
| Moloch |
Helping Hand
|
1969 |
|
4:39:30 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
|
4:43:50 (Pop-up) |
|||
| The Insect Trust |
Miss Fun City
|
1968 |
|
4:44:39 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
4:49:42 (Pop-up) | ||||
| Tempos |
Sad, Sad Memories (Instr.)
|
West Coast Winners |
|
|||
| The United States Of America |
Hard Coming Love
|
The United States Of America | 1968 |
|
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Listener comments!
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Owl Sun:
Owl Sun:
Owl Sun:
J*Boogie:
The Ayatolluh of Rock 'n Rolluh:
J*Boogie:
J*Boogie:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
drowsy:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
J*Boogie:
The Ayatolluh of Rock 'n Rolluh:
J*Boogie:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
J*Boogie:
J*Boogie:
Owl Sun:
J*Boogie:
Owl Sun: