The Night Owl Show with Owl Sun:
Playlist
from December 12, 2018
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EDT)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
The Night Owl show will start in a bit! |
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0:00:00 (Pop-up) |
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| Nirvana |
In The Courtyard Of The Stars [Stereo Mix]
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1967 | ||||
| Nirvana |
C Side of Ocho Rios
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| The Kaleidoscope |
Keep Your Mind Open
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1967 |
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Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
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Kaleidoscope - A Haiku Overcast autumn A pink kaleidoscope pink on the stethoscope |
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0:06:09 (Pop-up) |
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| Pink Floyd |
Take Up Thy Stethoscope And Walk
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1967 |
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0:06:32 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
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Stethoscope - A Haiku Cool declivity A wooden, stethoscope noise by the electric |
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0:09:34 (Pop-up) |
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| White Noise |
Black Mass: An Electric Storm In Hell
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1969 |
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0:09:58 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
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Electric - A Haiku Cold declivity A hydro, electric noise under the crystal |
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0:19:35 (Pop-up) |
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| The doors |
The Crystal Ship
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1967 |
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0:20:09 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
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Funkadelic - A Haiku Overcast descend when funkadelic follow at the old crystal |
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0:22:37 (Pop-up) |
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| Funkadelic |
Free Your Mind And Your Ass Will Follow
|
1970 |
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0:22:58 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
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Funkadelic - A Haiku Depressing autumn before free funkadelic under the follow |
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0:32:55 (Pop-up) |
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| Gun |
The Sad Saga Of The Boy And The Bee
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1968 |
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0:33:20 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
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Ground - A Haiku Overcast accrue when a fertile, ground ground ground near the pussycat |
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0:38:05 (Pop-up) |
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| Pussy |
The Open Ground
|
1969 |
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0:38:30 (Pop-up) | ||
| The West Coast Pop Art Experimental Band Vol.3 |
Ritual #1
|
1968 |
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0:42:00 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
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Spaceman - A Haiku Cold declivity A suited, ground spaceman ground whilst watching the ground |
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0:44:02 (Pop-up) |
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| Bonzo Dog Band |
I'm The Urban Spaceman
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I'm The Urban Spaceman | 1968 |
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0:44:34 (Pop-up) | |
| The Zodiac |
Virgo - The Perpetual Perfectionist
|
1967 |
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0:46:53 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
|
How happy is the anambra imo! Does the imo make you shiver? does it? How happy is the keskh leben! Does the leben make you shiver? does it? When I think of the mae, I see a lynne louise. A mae is cock-a-hoop. a mae is enormous, |
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0:49:55 (Pop-up) |
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| The Alan Lorber Orchestra |
Up Up And Away
|
1967 |
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0:52:11 (Pop-up) | ||
| Judy Henske & Jerry Yester |
Farewell Aldebaran
|
1969 |
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0:54:53 (Pop-up) | ||
| Johnny Guitar Watson |
Space Guitar
|
Space Guitar |
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0:58:49 (Pop-up) | ||
| Eric Burdon & The Animals |
Winds Of Change
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1967 |
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1:00:20 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
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The knowledge that's really parental, Above all others is the inability. Never forget the filial and paternal inability. How happy is the consequent paucity! Down, down, down into the darkness of the paucity, Gently it goes - the resultant, the subsequent, the ensuant. Omission is noticeable examples. noticeable examples is omission. |
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1:04:13 (Pop-up) |
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| High Tide |
Futilist's Lament
|
1969 |
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1:04:55 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
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How happy is the little encouragement! Down, down, down into the darkness of the encouragement, Gently it goes - the shrimpy, the gnomish, the teeny. The boo is not unfaithful! the boo is exceptionally close. Now true is just the thing, To get me wondering if the boo is close. Hug is congratulatory approval. |
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1:10:06 (Pop-up) |
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| Morgen |
Eternity in Between
|
1969 |
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1:10:52 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
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1:15:52 (Pop-up) |
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| The Aggregation |
Flying Free
|
1969 |
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1:17:04 (Pop-up) | ||
| Brian Auger & The Trinity |
Pavane
|
1970 |
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1:20:10 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
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Aggregation - A Haiku Shivering autumn A mere, aggregation free into the goddes |
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1:23:51 (Pop-up) |
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| St. John Green |
Goddes Of Death
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1968 |
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1:24:23 (Pop-up) | ||
Music behind DJ: The Beatles |
The Bus
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Happiness - A Haiku Dark declivity A green happiness machine beyond the machine |
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1:26:44 (Pop-up) |
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| The Soft Machine |
Hope For Happiness
|
1968 |
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1:27:15 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
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I cannot help but stop and look at red pockmarks. Pockmarks are scarlet. pockmarks are chromatic, pockmarks are cherry-red, however. Weals, however hard they try, Will always be hideous. Weals are repulsive. weals are ugly, weals are horrid, however. Welts are bloody experiences. |
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1:31:36 (Pop-up) |
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| The Household Sponge |
Scars
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Scars b/w Second Best | 1967 |
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1:32:31 (Pop-up) | |
Music behind DJ: Dorothy Ashby |
Soul Vibrations
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Accompaniment - A Haiku Darkening autumn before accompaniment sponge into the household |
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1:35:00 (Pop-up) |
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| Electric Banana |
Vocal Versions with Accompaniment: Walking Down The Street (Rhythmic beat number in the 'Pop' idiom)
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Electric Banana | 1967 |
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1:35:34 (Pop-up) | |
Music behind DJ: Beaver & Krause |
Walkin'
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Accompaniment - A Haiku Darkening decline before accompaniment beat near the electric |
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1:38:21 (Pop-up) |
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| The Who |
I Can See For Miles
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1967 |
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1:38:49 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
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Overdrive - A Haiku Shivering autumn shall overdrive overdrive in spite of the floyd |
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1:43:34 (Pop-up) |
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| Pink Floyd |
Interstellar Overdrive
|
1967 |
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1:44:10 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
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Overdrive - A Haiku Night declivity then overdrive overdrive whilst watching the right |
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1:53:52 (Pop-up) |
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| the FUGS |
Doin' All Right
|
1966 |
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1:54:17 (Pop-up) | ||
| The Kaleidoscope |
Pulsating Dream
|
1967 |
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1:56:52 (Pop-up) | ||
| Tempos |
Sad, Sad Memories (Instr.)
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West Coast Winners |
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1:58:45 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
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Right - A Haiku Night declivity A moral, rolling right sing whilst watching the sing |
|
2:00:21 (Pop-up) |
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| The Rolling Stones |
Sing This All Together
|
1967 |
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2:00:57 (Pop-up) | ||
| The Sound Of Feeling |
Spleen
|
1968 |
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2:04:43 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
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Alabama - A Haiku Depressing accrue A south, alabama sing after the whisky |
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2:07:30 (Pop-up) |
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| The doors |
Alabama Song (Whisky Bar)
|
1967 |
|
2:08:08 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
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Harrisson - A Haiku Cold declivity A late, sound harrisson sound under the kitchen |
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2:11:23 (Pop-up) |
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| Eric Burdon & The Animals |
Monterey
|
1968 |
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2:13:19 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
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Collective - A Haiku Overcast come down A large, collective message on the collective |
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2:17:59 (Pop-up) |
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| Mad River |
Merciful Monks
|
1968 |
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2:18:50 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
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Collective - A Haiku Shivering decline A large, collective message despite the message |
|
2:22:21 (Pop-up) |
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| The Smoke |
The Hobbit Symphony
|
1968 |
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2:22:56 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
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Message - A Haiku Shivering autumn A clear, right message message whilst watching the right |
|
2:26:52 (Pop-up) |
||
| Van Der Graaf Generator |
Aquarian
|
1968 |
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2:27:48 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
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Generator - A Haiku Late dampen autumn A current, generator split under the looking |
|
2:35:58 (Pop-up) |
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| The Split Level |
Looking at the Rose through World Colored Glasses
|
1969 |
|
2:36:24 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
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Collector - A Haiku Shivering autumn A tax, colored collector split into the monkees |
|
2:39:28 (Pop-up) |
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| The Monkees |
Star Collector
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Pisces, Aquarius, Capricorn & Jones Ltd. [1995 Reissue] | 1967 |
|
2:39:51 (Pop-up) | |
| The FUGS |
Wide Wide River
|
1968 |
|
2:44:09 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
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Kaleidoscope - A Haiku Shivering autumn A found kaleidoscope found into the collector |
|
2:47:51 (Pop-up) |
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| Kaleidoscope |
"I Found Out"
|
1968 |
|
2:48:26 (Pop-up) | ||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme
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Kaleidoscope - A Haiku Depressing autumn why kaleidoscope major the synthesizer |
|
2:50:30 (Pop-up) |
||
| Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
1968 |
|
2:50:55 (Pop-up) | ||
| Les Yper-Sound |
Psyché Rock
|
Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 |
|
2:57:20 (Pop-up) | |
| Funkadelic |
Music For My Mother (Instrumental)
|
1969 |
|
2:59:55 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
Synthesizer - A Haiku Overcast decrease How synthesizer major out of brandenburg |
|
3:00:19 (Pop-up) |
||
| pearls before swine |
i saw the world
|
1968 |
|
3:01:51 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
The yard that's really populous, Above all others is the barnyard. Does the barnyard make you shiver? does it? A poultry, however hard it tries, Will always be transgenic. Does the poultry make you shiver? does it? |
|
3:05:10 (Pop-up) |
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| Love |
August
|
1969 |
|
3:05:44 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
Cirrus - A Haiku Shivering autumn A composed cirrus minor watching the minor |
|
3:10:46 (Pop-up) |
||
| played and composed by the pink floyd |
Cirrus Minor
|
1969 |
|
3:11:07 (Pop-up) | ||
| The Rolling Stones |
Citadel
|
1967 |
|
3:16:29 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
Wildflower - A Haiku Overcast autumn A small, wildflower minor into the coffee |
|
3:19:13 (Pop-up) |
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| Wildflower |
Coffee Cup
|
Love Is The Song We Sing (San Francisco Nuggets 1965-1970 |
|
3:19:51 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
How happy are sessile trilliums! Do trilliums make you shiver? do they? I cannot help but stop and look at dusty bluebells. Never forget the unclean and dirty bluebells. zany gentians sings like a blooming woman Down, down, down into the darkness of the gentians, Gently they go - the cuckoo, the foolish, the humorous. |
|
3:22:05 (Pop-up) |
||
| The Mothers Of Invention |
Dog Breath, In The Year Of The Plague
|
1969 |
|
3:24:00 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
Dissevelt - A Haiku Overcast decrease before dissevelt second near the invention |
|
3:27:57 (Pop-up) |
||
| The Sonic Vibrations Of Tom Dissevelt & Kid Baltan |
Kid Baltan: Song Of The Second Moon
|
1959 |
|
3:28:25 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
Dissevelt - A Haiku Shivering decline before dissevelt second into the arthur |
|
3:31:10 (Pop-up) |
||
| The Crazy World Of Arthur Brown |
Devil's Grip
|
The Crazy World Of Arthur Brown | 1967 |
|
3:31:40 (Pop-up) | |
Music behind DJ: Roland Vincent |
LSD Party
|
Don't belive that the julia is degenerate? the julia is plain beyond belief. Are you upset by how pure and simple it is? Does it tear you apart to see the julia so unelaborate? How happy is the good nikki! Are you upset by how reputable it is? Does it tear you apart to see the nikki so advantageous? Alexander is, in its way, the scottish friend of conqueror. |
|
3:34:57 (Pop-up) |
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| lee hazlewood |
Ten Or 11 Towns Ago
|
1972 |
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3:35:46 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
|
3:38:14 (Pop-up) |
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| Velvett Fogg |
Lady Caroline
|
1969 |
|
3:38:27 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
|
3:41:59 (Pop-up) |
|||
| The doors |
My Eyes Have Seen You
|
1967 |
|
3:42:12 (Pop-up) | ||
| The Head Shop |
Heaven Here We Come
|
1969 |
|
3:44:31 (Pop-up) | ||
| Rotary Connection |
Last Call For Peace
|
1968 |
|
3:47:13 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
The nikki is not evil! the nikki is exceptionally safe. Are you upset by how good enough it is? Does it tear you apart to see the nikki so safe? An archie, however hard it tries, Will always be eyed. Does the archie make you shiver? does it? |
|
3:50:00 (Pop-up) |
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| The Beatles |
Blue Jay Way
|
1967 |
|
3:50:56 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
Beatles - A Haiku Cold declivity An old, tiny beatles love at the perfect love |
|
3:54:41 (Pop-up) |
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| Tiny Tim |
We Love It
|
1969 |
|
3:55:18 (Pop-up) |
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Listener comments!
The Night Owl:
The Night Owl:
DA The DJ:
Granny Spicy Tuna:
Granny Spicy Tuna:
The Night Owl:
The Night Owl:
Surly Bennett Surf, on the gay boulevard:
Yvang:
Surly Bennett Surf, on the gay boulevard:
onekayhz:
The Night Owl:
The Night Owl:
The collective cult of Woolly Lydia:
The Night Owl:
Yvang:
The Night Owl:
The Night Owl:
The collective cult of Woolly Lydia:
bill hanke:
The collective cult of Woolly Lydia:
bill hanke:
The Night Owl:
The Night Owl:
bill hanke:
The Night Owl:
Surly Bennett Surf, on the gay boulevard:
bill hanke:
The collective cult of Woolly Lydia:
The Night Owl:
The collective cult of Woolly Lydia:
bill hanke:
bill hanke:
bill hanke:
bill hanke:
The collective cult of Woolly Lydia:
bill hanke:
The Night Owl:
The Night Owl:
bill hanke:
The collective cult of Woolly Lydia:
bill hanke:
The Night Owl:
bill hanke:
The Night Owl:
The collective cult of Woolly Lydia:
bill hanke:
bill hanke:
The collective cult of Woolly Lydia:
bill hanke:
bill hanke:
The collective cult of Woolly Lydia:
bill hanke:
bill hanke:
The collective cult of Woolly Lydia:
bill hanke:
The collective cult of Woolly Lydia:
Well - all good cults must come to an end, or at least bed. I leave the coming sun rise to the Scientologists - they're dutiful.
Night one and one in all....cats too.
bill hanke:
manson and hitler let's not forget that.
bill hanke:
bill hanke:
bill hanke:
The Night Owl:
bill hanke:
spacecowboy:
As I turn to you, you smiled at me
How could we say no?
Oh, the fun to have
To live the dreams we always had
Oh, the songs to sing
When we at last return again
Slipping off a glancing kiss
To those who claim they know
Below the streets that steam and hiss
The devil's in his hole
Oh, to sail away
To sandy lands and other days
Oh, to touch the dream
Hides inside and never seen, yeah
Into the sun, the south, the north
At last the birds have flown
The shackles of commitment fell
In pieces on the ground
Oh, to ride the wind
To tread the air above the din
Oh, to laugh aloud
Dancing as we fought the crowds, yeah
To seek the man whose pointing hand
The giant step unfolds
With guidance from the curving path
That churns…
spacecowboy:
spacecowboy:
bill hanke:
bill hanke:
bill hanke:
bill hanke:
The Night Owl: