The Stork Club with Stork:
Playlist
from September 15, 2024
 |
View Stork's profile
|
With billows and blasts from choirs and orchesters
Buskers and talkers
Big bands and squawkers,
the Stork Club has retained its qualities of decaying elegance and dwindling significance since the late 1950s.
Sunday
Noon - 3pm
(EST)
|
On
WFMU's
Give the Drummer Radio
<-- Previous playlist | Back to The Stork Club with Stork playlists | Next playlist -->
September 15, 2024: The Cannonball Ball
Julian Edwin Adderley's big 96th bash right here in The Stork Club - the alto- and occasional soprano-sax player from Florida made up for a short life with a glorious musical legacy. With his brother, Nat on cornet/trumpet, and graced with musical Olympians like Coltrane, Lateef, and Miles.... Sunday fun
Listen to this show:
Pop-up player!
| Artist | Track | Album | Comments | Images | Approx. start time |
|---|---|---|---|---|---|
| Cannonball Adderley |
Hoppin' John
|
Cannonball Enroute | Cannonball Adderley - alto saxophone • Nat Adderley – cornet • Junior Mance - piano • Sam Jones - bass • Jimmy Cobb - drums - . Recorded at Capitol Studios in New York City on February 7, 1957 |
|
0:00:00 (Pop-up) |
| Cannonball Adderley |
Flamingo
|
Presenting Cannonball | written by Ted Grouya ; Alto Saxophone – Julian "Cannonball" Adderley; Bass – Paul Chambers; Cornet – Nat Adderley; Drums – Kenny Clarke; Piano – Hank Jones - - Recorded at Rudy Van Gelder's Studio, Hackensack , NJ. Thursday July 14, 1955 |
|
0:05:04 (Pop-up) |
| Sarah Vaughan |
Don't Be On The Outside
|
In The Land Of Hi-fi feat. Cannonball Adderley | Alto Saxophone – Julian "Cannonball" Adderley, Sam Marowitz ::::::Arranged By, Conductor – Ernie Wilkins ::::::Bass – Joe Benjamin ::::::Drums – Roy Haynes ::::::Flute, Tenor Saxophone – Jerome Richardson ::::::Guitar – Turk Van Lake ::::::Orchestra – The Ernie Wilkins Orchestra ::::::Piano – Jimmy Jones ::::::Trombone – J.J. Johnson, Kai Winding ::::::Trumpet – Bernie Glow, Ernie Royal ::::::Vocals – Sarah Vaughan - - - Recorded October 25, 1955 |
|
0:12:02 (Pop-up) |
| Cannonball Adderley Quintet |
Well, You Needn't
|
Plus | Cannonball Adderley – alto saxophone • Nat Adderley – cornet • Wynton Kelly – piano • Victor Feldman – piano, vibes • Sam Jones – bass • Louis Hayes – drums • Recorded May 11, 1961 at Plaza Sound (New York City) |
|
0:14:58 (Pop-up) |
| Cannonball Adderley |
Somewhere
|
Swingin' in Seattle: Live at the Penthouse | Alto Saxophone – Cannonball Adderley; Bass – Victor Gaskin; Cornet – Nat Adderley; Drums – Roy McCurdy; Piano – Joe Zawinul - - Recorded June 15 & 22 1966 |
|
0:21:24 (Pop-up) |
| Cannonball Adderley Sextet |
The Jive Samba
|
Jazz Workshop Revisited | Cannonball Adderley – alto saxophone • Nat Adderley – cornet • Yusef Lateef – fllute • Joe Zawinul – piano • Sam Jones – double bass • Louis Hayes – drums - - 1963 |
|
0:26:56 (Pop-up) |
| DJ Cannonfire | Happy 96th, Cannonball!! | 0:37:50 (Pop-up) | |||
| Julian Adderley Quintet |
Straight Life
|
Portrait of Cannonball | Cannonball Adderley - alto saxophone • Blue Mitchell - trumpet • Bill Evans - piano • Sam Jones - bass • Philly Joe Jones - drums • Recorded New York; July 1, 1958 |
|
0:43:11 (Pop-up) |
| Cannonball Adderley |
Clouds (Single Version)
|
Cannonball's Bossa Nova | Cannonball Adderley - alto saxophone • The musicians forming the loosely studio group "Bossa Rio Sextet of Brazil",[5] were: • Sérgio Mendes (RIP) - piano • Durval Ferreira - guitar • Octavio Bailly, Jr. - bass • Dom Um Romão - drums • Recorded December 7, 1962 |
|
0:48:45 (Pop-up) |
| Cannonball Adderley |
Wabash
|
Quintet in Chicago | Cannonball Adderley – alto saxophone • John Coltrane – tenor saxophone • Wynton Kelly – piano • Paul Chambers – bass • Jimmy Cobb – drums - - Recorded february 3, 1959 at Universal Recording Studio B, Chicago |
|
0:51:24 (Pop-up) |
| Cannonball Adderley |
The Chocolate Nuisance
|
The Black Messiah | Cannonball Adderley - alto saxophone, soprano saxophone • Nat Adderley - cornet, vocals • George Duke - piano • Walter Booker - bass • Roy McCurdy - drums • Airto Moreira - percussion • Mike Deasy - guitar, vocals • Buck Clarke - African percussion • • Recorded August 3-9, 1971 at The Troubadour in West Hollywood, CA |
|
0:57:08 (Pop-up) |
| Cannonball Adderley |
Hummin'
|
Poppin' in Paris: Live at L'Olympia 1972 | Alto Saxophone – Julian "Cannonball" Adderley; Bass – Walter Booker; Cornet – Nat Adderley; Drums – Roy McCurdy; Piano, Electric Piano – George Duke - - Recorded on October 25, 1972 at the Olympia Theatre, Paris, France, as part of the Paris Jazz Festival |
|
1:05:35 (Pop-up) |
| The Cannonball Adderley Quintet |
Bridges
|
The Price You Got To Pay To Be Free | Written by Milton Nascimento, Fernando Brant, Gene Lees; Cannonball Adderley - vocals • Joe Zawinul - piano, electric • Walter Booker - bass • Roy McCurdy - drums • Nat Adderley Jr. - guitar • Bob West - bass • Recorded September 19, 1970 (live); October 5 at Monterey Jazz Festival |
|
1:14:10 (Pop-up) |
| The Cannonball Adderley Quintet |
Some Time Ago
|
The Price You Got To Pay To Be Free | written by Sergio Mihanovich; Cannonball Adderley - alto saxophone, soprano saxophone, vocals • Nat Adderley - cornet, vocals • Joe Zawinul - electric piano • Walter Booker - bass • Roy McCurdy - drums • Bob West - bass • Recorded September 19, 1970 (live); October 5 at Monterey Jazz Festival |
|
1:18:26 (Pop-up) |
| The Cannonball Adderley Quintet |
Sticks
|
Mercy, Mercy, Mercy! Live At "The Club" | Cannonball Adderley - alto sax - Nat Adderley - cornet - Joe Zawinul - piano - Victor Gaskin - bass - Roy McCurdy - drums - - - Recorded Capitol (Los Angeles) October 20, 1966 |
|
1:22:41 (Pop-up) |
| DJ Cannonfodder | 1:26:38 (Pop-up) | ||||
| Cannonball Adderley, Milt Jackson |
Sounds For Sid
|
Things Are Getting Better | Cannonball Adderley - alto saxophone • Milt Jackson - vibes • Wynton Kelly - piano • Percy Heath - bass • Art Blakey - drums • Recorded October 28, 1958 at Reeves Sound (New York City) |
|
1:31:26 (Pop-up) |
| Cannonball Adderley |
This Here
|
African Waltz | Written by Bobby Timmons; Cannonball Adderley – alto saxophone • Nat Adderley, Joe Newman, Ernie Royal, Clark Terry, Nick Travis – trumpet • Jimmy Cleveland, George Matthews, Arnett Sparrow, Melba Liston – trombone • Bob Brookmeyer – valve trombone • Paul Faulise – bass trombone • Don Butterfield – tuba • George Dorsey – alto saxophone, flute • Oliver Nelson – tenor saxophone, flute • Jerome Richardson – tenor saxophone, flute, piccolo • Arthur Clarke – baritone saxophone • Wynton Kelly – piano • Sam Jones – bass • Charlie Persip, Louis Hayes – drums • Michael Olatunji – congas, bongos • Ray Barretto – congas • Ernie Wilkins – arranger ◦ Recorded at Plaza Sound Studio, NYC, on May 9, 1961 |
|
1:37:58 (Pop-up) |
| Nancy Wilson / Cannonball Adderley |
A Sleepin' Bee
|
Nancy Wilson / Cannonball Adderley | Nancy Wilson - vocals • Cannonball Adderley - alto saxophone • Nat Adderley - cornet • Louis Hayes - drums • Sam Jones - double bass • Joe Zawinul - piano Recorded in NYC, June 27 and 29, 1961 |
|
1:40:55 (Pop-up) |
| Cannonball Adderley With Bill Evans |
Goodbye
|
Know What I Mean? | Written-By – Gordon Jenkins; Alto Saxophone – Julian "Cannonball" Adderley; Bass – Percy Heath; Drums – Connie Kay; Piano – Bill Evans; Recorded at Bell Sound Studios, New York City; January 27, February 21, and March 13, 1961 |
|
1:43:31 (Pop-up) |
| Cannonball Adderley |
Dizzys Business
|
The Cannonball Adderley Sextet in New York | Alto Saxophone – Julian "Cannonball" Adderley* §§§Bass – Sam Jones §§§Cornet – Nat Adderley §§§Drums – Louis Hayes §§§Piano – Joe Zawinul §§§Tenor Saxophone – Yusef Lateef - - Recorded live at the Village Vanguard, New York City; Jan, 12 and 14, 1962 |
|
1:49:43 (Pop-up) |
| Cannonball Adderley |
Money In The Pocket
|
Cannonball Plays Zawinul | (Written by Joe Zawinul) Cannonball Adderley, alto sax; Nat Adderley, cornet; Joe Zawinul, piano; Victor Gaskin, bass; Roy McCurdy, drums - - Recorded at Sankei Hall, Tokyo on August 26, 1966 from: Cannonball In Japan |
|
1:56:40 (Pop-up) |
| Cannonball Adderley |
Dat Dere
|
Them Dirty Blues | Written by Bobby Timmons;Julian "Cannonball" Adderley – alto sax • Nat Adderley – cornet • Bobby Timmons – piano • Sam Jones – bass • Louis Hayes – drums - - Recorded March 29, 1960 Ter-Mar Recording Studio, Chicago |
|
2:06:25 (Pop-up) |
| DJ | 2:11:53 (Pop-up) | ||||
| Miles Davis |
Flamenco Sketches (Alternate Take)
|
Kind of Blue | Miles Davis – trumpet • Julian "Cannonball" Adderley – alto saxophone • John Coltrane – tenor saxophone • Bill Evans – piano Paul Chambers – double bass • Jimmy Cobb – drums written by: Miles Davis, Bill Evans - -• - - recorded on March 2 and April 22, 1959, at Columbia's 30th Street Studio in New York City |
|
2:15:31 (Pop-up) |
| Cannonball Adderley Sextet |
Primitivo
|
Jazz Workshop Revisited | Cannonball Adderley – alto saxophone • Nat Adderley – cornet • Yusef Lateef – flute, oboe • Joe Zawinul – piano • Sam Jones – double bass • Louis Hayes – drums - - 1963 |
|
2:25:17 (Pop-up) |
| Cannonball Adderley |
Khutsana
|
Accent on Africa | Musicians unkown except for Julian and Nat - - 1968 |
|
2:34:28 (Pop-up) |
| The Cannonball Adderley Quintet |
Ela
|
The Happy People | The Cannonball Adderley Quintet • Julian "Cannonball" Adderley – alto saxophone, producer • George Duke – piano, electric piano, arrangement (track 2) • Walter Booker – double bass • Roy McCurdy – drums • Nathaniel Carlyle Adderley – cornet Additional musicians • Airto Moreira – lead vocals, percussion • Flora Purim – vocals • "King" Errisson Pallman Johnson – percussion • Mayuto Correa – percussion • Nathaniel E. Adderley, Jr. – arrangement |
|
2:38:23 (Pop-up) |
| Cannonball Adderley |
Sack O' Woe
|
Phenix | Cannonball Adderley - alto saxophone, soprano saxophone • Nat Adderley - cornet • George Duke - keyboards, synthesizers • Sam Jones - acoustic bass • Louis Hayes - drums • Airto Moreira - percussion, congas • Recorded at Fantasy Studios in Berkeley, CA, in February, March & April 1975 |
|
2:42:17 (Pop-up) |
| Cannonball Adderley |
Mercy, Mercy, Mercy
|
Poppin' in Paris: Live at L'Olympia 1972 | Alto Saxophone – Julian "Cannonball" Adderley; Bass – Walter Booker; Cornet – Nat Adderley; Drums – Roy McCurdy; Piano, Electric Piano – George Duke - - Recorded on October 25, 1972 at the Olympia Theatre, Paris, France, as part of the Paris Jazz Festival |
|
2:47:26 (Pop-up) |
| Julian Cannonball Adderley |
Oh Babe!
|
Country Preacher | Julian "Cannonball" Adderley - alto and soprano saxophones • Nat Adderley - cornet and vocals on "Oh Babe" • Joe Zawinul - keyboards • Walter Booker - bass • Roy McCurdy - drums - - Recorded Chicago, October 1969 |
|
2:50:23 (Pop-up) |
| Thanks - it was Cannonical | 2:55:10 (Pop-up) |
<-- Previous playlist | Back to The Stork Club with Stork playlists | Next playlist -->
RSS feeds for The Stork Club with Stork:
Playlists feed | 
MP3 archives feed
| E-mail Stork | Other WFMU Playlists | All artists played by The Stork Club with Stork |Listen on the Internet | Contact Us | Music & Programs | WFMU Home Page | Support Us | FAQ
Live Audio Streams for Give the Drummer Radio: Pop-up | 128k MP3 (More streams: [+])
Listener comments!
Revolution Rabbit Nov63:
' Julian Edwin "Cannonball" Adderley (September 15, 1928 – August 8, 1975) was an American jazz alto saxophonist of the hard bop era of the 1950s and 1960s.
Adderley is perhaps best remembered for the 1966 soul jazz single "Mercy, Mercy, Mercy", which was written for him by his keyboardist Joe Zawinul and became a major crossover hit on the pop and R&B charts. A cover version by the Buckinghams, who added lyrics, also reached No. 5 on the charts. Adderley worked with Miles Davis, first as a member of the Davis sextet, appearing on the seminal records Milestones (1958) and Kind of Blue (1959), and then on his own 1958 album Somethin' Else. He was the elder brother of jazz trumpeter Nat Adderley, who was a longtime member of his band
...Adderley formed his own group with his brother Nat after signing onto the Savoy jazz label in 1955. He was noticed by Miles Davis, and it was because of his blues-rooted alto saxophone that Davis asked him to play with his group. He joined the Davis band in October 1957, three months prior to the return of John Coltrane to the group. Davis notably appears on Adderley's solo album Somethin' Else (also featuring Art Blakey and Hank Jones), which was recorded shortly after the two met. Adderley then played on the seminal Davis records Milestones and Kind of Blue. This period also overlapped with pianist Bill Evans' time with the sextet, an association that led to Evans appearing on Portrait of Cannonball and Know What I Mean?...
The Cannonball Adderley Quintet featured Cannonball on alto sax and his brother Nat Adderley on cornet. Cannonball's first quintet was not very successful; however, after leaving Davis' group, he formed another group again with his brother. The new quintet, which later became the Cannonball Adderley Sextet, and Cannonball's other combos and groups, included such noted musicians as saxophonists Charles Lloyd and Yusef Lateef, pianists Bobby Timmons, Barry Harris, Victor Feldman, Joe Zawinul, Hal Galper, Michael Wolff, and George Duke, bassists Ray Brown, Sam Jones, Walter Booker, and Victor Gaskin, and drummers Louis Hayes and Roy McCurdy '...
Michael 98145:
Stork:
Stork:
doctorjazz:
StringOFperils:
love2laf:
Hello Stork, looking forward to this.
Hello Michael, doctorjazz, and all the water birds to come.
tom tom the pipers son:
doctorjazz:
tom tom the pipers son:
Sean in Bristol UK:
Michael 98145:
TDK60:
I did get to see Cannonball, just once. Schaeffer Beer fest in Central Park, early '70s. A young George Duke on electric piano. I forget who else.
Revolution Rabbit Nov63:
Stork:
StringOFperils:
Stork:
WR:
doctorjazz:
Revolution Rabbit Nov63:
Stork:
doctorjazz:
Stork:
Irene Trudel:
Stork:
tom tom the pipers son:
Irene Trudel:
doctorjazz:
Sean in Bristol UK:
Stork:
doctorjazz:
Stork:
doctorjazz:
TDK60:
love2laf:
@Stork hubby sends greetings right back at you.
Stork:
WR:
doctorjazz:
Stork:
Stork:
doctorjazz:
tom tom the pipers son:
doctorjazz:
TDK60:
Stork:
Stork:
love2laf:
TDK60:
tom tom the pipers son:
tom tom the pipers son:
love2laf:
tom tom the pipers son:
Stork:
tom tom the pipers son:
slideshow section is new
katharsis:
Stork:
doctorjazz:
Stork:
tom tom the pipers son:
chresti:
Stork:
tom tom the pipers son:
love2laf:
Sean in Bristol UK:
Sean in Bristol UK:
tom tom the pipers son:
TDK60:
Revolution Rabbit Nov63:
...even said he hoped Trane would pick up something about Economy from Adderley ...as of course he said many things about many things...
Revolution Rabbit Nov63:
Stork:
Stork:
Revolution Rabbit Nov63:
doctorjazz:
tom tom the pipers son:
Revolution Rabbit Nov63:
love2laf:
doctorjazz:
tom tom the pipers son:
tom tom the pipers son:
Peter K.:
P.S.: I'm loving the show.
Revolution Rabbit Nov63:
tom tom the pipers son:
Stork:
Revolution Rabbit Nov63:
Peter K.:
Stork:
Stork:
Revolution Rabbit Nov63:
doctorjazz:
Close-Cannonball is credited with the liner notes. (Wayne Shorter was the usual reed partner to Morgan early on).
tom tom the pipers son:
Stork:
WR:
doctorjazz:
Marie in Chicago:
Stork:
Revolution Rabbit Nov63:
...Home is where the Trane is far as I'm concerned...
Stork:
vanhooserd:
Marie in Chicago:
tom tom the pipers son:
doctorjazz:
tom tom the pipers son:
Stork:
tom tom the pipers son:
Stork:
Stork:
doctorjazz:
Stork:
Peter K.:
Peter K.:
Stork:
TDK60:
Revolution Rabbit Nov63:
tom tom the pipers son:
TDK60:
doctorjazz:
tom tom the pipers son:
Stork:
Stork:
Revolution Rabbit Nov63:
Stork:
Stork:
Revolution Rabbit Nov63:
Stork:
coelacanth∅:
Stork:
Revolution Rabbit Nov63:
Revolution Rabbit Nov63:
Stork:
Stork:
Revolution Rabbit Nov63:
TDK60:
TDK60:
Revolution Rabbit Nov63:
Peter K.:
coelacanth∅:
Stork:
Revolution Rabbit Nov63:
coelacanth∅:
Stork:
Stork:
Revolution Rabbit Nov63:
coelacanth∅:
TDK60:
love2laf:
Revolution Rabbit Nov63:
Stork:
Stork:
love2laf:
Stork:
Stork:
spodiodi:
Stork:
Bri The Beatnik:
Stork:
Bri The Beatnik:
spodiodi:
adamdoesit:
Stork:
adamdoesit:
Stork:
Bri The Beatnik:
Stork:
Revolution Rabbit Nov63:
coelacanth∅:
Bri!
Bri The Beatnik:
adamdoesit:
coelacanth∅:
Stork:
adamdoesit:
Stork, thank you for cluing me in to another factor in my overdetermined absence of bookings.
spodiodi:
coelacanth∅:
fred:
Stork:
tom tom the pipers son:
chresti:
adamdoesit:
fred:
Stork:
Wuz another fuzzy-wuzzy 180 minutes. Back in 7 days for more fuzz! - ❤️ Stork
tom tom the pipers son:
fred:
tom tom the pipers son:
Ike:
Stork:
StringOFperils:
tom tom the pipers son:
Stork:
TDK60:
Stork:
adamdoesit:
fred:
StringOFperils:
Irene Trudel:
Ike:
fred:
WR:
spodiodi:
Revolution Rabbit Nov63:
tom tom the pipers son:
coelacanth∅:
Stork:
Stork:
Spikey BXL:
doctorjazz: