The Stork Club with Stork:
Playlist
from May 12, 2024
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View Stork's profile
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With billows and blasts from choirs and orchesters
Buskers and talkers
Big bands and squawkers,
the Stork Club has retained its qualities of decaying elegance and dwindling significance since the late 1950s.
Sunday
Noon - 3pm
(EDT)
|
On
WFMU's
Give the Drummer Radio
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Pop-up player!| Artist | Track | Album | Comments | Images | Approx. start time |
|---|---|---|---|---|---|
| HANS KOLLER - ROLAND KOVAC |
There'll Never Be Another You
|
JAZZ SALON, DORTMUND 1957 | Hans Koller, tenor saxophone, drums; Attila Zoller, guitar; Gary Peacock, bass; Siegfried Kocznorski, drums - - Recorded at Universum Filmtheater, Dortmund, Germany on March 16, 1957 (Roland Kovac sits this one out) |
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|
| Barney Kessel |
Joy Spring
|
Swingin' Party at Contemporary | Barney Kessel - guitar • Marvin Jenkins - piano • Gary Peacock - bass • Ron Lundberg - drums -- written by Clifford Brown for his wife, Larue • Recorded July 19, 1960 at Contemporary Records Studio, Los Angeles, California |
|
0:05:30 (MP3 | Pop-up) |
| Carmell Jones Featuring Harold Land |
Night Tide
|
The Remarkable Carmell Jones | Bass – Gary Peacock; Drums – Leon Pettis; Piano – Frank Strazzeri; Tenor Saxophone – Harold Land; Trumpet – Carmell Jones - -Written by Jimmy Bond - - Pacific Jazz Studios, Los Angeles, CA, June, 1961 Copyright 1961 by World Pacific Records |
|
0:12:17 (MP3 | Pop-up) |
| Clare Fischer |
Stranger
|
First Time Out | Acoustic Bass – Gary Peacock Drums – Gene Stone Piano – Clare Fischer - - Recorded April, 1962 |
|
0:16:17 (MP3 | Pop-up) |
| Gil Evans |
Proclamation
|
The Individualism of Gil Evans | Bass – Gary Peacock; Drums – Elvin Jones; Engineer – Rudy Van Gelder; French Horn – Julius Watkins, Ray Alonge; Guitar – Kenny Burrell; Harp – Bob Maxwell; Reeds, Woodwind – Al Block, Andy Fitzgerald, Bob Tricarico, George Marge, Wayne Shorter; Trombone – Frank Rehak; Trumpet – Johnny Coles; Tuba – Bill Barber; Written-By – Gil Evans - - recorded October 29, 1964 at Van Gelder's Recording Studio, Englewood Cliffs, N.J. |
|
0:20:18 (MP3 | Pop-up) |
| Willkommen im Club der schöne Mutter | 0:24:13 (MP3 | Pop-up) | ||||
| Tethered Moon |
Turnaround
|
Triangle | Bass – Gary Peacock; Drums – Paul Motian; Piano – Masabumi "Poo" Kikuchi - - written by Ornette Coleman - - Recorded 16, 17, 18 November 1991 at Power Station, New York |
|
0:30:47 (MP3 | Pop-up) |
| Bill Evans |
A Sleepin' Bee
|
Trio 64 | Bill Evans – piano • Gary Peacock – double bass • Paul Motian – drums - -composed by Harold Arlen with lyrics by Arlen and Truman Capote - - Recorded in New York City, Dec. 18, 1963 |
|
0:37:16 (MP3 | Pop-up) |
| Alexandra Grimal / Lee Konitz / Gary Peacock / Paul Motian |
December Greenwings
|
Owls Talk | Alto Saxophone – Lee Konitz; Bass, written by – Gary Peacock; Drums – Paul Motian; Tenor Saxophone, Soprano Saxophone - Alexandra Grimal - - - Recorded in New York on December 15th and 16th 2009 |
|
0:42:44 (MP3 | Pop-up) |
| Mal Waldron & Gary Peacock |
Whats That
|
First Encounter | Mal Waldron — piano • Gary Peacock — bass, written by • Hiroshi Murakami — drums • Recorded March 8, 1971 Tokyo, Japan |
|
0:46:57 (MP3 | Pop-up) |
| Helen Merrill With Gary Peacock Trio |
The Thrill Is Gone
|
Sposin' | Bass – Gary Peacock; Drums – Motohiko Hino; Piano – Masahiko Satoh; Vocals – Helen Merrill - - written by: Roy Hawkins and Rick Darnell - - - Recorded Oct. 21/25. '71 At No.2 Studio, Mohri Studio |
|
0:56:05 (MP3 | Pop-up) |
| Paul Bley, Gary Peacock, Tony Oxley, John Surman |
Portrait Of A Silence
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In The Evenings Out There | Paul Bley – piano • John Surman – soprano saxophone, bass clarinet • Gary Peacock – bass, written by • Tony Oxley – drums • Recorded September 1991 Studio Rainbow Studio Oslo, Norway |
|
1:03:12 (MP3 | Pop-up) |
| Don Pullen |
Once Upon A Time
|
New Beginnings | Don Pullen - piano • Gary Peacock - bass • Tony Williams - drums • Recorded in New York City on December 16, 1988 |
|
1:09:12 (MP3 | Pop-up) |
| DJ Fans Feathers | 1:15:01 (MP3 | Pop-up) | ||||
| Anthony Williams |
Tomorrow Afternoon
|
Life Time | Anthony Williams - batteria, written by • Sam Rivers - sassofono tenore • Gary Peacock - contrabbasso - - Recorded August 21, 1964 at Van Gelder Studio, Englewood Cliffs, NJ |
|
1:19:09 (MP3 | Pop-up) |
| John Surman |
Figfoot
|
Adventure Playground | John Surman –baritone saxophone • Paul Bley – piano, written by • Gary Peacock – bass • Tony Oxley – drums • Recorded September 1991 at Rainbow Studio, Oslo, Norway |
|
1:24:53 (MP3 | Pop-up) |
| Bud Shank |
Blues in the Surf
|
Bud Shank with Maynard Ferguson-Stu Williamson & Bob Enevoldsen | Bud Shank - Tenor sax; Drummer - unknown; Ferguson, Enovoldsen, Williamson sit out(?) - released 1963 |
|
1:29:24 (MP3 | Pop-up) |
| Tethered Moon |
Moor
|
Tethered Moon | Bass, written by – Gary Peacock; Drums – Paul Motian; Piano – Masabumi "Poo" Kikuchi-_- Recorded 16, 17, 18 November 1991 at Power Station, New York |
|
1:34:27 (MP3 | Pop-up) |
| Gary Peacock Trio |
Changing
|
Eastward | Bass, written by – Gary Peacock; Drums – Hiroshi Murakami; Piano – Masabumi Kikuchi - - 4, February 1970 at Kawaguchi Shimin Kaikan |
|
1:43:09 (MP3 | Pop-up) |
| Richard Poole, Marilyn Crispell, Gary Peacock |
Gary's Theme
|
In Motion | Marilyn Crispell – piano • Gary Peacock – bass, written by • Richard Poole – drums Recorded November 6, 2014 at Nevessa Production, Woodstock, New York |
|
1:51:36 (MP3 | Pop-up) |
| Keith Jarrett, Gary Peacock, Jack DeJohnette |
Only The Lonely
|
My Foolish Heart | Keith Jarrett – piano • Gary Peacock – bass • Jack DeJohnette – drums - -writeen by Sammy CahnJimmy Van Heusen • Recorded July 22, 2001 at Stravinski Hall Montreux Jazz Festival Montreux, Switzerland |
|
1:59:17 (MP3 | Pop-up) |
| DJ | 2:04:36 (MP3 | Pop-up) | ||||
| Gary Peacock |
Hollows
|
Voices | Gary Peacock – bass, written by • Masabumi Kikuchi – piano, electric piano • Masahiko Togashi – percussion (tracks: 1 2 3 4 6) • Hiroshi Murakami – drums (tracks: 1 2 3 5 6) • Recorded April 5, 1971 at Mohri Studio, Tokyo |
|
2:09:42 (MP3 | Pop-up) |
| Marilyn Crispell / Gary Peacock / Paul Motian |
Blood
|
Nothing Ever Was, Anyway: Music of Annette Peacock | Marilyn Crispell – piano • Gary Peacock – bass • Paul Motian – drums - written by Annette Peacock • Recorded September 1996 • at Right Track Recording Studios, New York |
|
2:17:32 (MP3 | Pop-up) |
| Gary Peacock |
Dreams (If Time Weren't)
|
Tales of... Gary Peacock | Double Bass – Gary Peacock Drums – Paul Motian Piano – Marilyn Crispell Vocals, written by – Annette Peacock - released 2006 |
|
2:20:17 (MP3 | Pop-up) |
| Paul Bley Franz Kogelmann Gary Peacock |
Miracles
|
Annette | Paul Bley – piano • Franz Koglmann – trumpet, flugelhorn • Gary Peacock – bass - - written by Annette Peacock • Recorded April 12 to 14, 1992 at Radio Bremen, Bremen, Germany |
|
2:29:11 (MP3 | Pop-up) |
| Ravi Shankar |
Fire Night
|
Improvisations | Bass – Gary Peacock; Dholak – Harihar Rao; Drums – Louis Hayes; Flute – Bud Shank; Guitar – Dennis Budimir; Sitar – Ravi Shankar; Tabla – Kanai Dutta; Tambura [Tampura] – Harihar Rao, Nodu C Mullick - - released 1962 |
|
2:35:56 (MP3 | Pop-up) |
| Gary Peacock |
A Northern Tale
|
December Poems | Gary Peacock – bass, written by • Recorded December 1977 at Talent Studio Oslo, Norway |
|
2:40:30 (MP3 | Pop-up) |
| Albert Ayler |
Don's Dawn
|
New York Eye & Ear Control | Gary Peacock - bass • Don Cherry - trumpetAlbert Ayler - sax (rest of band lays out) Recorded July 17, 1964 |
|
2:46:46 (MP3 | Pop-up) |
| Tethered Moon |
Part III
|
Experiencing Tosca | Masabumi Kikuchi - piano • Gary Peacock - bass • Paul Motian - drums. - Written by Masabumi Kikuchi, Paul Motian and Gary Peacock after Giacomo Puccini • Recorded December 14 & 15, 2002, Hit Factory, NYC |
|
2:47:48 (MP3 | Pop-up) |
| Thanks, Dear Clubbies!! | 2:55:18 (MP3 | Pop-up) |
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Listener comments!
Revolution Rabbit Nov63:
' Gary George Peacock (May 12, 1935 – September 4, 2020) was an American jazz double bassist. He recorded a dozen albums under his own name, and also performed and recorded with major jazz figures such as avant garde saxophonist Albert Ayler, pianists Bill Evans, Paul Bley and Marilyn Crispell, and as a part of Keith Jarrett’s “Standards Trio” with drummer Jack DeJohnette. The trio existed for over thirty years, and recorded over twenty albums together. DeJohnette once stated that he admired Peacock's "sound, choice of notes, and, above all, the buoyancy of his playing." Marilyn Crispell called Peacock a "sensitive musician with a great harmonic sense." '...
Stork:
WR:
hyde:
tom tom the pipers son:
NotARealDoctor in Norfolk VA:
Stork:
DJ Peter:
TDK60:
Stork:
Katharsis:
fred:
- RFK Jr's worm
Stork:
coelacanth∅:
Stork:
chresti:
Stork:
Stork:
Stork:
Stork:
Sem:
Hello, the Storch, clubbers, and the GP faithful.
adamdoesit:
* Peacock Fizz
2oz Glen Passaic
2oz Yakima Valley vermouth
4oz Summit Avenue seltzer
1 peacock feather
Into a Collins glass, pour Glen Passaic and vermouth. Stir with peacock feather until its plumes dissolve and mixture scintillates bluegreenly. Reserve the quill. Fill 2/3 with ice, and top with seltzer. Serve with the quill for a straw.
Stork:
Stork:
love2laf:
Hello DJ Stork, RRN63, WR, hyde, tom tom NARD, DJ Peter, TDK60, Katharsis, fred, oelacanth∅, chresti, Sem, adamdoesit, and all the waterbirds to come. Happy Mothers Day, be sure to raise a glass to those that are here, and those that live on in our hearts.
Stork:
fred:
coelacanth∅:
tom tom the pipers son:
adamdoesit:
Irene Trudel:
fred:
GP does work to make plans moot
adamdoesit:
Stork:
Stork:
fred:
adamdoesit:
coelacanth∅:
Irene Trudel:
love2laf:
Stork:
coelacanth∅:
fred:
coelacanth∅:
adamdoesit:
fred:
Stork:
love2laf:
Katharsis:
Katharsis:
fred:
Ken From Hyde Park 🦚:
Stork:
doctorjazz:
Malcontent:
I once shook hands with Don Pullen after a show. Given how he played... they were incredibly soft.
Stork:
Stork:
love2laf:
Listening Out There:
Listening Out There:
Malcontent:
Oh how I love his music. Only got to see him play twice: with the Bever Harris 360 Degree Experience, and in Kip Hanrahan's band.
Stork:
Sem:
Stork:
Stork:
spodiodi:
sounding great
Stork:
Stork:
mackeral:
Stork:
Sem:
Stork:
spodiodi:
katharsis:
spodiodi:
spodiodi:
adamdoesit:
coelacanth:
Stork:
coelacanth∅:
coelacanth∅:
spodiodi:
fred:
katharsis:
Stork:
spodiodi:
spodiodi:
spodiodi:
Stork:
fred:
spodiodi:
fred:
Second time, the theater burned down. I still saw her, but not ideal condition.
I'm a curse to her
Stork:
adamdoesit:
Stork:
spodiodi:
fred:
Revolution Rabbit Nov63:
adamdoesit:
fred:
Revolution Rabbit Nov63:
WM:
coelacanth∅:
Stork:
adamdoesit:
chresti:
coelacanth∅:
all turin natives
Stork:
tom tom the pipers son:
Stork:
fred:
Stork:
Revolution Rabbit Nov63:
Mxter Baba:
Stork:
coelacanth∅:
adamdoesit:
Mxter Baba:
Stork:
tom tom the pipers son:
Revolution Rabbit Nov63:
coelacanth∅:
Stork:
fred:
Stork:
coelacanth∅:
tom tom the pipers son:
WM:
Stork:
Stork:
coelacanth∅:
or best of all, both!
Sem:
adamdoesit:
Stork:
tom tom the pipers son:
Stork:
coelacanth∅:
...she did it right.
spodiodi:
hyde:
adamdoesit:
coelacanth∅:
chresti:
Irene Trudel:
love2laf:
(boo Stork for not being here next week, but yay for Saturday fill in)
Mxter Baba:
WR:
coelacanth∅:
"you must learn how to live"
master how do i learn how to live?
"you must learn how to die"
Mxter Baba:
coelacanth∅:
Revolution Rabbit Nov63:
Mxter Baba:
coelacanth∅:
doctorjazz:
Stork: