View Owl Sun's profile |
An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
<-- Previous playlist | Back to The Night Owl Show with Owl Sun playlists | Next playlist -->
Artist | Track | Album | Year | Comments | Images | Approx. start time |
---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
||||
Nirvana | In The Courtyard Of The Stars [Mono] | 1967 | 0:00:21 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:46 (Pop-up) | ||||
The 13th Floor Elevators | Rose And The Thorn | 1969 | 0:03:12 (Pop-up) | |||
Bee Gees | Cucumber Castle | 1967 | 0:06:45 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
I cannot help but stop and look at the temporary lack. Are you upset by how episodic it is? Does it tear you apart to see the lack so transitory? The discharge that's really utter, Above all others is the void. Now perfect is just the thing, To get me wondering if the void is gross. When I think of the absent, I see an inappropriate distribution. |
0:08:46 (Pop-up) |
|||
Captain Beefheart & His Magic Band | Veteran's Day Poppy | 1970 | 0:09:50 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Prefaces, however hard they try, Will always be biographical. Do prefaces make you shiver? do they? How happy are consonant omissions! Do omissions make you shiver? do they? Just like an accidental homicide, is the omission. |
0:15:15 (Pop-up) |
|||
Kaleidoscope | Lie To Me | 1969 | 0:16:04 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
0:18:47 (Pop-up) |
||||
Status Quo | Mr. Mind Detector | 2001 | 0:18:55 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
0:22:50 (Pop-up) |
||||
Grahame Bond | Love Is The Law | 1968 | 0:23:08 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Prefaces, however hard they try, Will always be biographical. Do prefaces make you shiver? do they? How happy are consonant omissions! Do omissions make you shiver? do they? Just like an accidental homicide, is the omission. |
0:27:34 (Pop-up) |
|||
The doors | Unhappy Girl | 1967 | 0:28:16 (Pop-up) | |||
The Vampires' Sound Incorporation | There Is No Satisfaction | 1969 | 0:30:07 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Brainticket - A Haiku Early summertime suddenly brainticket black in spite of the black |
0:33:14 (Pop-up) |
|||
Brainticket | Black Sand | 1971 | 0:33:42 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Brainticket, Part 2 - A Haiku Previous summer before black brainticket black despite the bonnie |
0:37:42 (Pop-up) |
|||
The Nice | Bonnie K | 1967 | 0:38:19 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
Bonnie - A Haiku Indian summer A very, pink bonnie pink betrayed by the floyd |
0:42:51 (Pop-up) |
|||
Pink Floyd | Pow R. Toc H. | 1967 | 0:43:13 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
The Flying And Ground Buffalo Whose buffalo is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his buffalo a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:47:34 (Pop-up) |
|||
Buffalo Springfield | Flying On The Ground Is Wrong - Richie With Steve & Neil | 1966 | 0:48:15 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
The Ground And Ultimate Ultimate Whose ultimate is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his ultimate a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:50:51 (Pop-up) |
|||
Ultimate Spinach | Your Head Is Reeling | 1968 | 0:51:38 (Pop-up) | |||
The Shadows | A Place in the Sun | 1996 | 0:55:15 (Pop-up) | |||
Egyptian Combo | Gale Winds | Greaser Instrumentals 03 | 0:57:24 (Pop-up) | |||
The T-Bones | No Matter What Shape | AM Gold: Mid '60s Classics | 1995 | 0:59:56 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Ultimate - A Haiku Dampish summertime A single, ultimate head above the spinach |
1:00:19 (Pop-up) |
|||
The Who | Cobwebs & Strange | 1966 | 1:01:13 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Expanding - A Haiku Darkening summer A self, strange expanding band despite the tontos |
1:03:40 (Pop-up) |
|||
Tonto's Expanding Head Band | Inside: Tama | 1970 | 1:04:10 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
Perfectionist - A Haiku Early summertime A true, perfectionist band the perpetual |
1:09:22 (Pop-up) |
|||
The Zodiac | Virgo - The Perpetual Perfectionist | 1967 | 1:09:45 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
The linguistic process that's really partial, Above all others is the omission. Now fond is just the thing, To get me wondering if the omission is one-sided. I cannot help but stop and look at the upper absent. Are you upset by how high it is? Does it tear you apart to see the absent so superior? Just like an apparent word, is the void. |
1:13:38 (Pop-up) |
|||
Gun | The Sad Saga Of The Boy And The Bee | 1968 | 1:14:22 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
All that is appropriate is not absent, absent, by all account is inappropriate. Down, down, down into the darkness of the absent, Gently it goes - the improper, the unfitting, the wrong. An omission, however hard it tries, Will always be obvious. An omission is prominent. an omission is visible, an omission is egregious, however. |
1:19:07 (Pop-up) |
|||
Pump | Pappy's Rug | 1970 | 1:19:53 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
1:22:11 (Pop-up) |
||||
Eric Burdon & The Animals | Winds Of Change | 1967 | 1:22:35 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
A dearth, however hard it tries, Will always be lamentable. Never forget the sad and sorrowful dearth. How happy is the glaring omission! Are you upset by how obvious it is? Does it tear you apart to see the omission so fulgent? I saw the the yellow inconvenience of my generation destroyed, How I mourned the unavailability. |
1:26:25 (Pop-up) |
|||
High Tide | Futilist's Lament | 1969 | 1:27:08 (Pop-up) | |||
The Other Half | Mr. Pharmacist | 1967 | 1:32:22 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
One afternoon I said to myself, "Why isn't the deceased more public?" Never forget the cloistered and snobby deceased. Why would you think the failing is unsympathetic? the failing is the most sympathetic imperfectness of all. Down, down, down into the darkness of the failing, Gently it goes - the likable, the charitable, the unappealing. How happy is the cunning gone! |
1:34:49 (Pop-up) |
|||
dave grusin | Ascension To Virginity | 1968 | 1:35:39 (Pop-up) | |||
The Kaleidoscope | Keep Your Mind Open | 1967 | 1:40:39 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Virginity - A Haiku Dampness summertime An own, virginity noise out of ascension |
1:43:19 (Pop-up) |
|||
White Noise | Black Mass: An Electric Storm In Hell | 1969 | 1:44:00 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Creation - A Haiku Early summertime A special, creation noise by the electric |
1:51:15 (Pop-up) |
|||
The Creation | The Girls Are Naked | 1968 | 1:51:39 (Pop-up) | |||
Morgen | Eternity in Between | 1969 | 1:53:31 (Pop-up) | |||
Funkadelic | Music For My Mother (Instrumental) | 1969 | 1:58:31 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Eternity - A Haiku Loving summertime A green eternity st under the goddes |
2:00:20 (Pop-up) |
|||
St. John Green | Goddes Of Death | 1968 | 2:00:46 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
I saw the the very disappear of my generation destroyed, How I mourned the absent. Now real is just the thing, To get me wondering if the absent is rattling. I cannot help but stop and look at the deaf been. Now stone-deaf is just the thing, To get me wondering if the been is hard-of-hearing. I must update with the cunning revised again, |
2:03:07 (Pop-up) |
|||
pearls before swine | i saw the world | 1968 | 2:03:56 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
I cannot help but stop and look at the dear anderson. An anderson is devout. an anderson is earnest, an anderson is heartfelt, however. How happy is the canadian gibson! Does the gibson make you shiver? does it? Johnson is, in its way, the british friends of chief executive. Does the johnson make you shiver? |
2:07:14 (Pop-up) |
|||
Pink Floyd | Take Up Thy Stethoscope And Walk | 1967 | 2:08:08 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Stethoscope - A Haiku Dampness summertime A monaural, stethoscope pink by the electric |
2:11:09 (Pop-up) |
|||
The Aggregation | Flying Free | 1969 | 2:12:45 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Aggregation - A Haiku Hearty summertime shall aggregation present despite the treatment |
2:15:51 (Pop-up) |
|||
GTO's: Girls Together Outrageously | The Ghost Chained To The Past, Present, And Future (Shock Treatment) | 1969 | 2:16:26 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
The Future And Present Orchestra Whose orchestra is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his orchestra a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:18:10 (Pop-up) |
|||
The Alan Lorber Orchestra | Up Up And Away | 1967 | 2:19:02 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
2:21:43 (Pop-up) |
||||
The FUGS | Wide Wide River | 1968 | 2:21:55 (Pop-up) | |||
the Electric Flag, an American Music Band | M-23 | Original Motion Picture Sound Track: The Trip | 1967 | 2:24:41 (Pop-up) | ||
The Sunshine Company | Love, That's Where It Is | 1968 | 2:25:49 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Alabama - A Haiku Warm up summertime A wide alabama bar despite the whisky |
2:27:50 (Pop-up) |
|||
The doors | Alabama Song (Whisky Bar) | 1967 | 2:28:30 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Zombies - A Haiku Warming summertime A more, missing zombies bar an alabama |
2:31:45 (Pop-up) |
|||
Van Der Graaf Generator | Aquarian | 1968 | 2:33:00 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
Generator - A Haiku Warm up summertime A current, generator fly because of the graaf |
2:41:10 (Pop-up) |
|||
J.K. & Co. | Fly | 1968 | 2:41:33 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
Love - A Haiku Previous summer A perfect, august love love whilst watching the fly |
2:46:06 (Pop-up) |
|||
Love | August | 1969 | 2:46:29 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
Quicksilver - A Haiku Indian summer A much, quicksilver service on the messenger |
2:51:31 (Pop-up) |
|||
The Quicksilver Messenger Service | Babe, I'm Gonna Leave You | 1968 | 2:51:56 (Pop-up) | |||
The Kaleidoscope | Pulsating Dream | 1967 | 2:56:56 (Pop-up) | |||
The Turtles | Buzzsaw | The Turtles Present The Battle Of The Bands | 1968 | 2:58:49 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis |
Quicksilver, Part 2 - A Haiku Glooming summertime A crude, quicksilver service on the messenger |
3:00:20 (Pop-up) |
|||
played and composed by the pink floyd | Cirrus Minor | 1969 | 3:01:02 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Invention - A Haiku Dampness summertime A composed invention plague at the old mothers |
3:06:00 (Pop-up) |
|||
The Mothers Of Invention | Dog Breath, In The Year Of The Plague | 1969 | 3:06:23 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Dissevelt - A Haiku Early summertime before dissevelt second near the invention |
3:10:21 (Pop-up) |
|||
The Sonic Vibrations Of Tom Dissevelt & Kid Baltan | Kid Baltan: Song Of The Second Moon | 1959 | 3:10:50 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Dissevelt, Part 2 - A Haiku Darkening summer before dissevelt second above the baltan |
3:14:36 (Pop-up) |
|||
The Nice | War and Peace | 1967 | 3:15:04 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Creeping - A Haiku Previous summer A women, nice creeping peace at the old davies |
3:20:10 (Pop-up) |
|||
Dave Davies | Creeping Jean | 1969 | 3:20:50 (Pop-up) | |||
Pink Floyd | Interstellar Overdrive | 1967 | 3:24:02 (Pop-up) | |||
Velvett Fogg | Lady Caroline | 1969 | 3:33:44 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Overdrive - A Haiku Hearty summertime For overdrive overdrive the armenia |
3:36:04 (Pop-up) |
|||
The Who | Armenia City In The Sky | 1967 | 3:36:30 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
Machine - A Haiku Hearty summertime A new, sweet machine machine an armenia |
3:40:16 (Pop-up) |
|||
The Soft Machine | Love Makes Sweet Music | Love Makes Sweet Music | 1967 | 3:40:57 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly |
Machine, Part 2 - A Haiku Warming summertime A new, strange machine machine despite the music |
3:43:22 (Pop-up) |
|||
The FUGS | Life Is Strange | 1968 | 3:43:44 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Love - A Haiku Previous summer A romantic, strange love love because of the fugs |
3:47:25 (Pop-up) |
|||
Tiny Tim | We Love It | 1969 | 3:47:48 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Electric - A Haiku Previous summer A solar, electric love at the old highest |
3:50:38 (Pop-up) |
|||
The Electric Prunes | Sold to the Highest Bidder | 1967 | 3:51:11 (Pop-up) | |||
The Appletree Theatre | Act II: E-Train (the jello song) | 1967 | 3:53:26 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Electric, Part 2 - A Haiku Previous summer A steam, electric power after the highest |
3:54:24 (Pop-up) |
|||
The Art Of Lovin' | You Got The Power | 1968 | 3:54:58 (Pop-up) | |||
The Shadows | Kon-Tiki | 1996 | 3:57:55 (Pop-up) | |||
Stu Phillips | Hells Angels On Wheels | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 3:59:45 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Don't belive that the kathy is rich? the kathy is poor beyond belief. Never forget the pinched and indigent kathy. A becky, however hard it tries, Will always be immortal. A becky is aeonian. a becky is mortal, a becky is deific, however. How happy is the yellow nigel! |
4:04:23 (Pop-up) |
|||
Touch | Down at Cerce's Place | 1969 | 4:04:59 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
How happy is the odd omission! An omission is unmatched. an omission is unexhausted, an omission is left, however. I saw the the dead position of my generation destroyed, How I mourned the left. A left is inelastic. a left is animate, a left is uncharged, however. I will consider my revised. |
4:08:55 (Pop-up) |
|||
The 13th Floor Elevators | Scarlet And Gold | 1969 | 4:09:39 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
Stairways, however hard they try, Will always be electric. Are you upset by how electrical they are? Does it tear you apart to see the stairways so galvanic? I cannot help but stop and look at the dark subbasement. A subbasement is obscure. a subbasement is crepuscular, a subbasement is morose, however. I cannot help but stop and look at zany doorways. |
4:15:29 (Pop-up) |
|||
Bee Gees | I Started A Joke | 1968 | 4:16:24 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
4:19:27 (Pop-up) |
||||
The Factory | Candy Cane Madness | 1967 | 4:19:57 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Stairways, however hard they try, Will always be electric. Are you upset by how electrical they are? Does it tear you apart to see the stairways so galvanic? I cannot help but stop and look at the dark subbasement. A subbasement is obscure. a subbasement is crepuscular, a subbasement is morose, however. I cannot help but stop and look at zany doorways. |
4:21:55 (Pop-up) |
|||
Eric Burdon & The Animals | No Self Pity | 1968 | 4:22:41 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
How happy is the much carnal! Does the carnal make you shiver? does it? All that is tamed is not foxes, foxes, by all account is wild. Are you upset by how uncontrolled they are? Does it tear you apart to see the foxes so inhospitable? One afternoon I said to myself, |
4:27:33 (Pop-up) |
|||
H.P. Lovecraft | The White Ship | 1967 | 4:28:25 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
I saw the the speculative literary composition of my generation destroyed, How I mourned the fiction. Never forget the notional and high-risk fiction. Pay attention to the fantasy, the fantasy is the most elaborate misconception of all. A fantasy is detailed. a fantasy is luxuriant, a fantasy is careful, however. The big ghost sings like friendly effects |
4:34:51 (Pop-up) |
|||
The doors | Unhappy Girl | 1967 | 4:35:35 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Brainticket - A Haiku Nighttime summertime suddenly brainticket black enjoying the black |
4:37:27 (Pop-up) |
|||
Brainticket | Black Sand | 1971 | 4:37:49 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Brainticket, Part 2 - A Haiku Dampness summertime A cardboard brainticket twink after the cardboard |
4:41:49 (Pop-up) |
|||
Twink | 10,000 Words In A Cardboard Box | 1970 | 4:42:30 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
Cardboard - A Haiku Sunless summertime A stiff, cardboard cardboard twink by the mackerel |
4:47:49 (Pop-up) |
|||
The Holy Mackerel | 10,000 Men | 1968 | 4:48:16 (Pop-up) | |||
The W. C. Dorns | I Need You | 1967 | 4:51:57 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant |
<-- Previous playlist | Back to The Night Owl Show with Owl Sun playlists | Next playlist -->
RSS feeds for The Night Owl Show with Owl Sun: Playlists feed | MP3 archives feed
| E-mail Owl Sun | Other WFMU Playlists | All artists played by The Night Owl Show with Owl Sun |Listen on the Internet | Contact Us | Music & Programs | WFMU Home Page | Support Us | FAQ
Live Audio Streams for Rock'N'Soul Radio: Pop-up | 128k MP3 (More streams: [+])
Listener comments!
Owl Sun:
Owl Sun: