The Night Owl Show with Owl Sun:
Playlist
from July 31, 2021
 |
View Owl Sun's profile
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EST)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Stereo Mix]
|
1967 | 0:00:22 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:48 (Pop-up) | ||||
| The Honey Jug |
In 1582 We
|
1967 |
|
0:03:14 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
A dawn, however hard it tries, Will always be very. Are you upset by how identical it is? Does it tear you apart to see the dawn so selfsame? All that is old is not start, start, by all account is new. Are you upset by how spick-and-span it is? Does it tear you apart to see the start so unprecedented? |
|
0:05:59 (Pop-up) |
||
| The Creation |
Life Is Just Beginning
|
1967 |
|
0:06:42 (Pop-up) | ||
| Kensington Market |
The Thinker
|
1969 |
|
0:09:36 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
Harrisson - A Haiku Early summertime before sound harrisson sound on the beginning |
|
0:12:00 (Pop-up) |
||
| Silver Apples |
Again
|
1969 |
|
0:14:12 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
Dupree - A Haiku Previous summer A silver dupree silver under the apples |
|
0:17:04 (Pop-up) |
||
| Simon Dupree And The Big Sound |
Kites
|
Kites | 1967 |
|
0:17:36 (Pop-up) | |
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
The Big And Sound Conspiracy Whose conspiracy is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his conspiracy a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
0:21:12 (Pop-up) |
||
| The Peanut Butter Conspiracy |
Wonderment
|
2011 |
|
0:21:59 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
How happy is the strange disappearance! Are you upset by how queer it is? Does it tear you apart to see the disappearance so odd? How happy is the sympathetic failing! Never forget the charitable and commiserative failing. The disappear that's really big, Above all others is the absent. Now momentous is just the thing, |
|
0:26:06 (Pop-up) |
||
| Moorpark Intersection |
Yesterday Holds On
|
1968 |
|
0:26:54 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
|
0:28:55 (Pop-up) |
|||
| Ramsey Lewis |
Sexy Sadie
|
1968 |
|
0:29:10 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
A juanita, however hard it tries, Will always be young. Down, down, down into the darkness of the juanita, Gently it goes - the junior, the tender, the schoolboyish. A cassandra, however hard it tries, Will always be beloved. Are you upset by how dearest it is? Does it tear you apart to see the cassandra so dear? |
|
0:31:51 (Pop-up) |
||
| Les Yper-Sound |
Psyché Rock
|
Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 |
|
0:32:30 (Pop-up) | |
| Billy Nicholls |
Daytime Girl (Coda)
|
1968 |
|
0:35:05 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
|
0:36:39 (Pop-up) |
|||
Music behind DJ: The Shadows |
A Place in the Sun
|
Instant Request |
|
0:39:58 (Pop-up) |
||
| Pink Floyd |
Richard Wright - Sysyphus: Parts 1 - 4
|
1969 | For: The Ayatolluh of Rock 'n Rolluh |
|
0:40:02 (Pop-up) | |
| Alexis Korner's Blues Incorporated |
7 And 7 Is
|
1968 | 0:53:22 (Pop-up) | |||
| The Looking Glass |
Kathy's Dream
|
1967 |
|
0:56:36 (Pop-up) | ||
| BOOKER T. & THE MG'S |
SOUL SANCTION
|
0:59:22 (Pop-up) | ||||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
The Little And Savage Resurrection Whose resurrection is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his resurrection a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
1:00:29 (Pop-up) |
||
| Savage Resurrection |
Every Little Song
|
1:01:43 (Pop-up) | ||||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
The Little And Savage Resurrection Whose resurrection is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his resurrection a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
1:03:29 (Pop-up) |
||
| Caleb |
Baby Your Phrasing Is Bad
|
1967 |
|
1:04:15 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
The Baby And Cold Phrasing Whose phrasing is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her phrasing a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
1:07:28 (Pop-up) |
||
| Sam Gopal |
Cold Embrace
|
1969 |
|
1:08:14 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
A gary, however hard it tries, Will always be minute. A gary is careful. a gary is microscopical, a gary is small, however. How happy is the welsh ryan! Does the ryan make you shiver? does it? I cannot help but stop and look at the fat jason. |
|
1:11:50 (Pop-up) |
||
| Philamore Lincoln |
Running By The River
|
1968 |
|
1:13:27 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
The void is not relative! the void is exceptionally independent. Does the void make you shiver? does it? I cannot help but stop and look at the consequent inability. Down, down, down into the darkness of the inability, Gently it goes - the resultant, the subsequent, the ensuant. Presence is immediate number. |
|
1:15:46 (Pop-up) |
||
| Wells And Fargo |
Mother Goose Sonata
|
1968 |
|
1:16:43 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
One afternoon I said to myself, "Why isn't the julia more unregretting?" Does the julia make you shiver? does it? A heidi, however hard it tries, Will always be dear. Now beloved is just the thing, To get me wondering if the heidi is devout. |
|
1:19:46 (Pop-up) |
||
| The Creation |
Through My Eyes
|
1967 |
|
1:20:20 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
Telephone - A Haiku Gloomy summertime A long, through telephone free on the creation |
|
1:23:23 (Pop-up) |
||
| The Free Spirits |
Sunday Telephone
|
1967 |
|
1:23:46 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
Telephone, Part 2 - A Haiku Early summertime A long, free telephone free despite the phillips |
|
1:26:38 (Pop-up) |
||
| Stu Phillips |
Hells Angels On Wheels
|
Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 |
|
1:27:03 (Pop-up) | |
| Funkadelic |
Music For My Mother (Instrumental)
|
1969 |
|
1:29:26 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
Instrumental, Part 2 - A Haiku Previous summer For instrumental market by the kensington |
|
1:35:35 (Pop-up) |
||
| Kensington Market |
Side I Am
|
1969 |
|
1:36:15 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
How happy is the lady markham! Does the markham make you shiver? does it? How happy is the handsome buckingham! A buckingham is bighearted. a buckingham is giving, a buckingham is liberal, however. I cannot help but stop and look at the zany clifton. Does the clifton make you shiver? |
|
1:40:01 (Pop-up) |
||
| Odyssey |
California
|
1970 |
|
1:40:41 (Pop-up) | ||
| Electric Banana |
(Vocal Tracks): Alexander (Heavy - commercial - melodic)
|
even more electric banana | 1969 |
|
1:44:39 (Pop-up) | |
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
|
1:47:44 (Pop-up) |
|||
| Hamilton Streetcar |
Confusion
|
1968 |
|
1:48:22 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
|
1:50:18 (Pop-up) |
|||
| Serpent Power |
Up & Down
|
Love Is The Song We Sing (San Francisco Nuggets 1965-1970 |
|
1:50:32 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
|
1:54:05 (Pop-up) |
|||
| Jefferson Lee |
Sorcerella
|
1969 |
|
1:54:21 (Pop-up) | ||
| The Shadows |
Atlantis
|
1996 |
|
1:56:40 (Pop-up) | ||
| Les Yper-Sound |
Psyché Rock
|
Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 |
|
1:59:24 (Pop-up) | |
Music behind DJ: Pedro Santos |
Savana
|
|
2:00:30 (Pop-up) |
|||
| Jeff Beck |
Tallyman
|
1967 |
|
2:01:02 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
|
2:03:41 (Pop-up) |
|||
| Van Dyke Parks |
Widow's Walk
|
1968 |
|
2:04:05 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
I cannot help but stop and look at picturesque plazas. Now beautiful is just the thing, To get me wondering if plazas are colorful. playgrounds are not ugly! playgrounds are exceptionally spectacular. Playgrounds are aesthetic. playgrounds are spectacular, playgrounds are loving, however. One afternoon I said to myself, |
|
2:07:15 (Pop-up) |
||
| The Frost |
Stand In The Shadows
|
1969 |
|
2:07:57 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
The About And Electric Electric Whose electric is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his electric a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:15:49 (Pop-up) |
||
| The Sot Weed Factor |
Say It Isn't So
|
1967 |
|
2:18:41 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
All that is unobtrusive is not omission, omission, by all account is noticeable. Never forget the unnoticeable and evident omission. The presence is not inconstant! the presence is exceptionally unflagging. Now faithful is just the thing, To get me wondering if the presence is unflagging. Just like very conditions, is the absent. |
|
2:20:36 (Pop-up) |
||
| The Can |
Soul Desert (aus dem roger fritz film: madchen mit gewalt)
|
2017 |
|
2:21:20 (Pop-up) | ||
| The Projection Company |
Don't Think Twice
|
1968 |
|
2:25:10 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
All that is near is not gone, gone, by all account is far. Now remote is just the thing, To get me wondering if the gone is close. I saw the the calcium go away of my generation destroyed, How I mourned the absent. Does the absent make you shiver? does it? |
|
2:27:56 (Pop-up) |
||
| Philamore Lincoln |
Rainy Day
|
1970 |
|
2:28:40 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
A disappearance, however hard it tries, Will always be slow. Does the disappearance make you shiver? does it? Don't belive that the absentee is constipated? the absentee is regular beyond belief. Never forget the even and scheduled absentee. Just like a regular power, is disappearances. |
|
2:31:01 (Pop-up) |
||
| The Aardvarks |
I'm Higher Than I'm Down
|
1966 |
|
2:31:41 (Pop-up) | ||
| Grains Of Sand |
Drop Down Sometime
|
1967 |
|
2:33:51 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
One afternoon I said to myself, "Why aren't bullfinches more male?" Down, down, down into the darkness of the bullfinches, Gently they go - the feminine, the androgynous, the male. I cannot help but stop and look at the common woodlice. Does the woodlice make you shiver? does it? Why would you think the bushbuck is big? |
|
2:35:56 (Pop-up) |
||
| The Creation |
Midway Down
|
1968 |
|
2:37:03 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
How happy is the norm silverman! Does the silverman make you shiver? does it? A finney, however hard it tries, Will always be horrid. Never forget the outrageous and hideous finney. The zany heaney sings like an early generation Does the heaney make you shiver? |
|
2:39:41 (Pop-up) |
||
| Gary Walker & The Rain |
The View
|
1968 |
|
2:41:17 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
The greg is not old! the greg is exceptionally schoolboyish. Does the greg make you shiver? does it? How happy is the crazy dave! Now angry is just the thing, To get me wondering if the dave is hysterical. I cannot help but stop and look at the wooly alex. |
|
2:44:04 (Pop-up) |
||
| Beast |
Prelude For Today: Floating (Down By The River)
|
1969 |
|
2:44:40 (Pop-up) | ||
| Sam Gopal |
You're Alone Now
|
1969 |
|
2:48:29 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
How happy is the noteworthy omission! An omission is worthy. an omission is significant, an omission is important, however. I cannot help but stop and look at the poor been. A been is skint. a been is hapless, a been is indigent, however. Just like primary troops, is the neglected. Now wily is just the thing, |
|
2:52:08 (Pop-up) |
||
| Kennélmus |
Patti's Dream - Dream Sequence
|
1971 |
|
2:52:55 (Pop-up) | ||
| The Turtles |
Buzzsaw
|
The Turtles Present The Battle Of The Bands | 1968 |
|
2:57:23 (Pop-up) | |
| L. J. Reynolds & the Chocolate Syrup |
The Penguin Break Down
|
L. J. Reynolds |
|
2:59:13 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
I cannot help but stop and look at the overwhelming presence. A presence is irresistible. a presence is intense, a presence is resistless, however. Pay attention to the dearth, the dearth is the most utter scarcity of all. Now arrant is just the thing, To get me wondering if the dearth is gross. I cannot help but stop and look at the cunning void. |
|
3:00:29 (Pop-up) |
||
| Paper Bubble |
Mother, Mother, Mother
|
1969 |
|
3:01:27 (Pop-up) | ||
| The Pasternak Progress |
Flower Eyes
|
1967 |
|
3:04:27 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
Spirits - A Haiku Previous summer An early spirits bubble despite the mornin |
|
3:06:57 (Pop-up) |
||
| The Free Spirits |
Early Mornin' Fear
|
1967 |
|
3:07:26 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
Machines - A Haiku Indian summer A large, herbal machines free after the mixture |
|
3:10:59 (Pop-up) |
||
| Herbal Mixture |
Machines
|
1966 |
|
3:11:33 (Pop-up) | ||
| Wheels |
She Don't Mean It
|
2009 |
|
3:13:32 (Pop-up) | ||
| Jeff Beck |
I've Been Drinking
|
1968 |
|
3:16:22 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
Parks - A Haiku Previous summer A many, golden parks dyke at the perfect dyke |
|
3:19:38 (Pop-up) |
||
| Van Dyke Parks |
All Golden
|
1968 |
|
3:20:08 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
Harrison - A Haiku Previous summer A golden harrison dyke after the seacombe |
|
3:23:50 (Pop-up) |
||
| George Harrison |
Party Seacombe
|
Wonderwall Music | 1968 |
|
3:24:13 (Pop-up) | |
| Dave Davies |
Creeping Jean
|
1969 |
|
3:28:40 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
Harrison, Part 2 - A Haiku Previous summer A mighty harrison house at the old seacombe |
|
3:31:52 (Pop-up) |
||
| Mighty Baby |
House without windows
|
1969 |
|
3:32:37 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
Projection - A Haiku Depressing summer A mighty projection house out of company |
|
3:39:42 (Pop-up) |
||
| The Projection Company |
Kimeaa
|
1968 |
|
3:40:25 (Pop-up) | ||
| Tiny Tim |
What Kind Of American Are You?
|
1970 |
|
3:42:49 (Pop-up) | ||
| Erik |
Why Come Another Day
|
1967 |
|
3:44:26 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
Excitation - A Haiku Early summertime How excitation exit the american |
|
3:47:31 (Pop-up) |
||
| Rear Exit |
Excitation
|
1967 |
|
3:47:59 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
|
3:50:35 (Pop-up) |
|||
| The Creation |
Can I Join Your Band?
|
1967 |
|
3:50:48 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
How happy is the dear lucie! Now good is just the thing, To get me wondering if the lucie is sincere. One afternoon I said to myself, "Why isn't the ocala more dark?" An ocala is nighttime. an ocala is dark, an ocala is daytime, however. I cannot help but stop and look at the zany dothan. |
|
3:53:49 (Pop-up) |
||
| One In A Million |
Fredereek Hernando
|
1967 |
|
3:54:26 (Pop-up) | ||
| The Beach Boys |
Little Saint Nick
|
The Beach Boys' Christmas Album | 1968 |
|
3:57:40 (Pop-up) | |
| L. J. Reynolds & the Chocolate Syrup |
The Penguin Break Down
|
L. J. Reynolds |
|
3:59:23 (Pop-up) | ||
| Nirvana |
Tiny Goddess
|
1967 |
|
4:02:13 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
|
4:05:30 (Pop-up) |
|||
| Sam Gopal |
Escalator
|
1969 |
|
4:05:45 (Pop-up) | ||
| The Beautiful Daze |
City Jungle Prt 1
|
1967 |
|
4:08:33 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
Escalator - A Haiku Indian summer A round escalator round on the gallery |
|
4:11:49 (Pop-up) |
||
| Acid Gallery |
Dance Round The Maypole
|
1969 |
|
4:12:19 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
Geoffrey - A Haiku Previous summer An elder, round geoffrey round on the gallery |
|
4:14:57 (Pop-up) |
||
| Bee Gees |
Sir Geoffrey Saved the World
|
1968 |
|
4:15:16 (Pop-up) | ||
| The Virgin Sleep |
Love
|
1967 |
|
4:17:28 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
|
4:19:48 (Pop-up) |
|||
| Shawn Phillips |
Stargazer
|
1967 |
|
4:20:05 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
Stargazer - A Haiku Indian summer An old, sound stargazer sound before the phillips |
|
4:23:00 (Pop-up) |
||
| Simon Dupree And The Big Sound |
Kites
|
Kites | 1967 |
|
4:23:21 (Pop-up) | |
Music behind DJ: George Harrison |
Party Seacombe
|
The Big And Sound Conspiracy Whose conspiracy is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his conspiracy a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
4:26:58 (Pop-up) |
||
| The Peanut Butter Conspiracy |
Wonderment
|
2011 |
|
4:27:56 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
Conspiracy - A Haiku Dismal summertime A ground conspiracy ground on the wonderment |
|
4:32:02 (Pop-up) |
||
| The Bamboo Shoot |
The Fox Has Gone to Ground
|
1968 |
|
4:32:24 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
Bamboo - A Haiku Indian summer A giant, ground bamboo ground whilst watching the ground |
|
4:36:11 (Pop-up) |
||
| Van Dyke Parks |
The Attic
|
1968 |
|
4:36:47 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
I cannot help but stop and look at the manicured parkland. Does the parkland make you shiver? does it? Ramadas, however hard they try, Will always be shaded. Never forget the shadowy and murky ramadas. Just like local opportunities, is attractions. Do attractions make you shiver? |
|
4:39:38 (Pop-up) |
||
| Hearts and Flowers |
Tin Angel (Will You Ever Come Down)
|
Where the Action Is! Los Angeles Nuggets 1965-1968 |
|
4:40:16 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
Russell - A Haiku Gloomy summertime A british, real russell down beyond the flowers |
|
4:44:47 (Pop-up) |
||
| Russell Morris |
The Real Thing (Parts I and II)
|
1969 |
|
4:45:31 (Pop-up) | ||
| Syd Barrett |
Baby Lemonade [Take 1]
|
1970 |
|
4:51:37 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
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Listener comments!
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
Blast-Off-Girl:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Owl Sun:
Owl Sun:
Blast-Off-Girl:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun: