The Night Owl Show with Owl Sun:
Playlist
from August 20, 2019
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EDT)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
The Night Owl show will start in a bit! |
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0:00:00 (Pop-up) |
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| Nirvana |
In The Courtyard Of The Stars [Stereo Mix]
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1967 | 0:00:16 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
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0:02:42 (Pop-up) | ||||
| Billy Nicholls |
Come Again
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AMG EXPERT REVIEW: Nicholls' stillborn 1968 album does indeed recall the Beach Boys' 1966-67 era, not just due to Billy's melodies and high, versatile vocals, but also the production of Andrew Oldham, | 1968 |
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0:03:58 (Pop-up) | |
| Finch |
Nothing In The Sun
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1968 | 0:06:26 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here
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Nothing - A Haiku Loving summertime An airy, blue nothing friend betrayed by the friend |
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0:10:33 (Pop-up) |
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| Blue Creed |
Need A Friend
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1970 | 0:10:54 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
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0:15:13 (Pop-up) |
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| CLOVER |
Remember
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0:15:26 (Pop-up) | ||||
| the free pop electronic concept |
Pish! Pshaw!
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1969 |
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0:17:11 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
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0:20:05 (Pop-up) |
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| Changing Tymes |
She Laughed At Me
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2004 | 0:20:26 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
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All that is won is not stolen, stolen, by all account is lost. Down, down, down into the darkness of the stolen, Gently it goes - the mazed, the perplexed, the missing. I saw the the whom failure of my generation destroyed, How I mourned the failing. Does the failing make you shiver? does it? |
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0:23:28 (Pop-up) |
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| Group Nine |
Nights For Laughing
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0:24:10 (Pop-up) | ||||
Music behind DJ: 101 Strings |
Flameout
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Laughing - A Haiku Dismal summertime A more, laughing laughing blood enjoying the sweat |
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0:27:11 (Pop-up) |
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| Blood Sweat & Tears |
I Can't Quit Her
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Blood, Sweat And Tears | 1968 |
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0:27:32 (Pop-up) | |
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
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Commercial - A Haiku Loving summertime A second, commercial blood the alexander |
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0:31:00 (Pop-up) |
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| Electric Banana |
(Vocal Tracks): Alexander (Heavy - commercial - melodic)
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even more electric banana | 1969 |
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0:31:29 (Pop-up) | |
| Chocolate Moose |
Take A Ride
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1966 | 0:34:34 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
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Encouragement - A Haiku Early summertime A much, encouragement witch at the old problem |
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0:37:15 (Pop-up) |
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| Chapparal Trio |
Roxanne
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1968 | 0:38:00 (Pop-up) | |||
| The Head Shop |
Opera In The Year 4000: Where Have All The people Gone / Yesterday
|
1969 |
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0:40:30 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
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I cannot help but stop and look at the twice stolen. Does the stolen make you shiver? does it? I saw the the sickness interval of my generation destroyed, How I mourned the absence. Does the absence make you shiver? does it? Just like a half year, is the gone. |
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0:44:51 (Pop-up) |
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| Alexis Korner's Blues Incorporated |
7 And 7 Is
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1968 | 0:45:36 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying
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0:48:50 (Pop-up) |
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| Our Plastic Dream |
Encapsulated Marigold
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1967 |
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0:49:10 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
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Extremes - A Haiku Glooming summertime A polar, plastic extremes out of marigold |
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0:51:25 (Pop-up) |
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| Dont Tread On Me |
Land Of Extremes
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0:51:50 (Pop-up) | ||||
| Angel Angel Down We Go |
Angel, Angel, Down We Go
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1969 | 0:54:52 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
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All Of Us | 1968 |
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0:58:49 (Pop-up) | |
Music behind DJ: George Harrison |
Ski-ing
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Ayatolluh - A Haiku Indian summer How ayatolluh better the irregular |
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1:00:17 (Pop-up) |
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| Sagittarius |
Hotel Indiscreet
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1967 |
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1:01:01 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
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Encouragement - A Haiku Early summertime when encouragement unload an ayatolluh |
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1:03:16 (Pop-up) |
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| The 13th Floor Elevators |
Fire Engine
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1966 |
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1:04:00 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
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1:07:18 (Pop-up) |
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| 13th Floor Elevators |
Never Another
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1969 |
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1:07:33 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
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1:10:37 (Pop-up) |
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| Alice Cooper |
Refrigerator Heaven
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1970 |
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1:11:00 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
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Refrigerator - A Haiku Hazy summertime burning refrigerator on the connection |
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1:12:42 (Pop-up) |
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| Rotary Connection |
Burning Of The Midnight Lamp
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1969 |
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1:13:23 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
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Collectors - A Haiku Dampish summertime A few, burning collectors play by the connection |
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1:17:53 (Pop-up) |
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| the Collectors |
One Act Play
|
1968 |
|
1:18:23 (Pop-up) | ||
| Billy Nicholls |
Daytime Girl (Coda)
|
AMG EXPERT REVIEW: Nicholls' stillborn 1968 album does indeed recall the Beach Boys' 1966-67 era, not just due to Billy's melodies and high, versatile vocals, but also the production of Andrew Oldham, | 1968 |
|
1:21:56 (Pop-up) | |
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
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1:23:29 (Pop-up) |
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| Velvett Fogg |
Owed To The Dip
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Telstar '69 b/w Owed To The Dip | 1969 |
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1:25:33 (Pop-up) | |
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
I cannot help but stop and look at the young coogan. Now formative is just the thing, To get me wondering if the coogan is junior. Pay attention to the colly, the colly is the most amiable alter of all. Are you upset by how good-humoured it is? Does it tear you apart to see the colly so good-humored? All that is little is not agger, |
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1:31:36 (Pop-up) |
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| The Elastik Band |
I Would Still Love You
|
1968 |
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1:32:19 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
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Why would you think the omission is infrequent? the omission is the most frequent fault of all. Never forget the steady and infrequent omission. Pay attention to the absent, the absent is the most total vanish of all. Down, down, down into the darkness of the absent, Gently it goes - the overall, the complete, the aggregate. Just like a consequent lack, is the inability. |
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1:34:39 (Pop-up) |
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| Tim Buckley |
Once I Was
|
1967 |
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1:35:25 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
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The Dead And Alive Dead Whose dead is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her dead a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
1:39:40 (Pop-up) |
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| Art |
Alive Not Dead
|
1967 |
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1:40:22 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
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Cycle - A Haiku Depressing summer An alive cycle cycle whilst watching the wind |
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1:42:28 (Pop-up) |
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| Ill Wind |
Full Cycle
|
1968 |
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1:42:56 (Pop-up) | ||
| Bee Gees |
One minute woman
|
1967 |
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1:49:00 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
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Appletree - A Haiku Dampish summertime A biggest appletree pause on the theatre |
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1:51:15 (Pop-up) |
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| The Appletree Theatre |
(Act II continued) You're The Biggest Thing In My Life (being, as it is, a pause in the proceedings)
|
1967 |
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1:51:48 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
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Appletree, Part 2 - A Haiku Indian summer A biggest appletree trend near the mystery |
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1:55:25 (Pop-up) |
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| Mystery Trend |
Carl Street
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Love Is The Song We Sing (San Francisco Nuggets 1965-1970 |
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1:56:02 (Pop-up) | ||
| George Kerr |
Airplane Song
|
Northern Soul Fever, Volume One |
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1:58:46 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
One afternoon I said to myself, "Why isn't the dearth more unobtrusive?" Never forget the pronounced and conspicuous dearth. The void is not cerebral! the void is exceptionally warm-toned. Does the void make you shiver? does it? The zany lack sings like a persistent ignorance |
|
2:00:16 (Pop-up) |
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| The Yardbirds |
Hang on Sloopy
|
1997 |
|
2:01:21 (Pop-up) | ||
| Captain Beefheart & His Magic Band |
On Tomorrow
|
1968 |
|
2:04:41 (Pop-up) | ||
Music behind DJ: The Beatles |
The Bus
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Illusions - A Haiku Glooming summertime An acid illusions head under the yardbirds |
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2:08:07 (Pop-up) |
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| Velvet Illusions |
Acid Head
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Where the Action Is! Los Angeles Nuggets 1965-1968 |
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2:08:38 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
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Illusions, Part 2 - A Haiku Smoggy summertime A missing illusions head beyond the zombies |
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2:11:40 (Pop-up) |
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| Hamilton Streetcar |
I See I Am
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Original Lp - Dot Records DLP 25939 | 1969 |
|
2:13:04 (Pop-up) | |
Music behind DJ: George Harrison |
Wonderwall To Be Here
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Streetcar - A Haiku Hazy summertime An empty, deep streetcar pink on the hamilton |
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2:17:41 (Pop-up) |
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| The Deep |
Pink Ether
|
1966 |
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2:18:21 (Pop-up) | ||
| Arzachel |
Garden Of Earthly Delights
|
1969 |
|
2:21:12 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
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Acanthus - A Haiku Dampen summertime A smooth, deep acanthus pink despite the vampires |
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2:23:50 (Pop-up) |
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| Acanthus |
Le Frisson Des Vampires
|
1971 |
|
2:24:19 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
|
2:26:57 (Pop-up) |
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| Musiche Originali Di Ennio Morricone |
Beat N° 3
|
1968 |
|
2:27:13 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
The go away that's really dead, Above all others is the absent. Never forget the gone and unreverberant absent. One afternoon I said to myself, "Why isn't the forgotten more worsened?" Down, down, down into the darkness of the forgotten, Gently it goes - the best, the healthier, the finer. wooly prefaces sings like copious notes |
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2:29:53 (Pop-up) |
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| The Soft Machine |
Feelin' Reelin' Squeelin'
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The Soft Machine | 1967 |
|
2:30:40 (Pop-up) | |
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
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Experience - A Haiku Hearty summertime religious experience out of religious |
|
2:33:27 (Pop-up) |
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| Kevin Ayers |
Religious Experience
|
1969 |
|
2:33:49 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
The Harsh And Religious Experience Whose experience is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his experience a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:39:08 (Pop-up) |
||
| Harsh Reality |
Devil's Daughter
|
1969 |
|
2:39:52 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
|
2:44:41 (Pop-up) |
|||
| McGough & McGear |
Ex-Art Student
|
(Mono) | 1968 |
|
2:45:06 (Pop-up) | |
Music behind DJ: Alice Cooper |
Titanic Overture
|
How happy are inexplicable disappearances! Down, down, down into the darkness of the disappearances, Gently they go - the inscrutable, the cryptical, the paradoxical. Pay attention to the deceased, the deceased is the most private mortal of all. Are you upset by how tete-a-tete it is? Does it tear you apart to see the deceased so close? Gone is many distance. |
|
2:51:20 (Pop-up) |
||
| It's a Beautiful Day |
White Bird
|
Love Is The Song We Sing (San Francisco Nuggets 1965-1970 |
|
2:52:18 (Pop-up) | ||
| Thee Midniters |
Whittier Blvd.
|
Grandson of Frat Rock, Volume 3 |
|
2:58:21 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
Balloon - A Haiku Loving summertime A captive, balloon balloon at the perfect clark |
|
3:00:16 (Pop-up) |
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| Dave Clark Five |
The Red Balloon
|
2000 |
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3:01:13 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
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Smokestack - A Haiku Dampish summertime A large, done smokestack balloon under the lightnin |
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3:04:10 (Pop-up) |
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| Smokestack Lightnin' |
Look What You've Done
|
2004 |
|
3:04:32 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
Smokestack, Part 2 - A Haiku Previous summer A black, common smokestack down before the lightnin |
|
3:07:21 (Pop-up) |
||
| Common Cold |
Come Down
|
Where the Action Is! Los Angeles Nuggets 1965-1968 |
|
3:07:43 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
Retsiem - A Haiku Muddy summertime before common retsiem down beyond the common |
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3:10:37 (Pop-up) |
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| Bokaj Retsiem |
So Bad
|
1969 |
|
3:11:19 (Pop-up) | ||
| The Household Sponge |
Scars
|
Scars b/w Second Best | 1967 |
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3:17:17 (Pop-up) | |
Music behind DJ: Deep Purple |
And The Address
|
Concept - A Haiku Smoggy summertime An important, concept free beyond the rhythms |
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3:19:47 (Pop-up) |
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| the free pop electronic concept |
Cosmos Rhythms
|
1969 |
|
3:20:27 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Yesterdays - A Haiku Gloomy summertime An irish, yesterdays free beyond the concept |
|
3:25:07 (Pop-up) |
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| U.S. 69 |
Yesterday's Folks
|
1969 |
|
3:25:29 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
|
3:28:41 (Pop-up) |
|||
| The Monkees |
Porpoise Song
|
1968 |
|
3:29:00 (Pop-up) | ||
| Ramsey Lewis |
Sexy Sadie
|
1968 |
|
3:33:03 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
|
3:35:46 (Pop-up) |
|||
| amon düül II |
Archangels Thunderbird
|
1970 |
|
3:36:01 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
|
3:39:31 (Pop-up) |
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| The Byrds |
Change Is Now
|
Goin' Back / Change Is Now |
|
3:40:38 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
How happy is the sweet milly! Down, down, down into the darkness of the milly, Gently it goes - the melodious, the cloying, the seraphic. A woodhouse, however hard it tries, Will always be poor. Never forget the stony-broke and penniless woodhouse. Just like an english literature, is the woolf. Does the woolf make you shiver? |
|
3:43:58 (Pop-up) |
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| G.F. Fitz-Gerald |
Political Machine
|
1970 |
|
3:44:43 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
Starvation - A Haiku Previous summer A mass, starvation machine near the fitzgerald |
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3:48:26 (Pop-up) |
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| The Golden Dawn |
Starvation
|
1967 |
|
3:48:49 (Pop-up) | ||
| Aorta |
What's In My Mind's Eye
|
1969 |
|
3:51:35 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
3:54:27 (Pop-up) |
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Listener comments!
The Night Owl:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
DA The DJ:
The Ayatolluh of Rock n' Rolluh:
DA The DJ:
Ojai John:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Night Owl:
The Night Owl:
Ojai John:
The Ayatolluh of Rock n' Rolluh:
Sly Don:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Night Owl:
Johnny S:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Night Owl:
The Night Owl:
Sly Don:
Sly Don:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
Ojai John:
Still groovin to the Woodstock vibe.
Fuzzy:
Jane Birkin eating an apple:
Fuzzy:
The Night Owl: