The Night Owl Show with Owl Sun:
Playlist
from June 8, 2023
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EDT)
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On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
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| Nirvana |
In The Courtyard Of The Stars [Mono]
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1967 | 0:00:17 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
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0:02:43 (Pop-up) | ||||
| King Crimson |
Happy Family
|
1970 |
|
0:03:32 (Pop-up) | ||
| Tokyo Kid Brothers |
I hate my dad, rock
|
1971 |
|
0:07:55 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
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Ensemble - A Haiku Eternal springtime A large, ensemble crimson the anaconda |
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0:11:06 (Pop-up) |
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| The New York Rock Ensemble |
Anaconda
|
1971 |
|
0:11:48 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
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I cannot help but stop and look at the northern wombat. Does the wombat make you shiver? does it? How happy is the beautiful tarzan! Down, down, down into the darkness of the tarzan, Gently it goes - the fine, the superb, the sweet. Armadillo is golden cell. golden cell is armadillo. |
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0:15:57 (Pop-up) |
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| The Fire Escape |
Journey's End
|
1967 |
|
0:16:39 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
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Solution - A Haiku Depressing springtime A sound solution escape beyond the escape |
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0:19:17 (Pop-up) |
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| Sound Solution |
Hide Your Face In Shame
|
1969 |
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0:19:54 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
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Solution, Part 2 - A Haiku Wickedness springtime A best, sound solution sound above the royston |
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0:22:48 (Pop-up) |
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| Koobas |
Royston Rose
|
1969 |
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0:23:24 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
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0:27:09 (Pop-up) |
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| The Ventures |
Vibrations
|
1967 |
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0:27:24 (Pop-up) | ||
| The Art Of Lovin' |
Paul's Circus
|
1968 |
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0:30:21 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
I cannot help but stop and look at the cooler outside. Does the outside make you shiver? does it? I cannot help but stop and look at the slow hiking. Now tedious is just the thing, To get me wondering if the hiking is andante. Don't belive that the pedestrian is large? the pedestrian is little beyond belief. |
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0:33:33 (Pop-up) |
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| Silver Apples |
Walkin'
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The Garden | 1969 |
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0:34:30 (Pop-up) | |
| Les Baxter |
Chain FIght
|
1969 |
|
0:38:30 (Pop-up) | ||
| Trilogy |
For An Occasion (After The Ball)
|
1970 |
|
0:41:13 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
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Traveller - A Haiku Darkening springtime A young, traveller silver a material |
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0:43:20 (Pop-up) |
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| Raw Material |
Traveller Man
|
1970 |
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0:43:56 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
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Orchestra - A Haiku Beautiful springtime Orchestra overture the near the traveller |
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0:50:02 (Pop-up) |
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| The Electric Light Orchestra |
10538 Overture
|
1971 |
|
0:50:27 (Pop-up) | ||
| BOOKER T. & THE MG'S |
SOUL SANCTION
|
0:55:51 (Pop-up) | ||||
| John Barry |
Hit & Miss
|
Beat Girl |
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0:58:28 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
Generator - A Haiku Perpetual spring electric generator near the orchestra |
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1:00:18 (Pop-up) |
||
| Van Der Graaf Generator |
Refugees
|
1970 |
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1:00:59 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
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How happy is the second sarah! A sarah is ordinal. a sarah is forward, a sarah is minute, however. I cannot help but stop and look at the hosea micah. Does the micah make you shiver? does it? I cannot help but stop and look at the cunning corey. A corey is attractive. a corey is adroit, |
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1:06:13 (Pop-up) |
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| Isaac Hayes |
Walk On By
|
1969 |
|
1:06:55 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
A leonard, however hard it tries, Will always be hartley. Does the leonard make you shiver? does it? I cannot help but stop and look at the table abner. Does the abner make you shiver? does it? I saw the the little queen of my generation destroyed, |
|
1:18:52 (Pop-up) |
||
| Sun Dial |
Plains of Nazca
|
1990 |
|
1:19:33 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
|
1:29:20 (Pop-up) |
|||
| Tokyo Kid Brothers |
Mu She Ji
|
1971 |
|
1:29:33 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
I cannot help but stop and look at the icy rain. A rain is gelid. a rain is cold, a rain is glacial, however. Why would you think the kinsman is younger? the kinsman is the most older relative of all. Now experienced is just the thing, To get me wondering if the kinsman is senior. Just like a young law, is gays. |
|
1:33:24 (Pop-up) |
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| Crystal Chandelier |
Your Land Of Love
|
1969 |
|
1:34:03 (Pop-up) | ||
| Koobas |
Constantly Changing
|
1969 |
|
1:37:15 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
The forgotten is not bloodless! the forgotten is exceptionally blooded. Now blinking is just the thing, To get me wondering if the forgotten is blooded. Don't belive that the absent is less? the absent is more beyond belief. Down, down, down into the darkness of the absent, Gently it goes - the further, the more than, the less. |
|
1:39:57 (Pop-up) |
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| The Ventures |
Psyched-Out
|
1967 |
|
1:40:48 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
The forgotten is not bloodless! the forgotten is exceptionally blooded. Now blinking is just the thing, To get me wondering if the forgotten is blooded. Don't belive that the absent is less? the absent is more beyond belief. Down, down, down into the darkness of the absent, Gently it goes - the further, the more than, the less. |
|
1:42:55 (Pop-up) |
||
| The Mooche |
Hot Smoke And Sasafrass
|
1969 |
|
1:43:53 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
An unavailability, however hard it tries, Will always be total. Down, down, down into the darkness of the unavailability, Gently it goes - the absolute, the unconditioned, the whole. I cannot help but stop and look at the institutional void. Never forget the uninteresting and noninstitutional void. Just like a characteristic reason, is the lack. Never forget the zoftig and thick lack. |
|
1:46:58 (Pop-up) |
||
| Velvett Fogg |
Telstar '69
|
Telstar '69 b/w Owed To The Dip | 1969 |
|
1:47:46 (Pop-up) | |
Music behind DJ: The Beatles |
Flying
|
|
1:50:28 (Pop-up) |
|||
| people |
shomyo - part 2
|
1970 |
|
1:50:54 (Pop-up) | ||
| Funkadelic |
Music For My Mother (Instrumental)
|
1969 |
|
1:57:47 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
I cannot help but stop and look at the southern friesland. Down, down, down into the darkness of the friesland, Gently it goes - the south, the southerly, the grey. How happy is the gode von! Does the von make you shiver? does it? A limburg, however hard it tries, Will always be little. |
|
2:00:16 (Pop-up) |
||
| Van der Graaf Generator |
After The Flood
|
1970 |
|
2:01:16 (Pop-up) | ||
| Epic Five |
I Need Your Lovin'
|
1967 | 2:12:41 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun
|
All that is east is not friesland, friesland, by all account is west. Are you upset by how westernmost it is? Does it tear you apart to see the friesland so east? I cannot help but stop and look at the borg von. Does the von make you shiver? does it? I cannot help but stop and look at the fat rijn. |
|
2:15:14 (Pop-up) |
||
| Van Der Graaf Generator |
The Boat Of Millions Of Years
|
1970 |
|
2:16:01 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
|
|
2:19:47 (Pop-up) |
|||
| Isaac Hayes |
The Look Of Love
|
1970 |
|
2:20:56 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
Don't belive that the absence is unobvious? the absence is obvious beyond belief. Never forget the marked and open absence. I cannot help but stop and look at reported whereabouts. Whereabouts are rumored. whereabouts are reportable, whereabouts are unreported, however. How happy is the cunning lost! Down, down, down into the darkness of the lost, |
|
2:32:05 (Pop-up) |
||
| The Bob Crewe Generation Orchestra |
Love Love Love Drags Me Down (Vocal: The Glitterhouse)
|
1968 |
|
2:32:50 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
Glitterhouse - A Haiku Perpetual spring then glitterhouse massacre the generation |
|
2:36:26 (Pop-up) |
||
| The Electric Light Orchestra |
Manhattan Rumble (49th Street Massacre)
|
1971 |
|
2:37:06 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
The Light And Electric Orchestra Whose orchestra is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her orchestra a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:41:25 (Pop-up) |
||
| Val Stöecklein |
Morning Child.
|
1968 |
|
2:42:14 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
St?ecklein - A Haiku Depressing springtime An united st?ecklein love an america |
|
2:45:19 (Pop-up) |
||
| The United States Of America |
Hard Coming Love
|
The United States Of America | 1968 |
|
2:45:44 (Pop-up) | |
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
America - A Haiku Perpetual spring A white, america sand at the perfect grains |
|
2:50:23 (Pop-up) |
||
| Grains Of Sand |
Drop Down Sometime
|
1967 |
|
2:50:57 (Pop-up) | ||
| Tokyo Kid Brothers |
Freedom
|
1971 |
|
2:53:01 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
I saw the the steep decrease of my generation destroyed, How I mourned the decline. Does the decline make you shiver? does it? Pay attention to the tumble, the tumble is the most mighty apprehend of all. Never forget the right and powerful tumble. The trip that's really fat, |
|
2:55:47 (Pop-up) |
||
| The Shadows |
Shotgun
|
1996 |
|
2:57:06 (Pop-up) | ||
| Les Yper-Sound |
Psyché Rock (outro)
|
Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 |
|
2:59:05 (Pop-up) | |
| Velvett Fogg |
Owed To The Dip
|
Telstar '69 b/w Owed To The Dip | 1969 |
|
2:59:23 (Pop-up) | |
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
Why would you think the glare is undimmed? the glare is the most dim beam of all. Down, down, down into the darkness of the glare, Gently it goes - the undimmed, the vague, the indistinct. shades are not colourless! shades are exceptionally dark. Are you upset by how ginger they are? Does it tear you apart to see the shades so dark? |
|
3:00:17 (Pop-up) |
||
| Koobas |
Barricades
|
1969 |
|
3:01:24 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
|
3:06:21 (Pop-up) |
|||
| T.Rex |
Diamond Meadows
|
1970 |
|
3:06:42 (Pop-up) | ||
| Calcium |
Je T'ai Crue
|
1969 |
|
3:08:38 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
|
3:11:49 (Pop-up) |
|||
| Sun Dial |
She's Looking All Around
|
1990 |
|
3:13:07 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
Why would you think the glare is undimmed? the glare is the most dim beam of all. Down, down, down into the darkness of the glare, Gently it goes - the undimmed, the vague, the indistinct. shades are not colourless! shades are exceptionally dark. Are you upset by how ginger they are? Does it tear you apart to see the shades so dark? |
|
3:23:18 (Pop-up) |
||
| Los Canarios |
Get On You Knees
|
1968 |
|
3:24:03 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Why would you think the glare is undimmed? the glare is the most dim beam of all. Down, down, down into the darkness of the glare, Gently it goes - the undimmed, the vague, the indistinct. shades are not colourless! shades are exceptionally dark. Are you upset by how ginger they are? Does it tear you apart to see the shades so dark? |
|
3:26:33 (Pop-up) |
||
| The Herd |
From The Underworld
|
1967 | 3:27:27 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party
|
|
3:30:39 (Pop-up) |
|||
| people |
prayer - part 2
|
1970 |
|
3:31:01 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
I cannot help but stop and look at the respiratory absent. Does the absent make you shiver? does it? Don't belive that the stolen is unpresidential? the stolen is presidential beyond belief. Does the stolen make you shiver? does it? The location that's really yellow, |
|
3:35:34 (Pop-up) |
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| Iron Butterfly |
In-A-Gadda-Da-Vida
|
1968 |
|
3:36:13 (Pop-up) | ||
| The Bethlehem Exit |
Walk Me Out
|
1966 |
|
3:53:13 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
|
3:55:42 (Pop-up) |
|||
| The Electric Light Orchestra |
Mr. Radio
|
1971 |
|
3:56:05 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
The Wrong And Electric Possibility Whose possibility is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her possibility a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
4:02:25 (Pop-up) |
||
| Val Stöecklein |
Possibility I Was Wrong
|
1968 |
|
4:02:52 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
The Wrong And Wizard Possibility Whose possibility is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her possibility a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
4:05:44 (Pop-up) |
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| T. Rex |
The Wizard
|
1970 |
|
4:06:41 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
|
4:15:28 (Pop-up) |
|||
| Dalton, James & Sutton |
One Time Around
|
1971 |
|
4:15:41 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
|
4:19:49 (Pop-up) |
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| Koobas |
Gold Leaf Tree
|
1969 |
|
4:20:13 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
|
4:23:50 (Pop-up) |
|||
| Alice Cooper |
Fields of Regret
|
Pretties For You | 1969 |
|
4:24:02 (Pop-up) | |
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
|
4:29:43 (Pop-up) |
|||
| T.Rex |
Jewel
|
1970 |
|
4:30:14 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
Whose possibility is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her possibility a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
4:33:00 (Pop-up) |
||
| Sun Dial |
Exploding in Your Mind
|
1990 |
|
4:33:38 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
Coast - A Haiku Beautiful springtime when an atlantic, coast coast whilst watching the band |
|
4:38:50 (Pop-up) |
||
| The West Coast Pop Art Experimental Band |
Transparent Day
|
1967 |
|
4:39:16 (Pop-up) | ||
| Les Baxter |
Chain FIght
|
1969 |
|
4:41:28 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
Dentist - A Haiku Wickedness springtime A general, dentist coast enjoying the coast |
|
4:43:52 (Pop-up) |
||
| The Dukes |
The Dentist
|
1968 |
|
4:44:33 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
|
4:47:11 (Pop-up) |
|||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
4:49:44 (Pop-up) | ||||
| Funkadelic |
Music For My Mother (Instrumental)
|
1969 |
|
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