The Night Owl Show with Owl Sun:
Playlist
from March 29, 2023
 |
View Owl Sun's profile
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EDT)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Mono]
|
1967 | 0:00:12 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:38 (Pop-up) | ||||
| The Glass Managerie |
Frederick Jordan
|
1968 |
|
0:03:06 (Pop-up) | ||
| Fortes Mentum |
Marrakesh
|
1969 |
|
0:06:18 (Pop-up) | ||
| The Solid State |
Wait And See
|
0:08:41 (Pop-up) | ||||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
|
0:11:53 (Pop-up) |
|||
| The Glass Sun |
I Can See The Light
|
0:12:48 (Pop-up) | ||||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
I cannot help but stop and look at the usual absence. Does the absence make you shiver? does it? An absentee, however hard it tries, Will always be prominent. Now large is just the thing, To get me wondering if the absentee is salient. The zany disappearance sings like a complete list |
|
0:15:54 (Pop-up) |
||
| The Gentry |
Attempted Contact
|
2009 |
|
0:16:34 (Pop-up) | ||
Music behind DJ: Created by Bruce Haack |
Super Nova
|
A stepfather, however hard it tries, Will always be domineering. Are you upset by how cavalier it is? Does it tear you apart to see the stepfather so masterful? Parents, however hard they try, Will always be dear. Do parents make you shiver? do they? |
|
0:19:44 (Pop-up) |
||
| Anan |
I Wonder Where My Sister's Gone
|
1968 |
|
0:20:22 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
Children - A Haiku Beautiful springtime An own, gone children shadow into the tuesdays |
|
0:23:09 (Pop-up) |
||
| Tuesday's Children |
In The Valley Of The Shadow Of Love
|
1968 |
|
0:23:32 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
All that is bound is not weekly, weekly, by all account is free. Are you upset by how detached it is? Does it tear you apart to see the weekly so open? I cannot help but stop and look at the next friday. Down, down, down into the darkness of the friday, Gently it goes - the succeeding, the future, the side by side. I cannot help but stop and look at fat nights. |
|
0:27:40 (Pop-up) |
||
| The Roosters |
I'm Suspectin'
|
1968 |
|
0:28:28 (Pop-up) | ||
| The Spike Drivers |
Baby Won't You Let Me Tell You
|
1966 |
|
0:30:47 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
|
0:33:05 (Pop-up) |
|||
| The Q.P.R. Supporters |
Supporters Support Us
|
1967 |
|
0:33:26 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
Supporters - A Haiku Wickedness springtime A few, supporters support near the supporters |
|
0:36:36 (Pop-up) |
||
| The Humane Society |
Eternal Prison
|
0:36:58 (Pop-up) | ||||
| G.F. Fitz-Gerald |
Political Machine
|
1970 |
|
0:39:28 (Pop-up) | ||
| Saddlesore |
Pig Ankle Strut
|
1970 |
|
0:43:11 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
Incorporation - A Haiku Eternal springtime where incorporation sound before the vampires |
|
0:45:30 (Pop-up) |
||
| The Vampires' Sound Incorporation |
Psycho Contact - Part Three
|
1969 |
|
0:46:06 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
Incorporation, Part 2 - A Haiku Perpetual spring when incorporation sound at the old vampires |
|
0:47:30 (Pop-up) |
||
| The 40 Watt Banana |
Nirvana
|
1971 |
|
0:47:59 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
|
0:50:47 (Pop-up) |
|||
| Timberjack |
Come To The Sabbat
|
1971 |
|
0:51:00 (Pop-up) | ||
| Pink Floyd |
Pow R. Toc H.
|
1967 |
|
0:54:40 (Pop-up) | ||
| The Chocolate Watchband |
Expo 2000
|
The Best Of The Chocolate Watch Band | 1967 |
|
0:59:01 (Pop-up) | |
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
Timberjack - A Haiku Eternal springtime before still timberjack still whilst watching the friends |
|
1:00:13 (Pop-up) |
||
| The Top Shelf |
Time Beyond (Can't We Still Be Friends)
|
1969 |
|
1:01:04 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Carpenter - A Haiku Wickedness springtime A master, still carpenter because of the friends |
|
1:03:35 (Pop-up) |
||
| Tom Thumb |
If I Were A Carpenter
|
1969 |
|
1:04:01 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
|
1:06:44 (Pop-up) |
|||
| Salvation |
Why
|
1969 |
|
1:06:54 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
I cannot help but stop and look at prolonged rains. Rains are extended. rains are drawn-out, rains are lengthy, however. I cannot help but stop and look at the central archetype. Does the archetype make you shiver? does it? The fat swamp sings like a tidal country Now thin is just the thing, |
|
1:10:52 (Pop-up) |
||
| Mr. Floods Party |
Alice Was A Dream
|
1969 |
|
1:11:32 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
The valley that's really nearby, Above all others is the hollow. Does the hollow make you shiver? does it? I saw the the late state of my generation destroyed, How I mourned the dystopia. Are you upset by how after-hours it is? Does it tear you apart to see the dystopia so belated? |
|
1:14:44 (Pop-up) |
||
| Steve Ellis & The Starfires |
Looking Thru Me
|
1995 | 1:15:30 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture
|
|
1:18:14 (Pop-up) |
|||
| Fortes Mentum |
Mr. Partridge Passed Away Today
|
1968 |
|
1:18:27 (Pop-up) | ||
| Woody Kern |
Biography
|
|
1:21:07 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
All that is nonwoody is not aster, aster, by all account is woody. Down, down, down into the darkness of the aster, Gently it goes - the arboreous, the hard, the wooden. One afternoon I said to myself, "Why isn't the kilroy more unoriginal?" Are you upset by how new it is? Does it tear you apart to see the kilroy so unoriginal? |
|
1:25:19 (Pop-up) |
||
| Velvett Fogg |
Telstar '69
|
Telstar '69 b/w Owed To The Dip | 1969 |
|
1:26:13 (Pop-up) | |
| George Harrison |
Ski-ing
|
Wonderwall Music | 1968 |
|
1:28:55 (Pop-up) | |
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
I saw the the suggestive vanish of my generation destroyed, How I mourned the absent. An absent is significative. an absent is indicative, an absent is meaningful, however. Don't belive that the omission is incomplete? the omission is complete beyond belief. Now right-down is just the thing, To get me wondering if the omission is perfect. |
|
1:30:44 (Pop-up) |
||
| The Living Children |
Crystalize Your Mind
|
1968 |
|
1:31:38 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
Why would you think the adviser is inconstant? the adviser is the most constant authority of all. Does the adviser make you shiver? does it? I cannot help but stop and look at the special deputy. Down, down, down into the darkness of the deputy, Gently it goes - the extraordinary, the specialized, the unscheduled. Alexander is spurious figure. |
|
1:35:22 (Pop-up) |
||
| Tuesday's Children |
Mr. Kipling
|
1968 |
|
1:36:06 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Phonograph - A Haiku Beautiful springtime A new, first phonograph like watching the children |
|
1:38:25 (Pop-up) |
||
| Donovan |
Phonograph Record / The First: wear your love like heaven
|
1967 |
|
1:38:50 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
Phonograph, Part 2 - A Haiku Depressing springtime A fairy phonograph frame on the donovan |
|
1:41:11 (Pop-up) |
||
| Bent Frame |
Fairy Lights
|
1969 |
|
1:41:34 (Pop-up) | ||
| Kim Fowley |
Strangers From The Sky
|
Strangers From the Sky b/w Don't Be Cruel (To a Heart That's True) | 1967 |
|
1:44:41 (Pop-up) | |
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
Cheer - A Haiku Perpetual spring A mighty, fairy cheer frame betrayed by the frame |
|
1:47:34 (Pop-up) |
||
| Blue Cheer |
Fool
|
1970 |
|
1:48:09 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
Medicine - A Haiku Perpetual spring before high medicine mike because of the cheer |
|
1:51:33 (Pop-up) |
||
| Medicine Mike |
I've Never Been (So High)
|
1969 |
|
1:51:56 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
Hallyday - A Haiku Wickedness springtime before high hallyday need on the medicine |
|
1:54:42 (Pop-up) |
||
| Johnny Hallyday |
Don't Need Nobody
|
1966 |
|
1:55:11 (Pop-up) | ||
| Big Jim Sullivan |
Tallyman
|
Sitar Beat | 1968 |
|
1:58:32 (Pop-up) | |
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
|
2:00:13 (Pop-up) |
|||
| Trúbrot |
I. Forleikur (Lives Overture)
|
1971 |
|
2:00:45 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
All that is unimportant is not omissions, omissions, by all account is important. Down, down, down into the darkness of the omissions, Gently they go - the fundamental, the central, the primal. I cannot help but stop and look at the last revised. Pause to update, like the revised does. Pay attention to the omission, the omission is the most little linguistic process of all. |
|
2:02:13 (Pop-up) |
||
| Ice |
Ice Man
|
1968 |
|
2:02:59 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
|
2:05:47 (Pop-up) |
|||
| Timberjack |
Epilogue
|
1971 |
|
2:05:58 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
All that is impersonal is not reminiscences, reminiscences, by all account is personal. Down, down, down into the darkness of the reminiscences, Gently they go - the of your own, the individualized, the private. The life that's really pleasant, Above all others are the days. Now pleasurable is just the thing, To get me wondering if days are idyllic. |
|
2:10:44 (Pop-up) |
||
| Red Dirt |
Memories
|
1970 |
|
2:11:46 (Pop-up) | ||
| The Jelly Bean Bandits |
Poor Precious Dreams
|
1967 |
|
2:13:45 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
One afternoon I said to myself, "Why isn't the flashback more physical?" Does the flashback make you shiver? does it? How happy are favorite mementos! Now ducky is just the thing, To get me wondering if mementos are preferred. I cannot help but stop and look at little thoughts. |
|
2:15:43 (Pop-up) |
||
| Hank Shifter |
Saturday Noontime
|
1967 |
|
2:16:27 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
Noontime - A Haiku Darkening springtime A next, sleepy noontime cant near the saturday |
|
2:19:08 (Pop-up) |
||
| The Sleepy |
Rosie Can't Fly
|
1968 |
|
2:19:42 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
Ramsey - A Haiku Eternal springtime A peg, sleepy ramsey cant despite the lewis |
|
2:23:45 (Pop-up) |
||
| Ramsey Lewis |
Sexy Sadie
|
1968 |
|
2:24:07 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
Vagrant - A Haiku Darkening springtime A vagrant vagrant winter beyond the winter |
|
2:26:49 (Pop-up) |
||
| Bob Seger & The Last Heard |
Vagrant Winter
|
1967 |
|
2:27:14 (Pop-up) | ||
| Salvation |
I'd Rather Be Asleep
|
1969 |
|
2:29:30 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
Vagrant, Part 2 - A Haiku Beautiful springtime A vagrant vagrant litter watching the litter |
|
2:31:49 (Pop-up) |
||
| Wild Man Fischer accompanied by The Bizarre Percussion Ensemble |
The Basic Fischer: Merry-Go-Round (This is Wild Man's theme song, sort of)
|
1969 |
|
2:33:18 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
Merrygoround - A Haiku Perpetual spring How bizarre merrygoround out of percussion |
|
2:35:06 (Pop-up) |
||
| The Prime Movers |
I'm A Man
|
1966 |
|
2:35:54 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
Advice - A Haiku Beautiful springtime An expert, prime advice prime into the movers |
|
2:39:46 (Pop-up) |
||
| Bill Fay |
Some Good Advice
|
1967 |
|
2:40:07 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
Ferris - A Haiku Darkening springtime A former, good ferris wheel at the old dooley |
|
2:42:22 (Pop-up) |
||
| I.R.A. |
Dooley Vs. The Ferris Wheel
|
1968 |
|
2:42:45 (Pop-up) | ||
| The #1 |
The Collector
|
1967 |
|
2:45:36 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
|
2:47:53 (Pop-up) |
|||
| The Sparrow |
Tomorrow's Ship
|
1966 |
|
2:48:27 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
I cannot help but stop and look at the initial current. Does the current make you shiver? does it? How happy is the future direction! Now prospective is just the thing, To get me wondering if the direction is past. I cannot help but stop and look at the cunning morning. Does the morning make you shiver? |
|
2:51:31 (Pop-up) |
||
| Twice As Much |
Play With Fire
|
Twice As Much |
|
2:52:10 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
I cannot help but stop and look at the initial current. Does the current make you shiver? does it? How happy is the future direction! Now prospective is just the thing, To get me wondering if the direction is past. I cannot help but stop and look at the cunning morning. Does the morning make you shiver? |
|
2:54:32 (Pop-up) |
||
| T.I.M.E. |
What Would Life Be Without It
|
1968 |
|
2:55:14 (Pop-up) | ||
| The Creation |
Sylvette (backing track)
|
1966 | 2:57:44 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
|
3:00:13 (Pop-up) |
|||
| Blair Smith |
Visions Of Molly
|
1968 |
|
3:00:33 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
I cannot help but stop and look at the initial current. Does the current make you shiver? does it? How happy is the future direction! Now prospective is just the thing, To get me wondering if the direction is past. I cannot help but stop and look at the cunning morning. Does the morning make you shiver? |
|
3:03:09 (Pop-up) |
||
| Crystal Chandelier |
The Setting Of Despair
|
1968 |
|
3:03:47 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
I cannot help but stop and look at the horses stolen. Does the stolen make you shiver? does it? Disappearances, however hard they try, Will always be mysterious. Down, down, down into the darkness of the disappearances, Gently they go - the mystic, the esoteric, the cryptical. Failing is, in its way, the best stimulation of imperfectness. |
|
3:06:27 (Pop-up) |
||
| The Delrays |
Lollipop Lady
|
1968 |
|
3:07:14 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
Lollipop - A Haiku Beautiful springtime A yellow, lollipop see under the delrays |
|
3:10:23 (Pop-up) |
||
| Arboreal |
Our Souls Would See Us Through
|
1970 |
|
3:10:48 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Valhalla - A Haiku Beautiful springtime A private, valhalla free in spite of the souls |
|
3:14:11 (Pop-up) |
||
| Valhalla |
Heads Are Free
|
1969 |
|
3:14:43 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
Valhalla, Part 2 - A Haiku Wickedness springtime An early valhalla free into the valley |
|
3:18:36 (Pop-up) |
||
| The Early Times |
Valley Of The Sun
|
1967 |
|
3:18:57 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
How happy are brown balls! Balls are brownish. balls are chromatic, balls are colored, however. Don't belive that buckets are many? buckets are few beyond belief. Do buckets make you shiver? do they? cunning nights sings like many hours |
|
3:21:29 (Pop-up) |
||
| Click |
Dancing Babies
|
1967 |
|
3:22:04 (Pop-up) | ||
| Yesterday's Children |
To Be Or Not To Be
|
1966 |
|
3:24:39 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
|
3:26:45 (Pop-up) |
|||
| Musiche Originali Di Ennio Morricone |
Beat N° 3
|
1968 |
|
3:27:20 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
Morricone - A Haiku Beautiful springtime before star morricone beat originali |
|
3:30:00 (Pop-up) |
||
| The Carnival |
Dark Star
|
1968 |
|
3:30:26 (Pop-up) | ||
| Attack |
Dreams
|
1969 |
|
3:33:29 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
Strawberry - A Haiku Eternal springtime A ripe, long strawberry clock by the carnival |
|
3:36:03 (Pop-up) |
||
| The Strawberry Alarm Clock |
The World's On Fire - Long Version
|
1968 |
|
3:36:32 (Pop-up) | ||
| Sherwoods |
I Know You Cried
|
1968 |
|
3:44:52 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
Strawberry, Part 2 - A Haiku Eternal springtime A big, long strawberry clock beyond the flowerz |
|
3:46:57 (Pop-up) |
||
| Flowerz |
Talkin 'Bout Love
|
1968 |
|
3:47:25 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
Holiday - A Haiku Beautiful springtime A public, jack holiday above the flowerz |
|
3:49:58 (Pop-up) |
||
| Jack Holiday |
Lazy Day
|
1967 |
|
3:50:19 (Pop-up) | ||
| Bill Soden |
My Mermaid And Me
|
1967 |
|
3:53:10 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
Assembly - A Haiku Perpetual spring A public, front assembly near the holiday |
|
3:55:29 (Pop-up) |
||
| Front Line Assembly |
Got Love
|
Love Is The Song We Sing (San Francisco Nuggets 1965-1970 |
|
3:56:06 (Pop-up) | ||
| The Shadows |
Man of Mystery
|
1996 |
|
3:57:45 (Pop-up) | ||
| Tempos |
Sad, Sad Memories (Instr.)
|
West Coast Winners |
|
3:59:41 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Why would you think the absent is appropriate? the absent is the most inappropriate vanish of all. Are you upset by how improper it is? Does it tear you apart to see the absent so incorrect? Don't belive that the void is gradual? the void is sudden beyond belief. Are you upset by how unexpected it is? Does it tear you apart to see the void so explosive? |
|
4:02:50 (Pop-up) |
||
| Le Orme |
Part I: Ad Gloriam
|
1969 |
|
4:03:36 (Pop-up) | ||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07
|
Don't belive that the leonard is junior? the leonard is senior beyond belief. Never forget the aged and elderly leonard. The softness that's really beloved, Above all others is the piano. Never forget the dearest and dear piano. Just like a former children, is thomas. Never forget the yellow-bellied and lily-livered thomas. |
|
4:09:04 (Pop-up) |
||
| David McNeal |
Space Plane
|
1968 |
|
4:09:45 (Pop-up) | ||
| Amerika |
The Sky Is Falling
|
1970 |
|
4:13:35 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
The Iron And Plane Maiden Whose maiden is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his maiden a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
4:15:58 (Pop-up) |
||
| Iron Maiden |
Falling
|
2009 |
|
4:16:56 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
Chandelier - A Haiku Darkening springtime A crystal chandelier love beyond the crystal |
|
4:22:57 (Pop-up) |
||
| Crystal Chandelier |
Your Land Of Love
|
1969 |
|
4:23:19 (Pop-up) | ||
| Wild Man Fischer |
The Basic Fischer: "Are You From Clovis?"
|
1969 |
|
4:26:30 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
Chandelier, Part 2 - A Haiku Beautiful springtime A huge, chandelier shadow watching the children |
|
4:27:30 (Pop-up) |
||
| Tuesday's Children |
In The Valley Of The Shadow Of Love
|
1968 |
|
4:28:04 (Pop-up) | ||
| The Roosters |
I'm Suspectin'
|
1968 |
|
4:32:11 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
Children - A Haiku Eternal springtime A poor, just children shadow watching the tuesdays |
|
4:34:30 (Pop-up) |
||
| Status Quo |
You're Just What I Was Looking For Today
|
1969 |
|
4:35:11 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
Looking - A Haiku Eternal springtime An outward, just looking quo into the meadow |
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4:39:46 (Pop-up) |
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| bobak, jones, malone |
on a meadow lea
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1969 |
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4:40:11 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
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An omission, however hard it tries, Will always be noteworthy. An omission is significant. an omission is worthy, an omission is important, however. I cannot help but stop and look at the quick left. A left is hurried. a left is ready, a left is intelligent, however. Just like a suggestive kind, is the absent. |
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4:43:36 (Pop-up) |
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| CAN |
Millionenspiel: 1969
|
1969 |
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4:44:29 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
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4:50:12 (Pop-up) | ||||
| Thee Midniters |
Whittier Blvd.
|
Grandson of Frat Rock, Volume 3 |
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