WFMU: destination: OUT with Jeff Golick: Playlist from October 23, 2022

Listener comments!
	♥ 8:02am Andrew in Toronto: Happy Sunday Jeff and all other listeners! I`m out getting groceries, but I`ll be back.
	♥ 8:57am Jeff Golick: Can you grab me some bananas, @Andrew in Toronto, if it's not too late?
	🦀 ♥ 8:59am hyde: hi
	🦀 ♥ 9:00am listener james from westwood: Just starting up and this show is already bananas!
	♥ 9:01am Jeff Golick: Hey, @hyde! Ha, @listener james from westwood! B-A-N-A-NAS bananas!
	🦀 ♥ 9:01am DJpeterDE: Good morn! The over/under on tracks from Clean Feed today is 5.5
	9:01am Listener Gregory: Also could use bananas, but not if they’re really green.
	♥ 9:03am Jeff Golick: @DJpeterDE, you got that right. @Listener Gregory, hello.
	🦀 ♥ 9:03am listener james from westwood: There ya are!
	🦀 ♥ 9:09am Yvang: Hi Jeff, and listeners OUT There! Bananas on a sunday morning is Velvet Undergroundish.
	🦀 ♥ 9:10am doctorjazz: Helllllllooooooooo, Outies!
	♥ 9:10am Doug Schulkind: Hiberia!
	🦀 ♥ 9:11am doctorjazz: Yes, we have no bananas!
	♥ 9:11am Jeff Golick: Greetings, @Yvang! That's pretty graphic! Wassup, @doctorjazz! @Doug, hola!
	🦀 ♥ 9:15am WR: Full sequence of Cowell, Mitchell, Sun Ra and host D:O introduction and I'm still foggy headed and Don Malfon.com doesn't exist or is offline. Maybe it should be .es instead of .com
	♥ 9:19am Jeff Golick: I feel you, @WR. Here's one Malfon link, at least: sirulita.bandcamp.com...
	🦀 ♥ 9:19am Stork: Another day of amazing music I've somehow never heard, from Out there!! G'day, all!
	♥ 9:22am Jeff Golick: Sunday bruvver, @Stork!
	🦀 ♥ 9:23am Uncle Michael: Good morning. stylesdeluxe.com...
	🦀 ♥ 9:23am doctorjazz: Now I'm hungry, UM!
	🦀 ♥ 9:24am hyde: @UM damn that looks good
	♥ 9:24am Jeff Golick: Yeah, that's not fair, @Uncle Michael.
	🦀 ♥ 9:25am Uncle Michael: Sucks not to be me.
	🦀 ♥ 9:28am Uncle Michael: Except for the not breaking yourself part.
	🦀 ♥ 9:29am holland oats: yo d:o! peeps!
	♥ 9:34am Jeff Golick: Greetings, @holland oats! Great to see you.
	♥ 9:35am Jeff Golick: OH! Biggest thanks to @listener james and to @WR for their generous pledges to this program and the whole venture that is WFMU!
	♥ 9:36am Doug Schulkind: Wordle in 6 today. Thanks for not adding to my harrowing morning, Jeff.
	♥ 9:38am Jeff Golick: @Doug, haven't gotten there yet. Took all I had to get it before dozing off last night (in 5). And it was an "amazing" Bee day, too, to top it off.
	🦀 ♥ 9:41am doctorjazz: Improdimension is amazing!
	♥ 9:42am Jeff Golick: Oh wait - I guess I did today's wordle last night. One less item on today's to do list.
	🦀 ♥ 9:44am Mxter Baba: Greetings, Jeff and WFMU palz everywhen and -where!
	♥ 9:46am Jeff Golick: Yo, @Mxter Baba!
	🦀 ♥ 9:49am WR: On the is there any continuity front, Jeff, the family approved of the Brooklyn Special Effects no alcohol IPA. UM, yes that looks quite tasty. Mxter Baba's warm greeting [hello!] (and the gradual caffeine infusion) make me aware that I've been muttering in the playlist without even writing a hello how are you. Hello, Jeff and drummer streamers.
	♥ 9:50am Jeff Golick: Oh, that's great, @WR, and the "hello how are you" is implied in just showing up, I think.
	🦀 ♥ 9:54am Listener Gregory: Jeff, if you had given me the assignment of programming this show, I would have played like 5 Clean Feed cuts by now. That is how shallow my knowledge of this area is.
	♥ 9:56am Jeff Golick: Clean Feed is coming up! This community of players has really been very good at chronicling their performances -- the Bandcamp offerings are immense.
	🦀 ♥ 9:59am Listener Gregory: The cover of HYPER.OBJECT looks like a failed test of a color printer. Need a new cyan cartridge, people!
	🦀 ♥ 9:59am Uncle Michael: Chili night. stylesdeluxe.com...
	🦀 ♥ 10:02am doctorjazz: I am digging this set, headphone listening!
	🦀 ♥ 10:03am doctorjazz: Don't know any of these albums/artists...
	🦀 ♥ 10:03am Listener Gregory: @doctorj, I pray that Ozzie has his own set of 'phones.
	🦀 ♥ 10:04am WR: UM, you put what kind of beans in your chili?
	♥ 10:05am Jeff Golick: @UM, that's beautiful. I'm not crying, it's the onions.
	🦀 ♥ 10:06am Uncle Michael: I'm going to put pinto and kidney in. When I feel motivated I use dry beans from Rancho Gordo but that requires preparing them ahead.
	🦀 ♥ 10:07am doctorjazz: Ozzie's still in recovery from yesterday's 3.5 mile hike in Watchung Reservation (with Maxie) to celebrate end of quarantining (had to carry him over some steep rocky areas, though, his 14 year old legs/hips just couldn't cut it. But he had a great time).
	🦀 ♥ 10:07am Uncle Michael: I made a big batch of red beans with smoked pork shank last week with Rancho Gordo's Domingo Rojo beans.
	🦀 ♥ 10:08am hyde: starting to wonder what Uncle Michael is having for lunch
	🦀 ♥ 10:08am Uncle Michael: I have no idea about lunch. Maybe a grilled cheese.
	🦀 ♥ 10:10am Mxter Baba: mmmm, cheeeeese
	🦀 ♥ 10:10am doctorjazz: Ozzie in his headphones...
	🦀 ♥ 10:16am DJpeterDE: Re the numeric album title, are we sure they’re dates? Some are day-month and others seemingly month-day?
	♥ 10:17am Andrew in Toronto: Hi hyde!
	♥ 10:17am Andrew in Toronto: Hiya doc!
	🦀 ♥ 10:18am Listener Gregory: @doctorj, I would like to take that hike, but only if you will also carry me over the steep parts. I will gladly hold Ozzie.
	🦀 ♥ 10:20am doctorjazz: Hey Andrew!
	🦀 ♥ 10:20am Listener Gregory: @DJpeterDE, could they be track times?
	🦀 ♥ 10:20am Sem: Jeff the G, Destination Out folks, all, good morning.
	🦀 ♥ 10:20am hyde: hello AiT!
	♥ 10:21am Jeff Golick: @DJpeterDE: you raise a good point. I am not in fact sure they are dates. ::shrug emoji:: Welcome back, @Andrew in Toronto! Welcome, @Sem!
	🦀 ♥ 10:22am Listener Gregory: They are! 8.30, etc. are the lengths of the tracks! Good eye, DJpeter.
	🦀 ♥ 10:24am DJpeterDE: @LG good thought but it appears not joselencastre.bandcamp.com...
	♥ 10:25am Doug Schulkind: I've been making chili with Impossible Burger. That shit is unbelievable. No, this is not a paid endorsement.
	🦀 ♥ 10:25am Listener Gregory: @DJpeterDE, good try, but it appears true! www.discogs.com...
	🦀 ♥ 10:25am doctorjazz: That last track was so Ornette-y.
	10:26am abbazabba: Good morning Jeff and everyone
	🦀 ♥ 10:26am doctorjazz: All this food talk, have to think of what to make for dinner...looking through saved NY Times recipes.
	🦀 ♥ 10:26am DJpeterDE: Okay now I’m confused because Discogs has differnt track timings than Bandcamp www.discogs.com...
	🦀 ♥ 10:27am DJpeterDE: Maybe the last track is a fake out?
	♥ 10:28am Jeff Golick: Good morning, @abbazabba!
	♥ 10:29am Jeff Golick: The last cut is the full length as names on my version. Maybe a hinky upload to BC? But thanks for helping me crack that code. Song lengths! Who knew.
	10:32am abbazabba: @Doug- my local Cajun restaurant recently had a chili cheese etoufee with beyond meat dish. It was amazing
	🦀 ♥ 10:33am doctorjazz: Pretty guitar harmonics (you touch and quickly let go of the string to get that "ping" sound)
	🦀 ♥ 10:33am DJpeterDE: Jeff I’m still stuck on some of the anagrams on… I have Steve Lacy and Anthony Braxton… and a few others… ayler-records.bandcamp.com...
	🦀 ♥ 10:33am Listener Gregory: @DJp, I think the time listed for the last track might be for just the free sample. Just a guess. Unless they edited the album for Bandcamp release for some reason.
	♥ 10:41am Jeff Golick: Oh god, @DJpeter, I'm barely keeping it together for this show, I can't be looking at musical anagrams now!
	🦀 ♥ 10:43am Listener Gregory: Jeff, I just realized that your name is an anagram of JKFLGFCEIO! Coincidence?
	♥ 10:49am Jeff Golick: Absolutely no coincidence. I'm the JFK CEO.
	🦀 ♥ 10:53am doctorjazz: Nice Ornette-this I know electric, Prime Time, nice to hear it in acoustic style.
	🦀 ♥ 10:55am Listener Gregory: It is interesting to me that Ornette in most of the 20th century seemed to be admired (by some), but you couldn't see much direct influence on the music. Then it was like a switch was thrown—maybe a new generation?—and you started to hear others play his music and music clearly influenced by him all over... even Branford Marsalis and other mainstream stalwarts.
	♥ 10:56am Jeff Golick: Yeah, that's a very interesting point, @LG. We had to have more time to catch up to Ornette?
	🦀 ♥ 10:57am DJpeterDE: @LG i wonder if Stanley Crouch had anything to do with it. Alongside the expected influences, Wynton incorporated a lot of Don Cherry’s phrasing. Wynton‘s best quality IMO
	10:58am Dean: Does Ornette use the theme from Rite of Spring, or were ADK adding that?
	🦀 ♥ 10:59am DJpeterDE: Crouch basically recuperated Ornette for neocons is what I’m saying. Emphasized that he played forms not free form. Pointed out that there are “rhythm changes” on Shape of Jazz to Come
	🦀 ♥ 10:59am doctorjazz: I believe the theme you are referring to, @Dean is part of the theme.
	🦀 ♥ 10:59am DJpeterDE: Dean he does, yes.
	🦀 ♥ 11:00am doctorjazz: (Redundant redundancy-was part of the melody...)
	♥ 11:01am Jeff Golick: Hey, @Dean. @DJpeter: where/when does Crouch do that? In the Voice?
	🦀 ♥ 11:02am DJpeterDE: Let me go looking… Wynton definitely does, in an interview
	🦀 ♥ 11:04am doctorjazz: Gary Giddens also champoined Ornette, used to read him in the Voice regularly. Would one say Trane was the way most jazzers found their way "out" early on? I do think Ornette was heard and influenced musicians, but mostly they didn't get much play. (would Ayler's sound be out of Ornette?). It took a long time for Cecil Taylor's playing to make its way into other free music as well.
	🦀 ♥ 11:04am DJpeterDE: I’m finding lots of mentions actually. Here’s Branford
	🦀 ♥ 11:05am WR: I don't know that Ornette tune well enough to react. What else ya got (JK). And we did not buy bananas either but we are only two thirds through our shopping rounds.
	🦀 ♥ 11:06am Listener Gregory: Yeah, I think Coltrane took up most of the oxygen in free jazz circles. Ornette's music also requires a closer group integration (I believe), which could be harder to achieve.
	11:06am Dean: Thanks, all. Here's the earliest review I find in Billboard, Dec. 8, 1958: Something Else! Altoist Ornette Coleman stars on this new release from the Contemporary label, and he displays a sensitive and interesting modern style; one that is warm and appealing in the current genre. The tunes in the collection are all Coleman's, written about five years ago. Coleman's style is distinctly his own but basic and emotional. Accompanying him on this LP are D. Cherry on trumpet, W. Norris on piano, D. Payne on bass and B. Higgins on piano [sic]. The group is much better than average, with Cherry a strong support. "Invisible" and "The Blessing" are worth hearing.
	🦀 ♥ 11:07am Listener Gregory: Yikes! Billy Higgins! Hard to imagine a time when everyone didn't know his name (and instrument).
	🦀 ♥ 11:11am chresti: Hi Jeff and de OUTies!
	11:12am Dean: Here's George Lewis on Crouch on Coleman, Current Musicology, spring 2001: In his regular monthly column in the now-defunct men's magazine Players (a kind of African American Playboy), Stanley Crouch, who performed on drums in several of the performances on "Wildflowers," reviewed the live performances that the recordings later documented. Crouch hailed the new music on these recordings as "significant for its variety, its craftsmanship, and finally, its often breathtaking beauty and clarity of its artistry." For Crouch, Hemphill was "masterful," while Mitchell's performance was "almost as exciting and great as anything I've heard from Coltrane, Rollins and Ornette Coleman" (Crouch 1977:6).
	11:13am mic_a: Just getting around here from chore-space. I've been reading, in succession, A.B. Spellman's "Four Lives In The Bebop Business" and John Litweiler's "Ornette Coleman: A Harmolodic Life" (nearly done with that). Both fine books, and they include a lot on the mutual influences flying around between those guys back in the day. Lots of quotes from 'back then' reviews, also. "Harmolodic Life" is out of print -- you'll have to sniff out a used copy, but "Four Lives" is easily available.
	🦀 ♥ 11:14am DJpeterDE: sorry the branford link didn't post: marsalismusic.com...
	🦀 ♥ 11:15am doctorjazz: Craft Records released Audiophile versions of Something Else! and Tomorrow is the Question! recently. craftrecordings.com... craftrecordings.com... craftrecordings.com...
	♥ 11:16am Doug Schulkind: @mic-a I love that Spellman book. I have a copy of it with its original title, Black Music: Four Lives.
	♥ 11:16am Jeff Golick: Hey there, @chresti! Did I thank you yet for your contribution to the Hellraiser? I fear not! THANK YOU!
	🦀 ♥ 11:17am DJpeterDE: Steve Colman talking about Ornette's influence on Coltrane: "First of all, there is no such thing as freedom. We’re human beings, we’re creatures of habit.... But the thing about structure is that you don’t get fooled thinking that you’re doing whatever you want to do. To me, Coltrane’s life is the perfect example of that. He used structure to get to a variety. The word I would prefer to use is not freedom but variety. So you can see that he was playing a certain way and he stumbled on certain kinds of structural things around the time he was doing that Giant Steps stuff, which he felt he needed to investigate. He definitely investigated them to a ridiculous degree. He did it on standards, he did it on originals. He got a lot of response from that. A lot of response from inside the music community itself. Even from the musicians in his band. Some people were saying, “man, why do we have to play all these chords?” Other people outside the group were saying, “well, you know, that’s kind of stiff, playing all these chords.” And other people dug it. He gave an interview where he said he was talking to Ornette Coleman. And Ornette Coleman said to him, “if you want to play all these chords, go ahead, but why do you have to impose that on the rhythm section?” And so he thought about that." m-base.com...
	♥ 11:17am Jeff Golick: Ayo, @mic_a!
	♥ 11:19am coelacanth∅: good morning Jeff, OUTies
	11:19am abbazabba: This is most beautiful
	🦀 ♥ 11:19am DJpeterDE: Crouch doesn't talk about "rhythm changes" here, but he does hit his "blues" theme hard (and I concur): jazztimes.com...
	11:19am mic_a: Apparently, Coltrane and Ornette spent a lot of late nights talking music after playing their respective shows.
	♥ 11:20am Jeff Golick: Good morning, @coelacanth∅! One day I will learn the keyboard shortcut for ∅.
	🦀 ♥ 11:20am Listener Gregory: I wasn't aware of this Lencastre Communion 3 group. It's good!
	🦀 ♥ 11:20am doctorjazz: Digging Song of Hope!
	🦀 ♥ 11:20am chresti: Only 178 to go and one more show, Jeff!
	🦀 ♥ 11:22am Listener Gregory: Jeff, I sent in my nickel, but it might still be in the mail.
	🦀 ♥ 11:22am doctorjazz: Steve Coleman has a strange, angular approach, Ornette and Dolphy likely influences. Jazz or not...
	🦀 ♥ 11:22am DJpeterDE: Here's Stanley praising Prime Time (or at least averring that it's related to George Clinton): www.villagevoice.com...
	11:22am abbazabba: I was listening to the Christopher O’Riley Radiohead album last night. This is reminding me of that
	🦀 ♥ 11:23am DJpeterDE: @doc totally!
	🦀 ♥ 11:25am doctorjazz: (Got to see Steve Coleman at Celebrate Brooklyn, Prospect Park, many years ago...)
	11:25am mic_a: Back to chore-space. Thanks Jeff!
	11:26am Revolution Rabbit Nov63: ...listening while eyes previously elsewhere - but absolutely loving the Ornette love & always appreciating the d:O generally so much of a Sunday. The first associate had for Ornette is 'Free' - but I respond a lot to his Compositions - which probly makes him more accessible ? & the class Quartet : playing with other Titans doesn't hurt the rep. & finally - he's just an expressive & lovely Player in itself. None of which can really be separated from the rest I suppose...
	11:27am Revolution Rabbit Nov63: *association one has
	11:28am Revolution Rabbit Nov63: *classic Quartet ...not yet 100% up to typing speed apparently...
	🦀 ♥ 11:28am hyde: i read a book once called the Eudaemonic Pie. it was great, about a bunch of math whizzes trying to make money in Vegas casinos
	🦀 ♥ 11:30am doctorjazz: @hyde, there was a hit movie with that plot, name escapes me at the moment. I googled it, "21"
	11:31am Revolution Rabbit Nov63: Eu = 'good' if not mistaken ...daemon = demon = spirit, geni - what have you... Right ?
	🦀 ♥ 11:31am doctorjazz: Will get on the floor for Downward Facing Dog and rest of routine, still have show on.
	🦀 ♥ 11:33am hyde: @Doc the book is excellent. you learn a lot about old roulette systems, which sounds boring--but isn't
	🦀 ♥ 11:33am doctorjazz: Change of plans, some errands to run, will listen in car, if I don't get back to the chat board, thanks Jeff, great stuff today!
	11:33am Revolution Rabbit Nov63: ' Anyone can win @ Gambling '...said the Mathematician ...' just quit while you're ahead ' ...which is why he wasn't a Psychologist.
	🦀 ♥ 11:34am DJpeterDE: "My man's gone now" toward the end of the bass intro...
	♥ 11:35am Jeff Golick: Hey there, @Revolution Rabbit Nov63! And received with gratitude, @Listener Gregory! Thank you! And thanks too to @DJpeterDE! Grateful!
	🦀 ♥ 11:37am chresti: Now doc is going into the Driving Dog
	🦀 ♥ 11:40am DJpeterDE: Jeff: how many computers do you have going for this show anyway, when everything is working?
	🦀 ♥ 11:40am Listener Gregory: Album covers are flashing before my eyes! So, this is how it all ends. My family warned me of this, if I didn't stop buying CDs.
	♥ 11:41am Jeff Golick: Three, @DJpeter. One for the playlist stuff; one for playing the music, and one for the outgoing broadcast piece (this one is also recording a local safety copy of the show, just in case).
	♥ 11:42am Jeff Golick: It can be done with fewer machines!
	♥ 11:42am Jeff Golick: @LG: your eyes did not deceive you. I goofed.
	♥ 11:42am Doug Schulkind: Loving the show, but gotta run. Thanks, Jeff!
	♥ 11:46am Jeff Golick: Bye, @Doug, @doc, @mic_a! Hello, Stork Club, coming up next over here: wfmu.org...
	11:47am John in England: Doug -- I thought Four Lives in the Bebop Business was the original (1966) title and Black Music: Four Lives was the later (1970) retitling.
	🦀 ♥ 11:47am Listener Gregory: This music all seems very... international. If we had no idea who was playing, would listeners detect the roots of Iberian music in these performances? Hints of fado or flamenco or something? I don't know enough about those genres to detect them if they're there, but someone here must.
	♥ 11:47am Andrew in Toronto: Great Tunes! Thanks Jeff!
	11:53am rw: Good morning! Slept in again :(
	11:53am Revolution Rabbit Nov63: Interesting. Now thinking of 'Lonely Woman' as a sort of Fado ...probly quite wrongly...
	🦀 ♥ 11:54am DJpeterDE: Jeff: thanks for the pick behind the curtain at the magic that is D:O Radio. I think I speak for everyone when I say: how come there as few technical glitches as there are! (I kid.)
	🦀 ♥ 11:54am DJpeterDE: @RRab Lonely Woman fado sounds incredible
	🦀 ♥ 11:54am Listener Gregory: Jeff, three computers is nothing. I use four just to LISTEN to the show!
	♥ 11:54am Jeff Golick: @John in England! How the heck are you! @Andrew in Toronto: thank you! @LG: I did not sense any kind of Iberian roots either, as I listened. @rw: Glad you stopped by (and got good sleep)!
	🦀 ♥ 11:56am Listener Gregory: I suspect that there is a more mainstream jazz scene that might incorporate Spanish or Portuguese roots more.
	🦀 ♥ 11:56am hyde: thanks. bye!
	🦀 ♥ 11:56am Stork: Lervely, Jeff!! Thank yooo!
	11:56am rw: Jeff, I caught the bulk of the last hour in bits and pieces while getting up, etc. Thank you as always!
	11:56am Dean: It appears that you are correct, John in England, but it gets more complicated. A 2004 "new" edition published by U. Mich Press notes on t.p. verso: Originally published under the title Four Lives in the Bebop Business by Pantheon Books. Later published as Black Music: Four Lives. And yet the 2004 edition is title Four Jazz Lives.
	🦀 ♥ 11:56am Listener Gregory: What the hell? Flute time??? Thanks for an excellent show, Jeff. Very interesting.
	🦀 ♥ 11:57am listener james from westwood: Delightful show; thanks!!
	🦀 ♥ 11:57am chresti: Thanks Jeff!
	11:57am Revolution Rabbit Nov63: ...I just like to Basque in the sound ...no I do not have any shame thank you... ~ TY Always DJ JG ~
	🦀 ♥ 11:58am Listener Gregory: Hmmm, @RevRab no one made a reference to John Lennon's Spaniard In the Works.
	🦀 ♥ 11:58am Yvang: Obrigado, Gracias & thanks Jeff! Three great hours!
	12:00pm John in England: Still paying attention!
	♥ 12:06pm Jeff Golick: Thanks, @Dean, @LG, @ljfw, @chresti, @RRNov63, @Yvang, @John in England, @Stork, @hyde, and one and all. Until next time...
	♥ 12:09pm coelacanth∅: Thanks Jeff!
	🦀 ♥ 12:20pm WR: Thank you, Jeff!

destination: OUT with Jeff Golick: Playlist from October 23, 2022

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Three hours of adventurous jazz drawing on the Destination: Out archives and other planes of there.

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October 23, 2022: Air Iberia.

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Artist	Track	Album	Label	Year	Comments	Approx. start time
The Roscoe Mitchell Art Ensemble	Tatas-Matoes	Congliptious	Nessa	1968		0:00:00 (Pop-up)
Music behind DJ: Sun Ra	The Perfect Man "The Perfect Man" by "Sun Ra"	My Brother The Wind, Vol. I	Saturn Research	1970		0:02:22 (Pop-up)
Don Malfon	Resonance No. 1 "Resonance No. 1" by "Don Malfon"	On Resonance	Sirulita Records	2018		0:07:26 (Pop-up)
Chamber 4	Green Leafs "Green Leafs" by "Chamber 4"	Chamber 4	FMR Records	2015		0:13:08 (Pop-up)
José Lencastre, Jorge Nuno, Pedro Santo	08 30	8.30/18.09/10.10/10.18	Creative Sources Recordings	2017		0:21:33 (Pop-up)
Pedro Alves Sousa + Rodrigo Pinheiro + Gabriel Ferrandini	Shining	Cloud at Rest	Phonogram Unit	2019		0:30:01 (Pop-up)
Agustí Fernández / Liudas Mockunas	Improdimension I - Part II	Improdimensions	NoBusiness Records	2019		0:35:42 (Pop-up)
Agustí Fernández / Pablo Ledesma / Mono Hurtado	Go Across	Coghlan Dreams	Sirulita Records	2016		0:42:39 (Pop-up)
Agustí Fernández / William Parker / Susie Ibarra	Anthem	One Night at the Joan Miró Foundation	Synergy Records	1998		0:46:06 (Pop-up)
hyper.object	Low "Low" by "hyper.object"	inter.independence	Phonogram Unit	2020		0:52:35 (Pop-up)
Rodrigo Pinheiro & Pedro Carneiro	Étude 6: on inertia and collision	Kinetic Études	Phonogram Unit	2021		0:58:43 (Pop-up)
Music behind DJ: Booker T. & The MGs	Melting Pot "Melting Pot" by "Booker T. & The MGs"					1:07:40 (Pop-up)
João Lencastre's Communion 3	Street Woman	Movements in Freedom	Clean Feed	2017		1:19:17 (Pop-up)
João Lencastre's Communion	Roll Call	No Gravity	João Lencastre	2020		1:25:22 (Pop-up)
Hernâni Faustino, João Sousa, Jorge Nuno, José Lencastre	Lo Que No Experabas	ākāśa	Particula	2020		1:32:05 (Pop-up)
José Lencastre Nau Quartet	A "A" by "José Lencastre Nau Quartet"	Eudaimonia	FMR	2018		1:39:28 (Pop-up)
José Lencastre Nau Quartet	Aphorism 4	Fragments of Always	FMR	2017		1:43:49 (Pop-up)
Felipe Zenícola, José Lencastre, João Valinho	Marga II	Magma	FMR	2019		1:45:42 (Pop-up)
Gonçalo Almeida, Martin van Duynhoven and Tobias Klein	Sleep Talk	Live at the Bimhuis	Clean Feed	2017		1:51:23 (Pop-up)
Flak	Movement Two "Movement Two" by "Flak"	Magpie (Live in Lisbon, 18th October 2021)	Shhpuma	2021		1:59:38 (Pop-up)
João Camões / Rodrigo Pinheiro / Miguel Mira	Dream Theory	earnear	tour de bras	2014		2:05:52 (Pop-up)
João Lencastre's Communion 3	Song of Hope	Song(s) of Hope	Clean Feed	2019		2:14:46 (Pop-up)
Music behind DJ: Wolfgang Dauner Quintet	My Man's Gone Now					2:22:34 (Pop-up)
The Attic	Outer Fields "Outer Fields" by "The Attic"	Love Ghosts	NoBusiness Records	2020	Rodrigo Amado – tenor saxophone Gonçalo Almeida – double bass Onno Govaert - drums	2:22:49 (Pop-up)
Rodrigo Amado Motion Trio & Peter Evans	Pepper Packed	The Freedom Principle	NoBusiness Records	2013		2:43:54 (Pop-up)
Music behind DJ: Dudu Pukwana & Spear	Flute Music "Flute Music" by "Dudu Pukwana & Spear"	Flute Music	Caroline	1975		2:55:40 (Pop-up)

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Listener comments!
	♥ 8:02am Andrew in Toronto: Happy Sunday Jeff and all other listeners! I`m out getting groceries, but I`ll be back.
	♥ 8:57am Jeff Golick: Can you grab me some bananas, @Andrew in Toronto, if it's not too late?
	🦀 ♥ 8:59am hyde: hi
	🦀 ♥ 9:00am listener james from westwood: Just starting up and this show is already bananas!
	♥ 9:01am Jeff Golick: Hey, @hyde! Ha, @listener james from westwood! B-A-N-A-NAS bananas!
	🦀 ♥ 9:01am DJpeterDE: Good morn! The over/under on tracks from Clean Feed today is 5.5
	9:01am Listener Gregory: Also could use bananas, but not if they’re really green.
	♥ 9:03am Jeff Golick: @DJpeterDE, you got that right. @Listener Gregory, hello.
	🦀 ♥ 9:03am listener james from westwood: There ya are!
	🦀 ♥ 9:09am Yvang: Hi Jeff, and listeners OUT There! Bananas on a sunday morning is Velvet Undergroundish.
	🦀 ♥ 9:10am doctorjazz: Helllllllooooooooo, Outies!
	♥ 9:10am Doug Schulkind: Hiberia!
	🦀 ♥ 9:11am doctorjazz: Yes, we have no bananas!
	♥ 9:11am Jeff Golick: Greetings, @Yvang! That's pretty graphic! Wassup, @doctorjazz! @Doug, hola!
	🦀 ♥ 9:15am WR: Full sequence of Cowell, Mitchell, Sun Ra and host D:O introduction and I'm still foggy headed and Don Malfon.com doesn't exist or is offline. Maybe it should be .es instead of .com
	♥ 9:19am Jeff Golick: I feel you, @WR. Here's one Malfon link, at least: sirulita.bandcamp.com...
	🦀 ♥ 9:19am Stork: Another day of amazing music I've somehow never heard, from Out there!! G'day, all!
	♥ 9:22am Jeff Golick: Sunday bruvver, @Stork!
	🦀 ♥ 9:23am Uncle Michael: Good morning. stylesdeluxe.com...
	🦀 ♥ 9:23am doctorjazz: Now I'm hungry, UM!
	🦀 ♥ 9:24am hyde: @UM damn that looks good
	♥ 9:24am Jeff Golick: Yeah, that's not fair, @Uncle Michael.
	🦀 ♥ 9:25am Uncle Michael: Sucks not to be me.
	🦀 ♥ 9:28am Uncle Michael: Except for the not breaking yourself part.
	🦀 ♥ 9:29am holland oats: yo d:o! peeps!
	♥ 9:34am Jeff Golick: Greetings, @holland oats! Great to see you.
	♥ 9:35am Jeff Golick: OH! Biggest thanks to @listener james and to @WR for their generous pledges to this program and the whole venture that is WFMU!
	♥ 9:36am Doug Schulkind: Wordle in 6 today. Thanks for not adding to my harrowing morning, Jeff.
	♥ 9:38am Jeff Golick: @Doug, haven't gotten there yet. Took all I had to get it before dozing off last night (in 5). And it was an "amazing" Bee day, too, to top it off.
	🦀 ♥ 9:41am doctorjazz: Improdimension is amazing!
	♥ 9:42am Jeff Golick: Oh wait - I guess I did today's wordle last night. One less item on today's to do list.
	🦀 ♥ 9:44am Mxter Baba: Greetings, Jeff and WFMU palz everywhen and -where!
	♥ 9:46am Jeff Golick: Yo, @Mxter Baba!
	🦀 ♥ 9:49am WR: On the is there any continuity front, Jeff, the family approved of the Brooklyn Special Effects no alcohol IPA. UM, yes that looks quite tasty. Mxter Baba's warm greeting [hello!] (and the gradual caffeine infusion) make me aware that I've been muttering in the playlist without even writing a hello how are you. Hello, Jeff and drummer streamers.
	♥ 9:50am Jeff Golick: Oh, that's great, @WR, and the "hello how are you" is implied in just showing up, I think.
	🦀 ♥ 9:54am Listener Gregory: Jeff, if you had given me the assignment of programming this show, I would have played like 5 Clean Feed cuts by now. That is how shallow my knowledge of this area is.
	♥ 9:56am Jeff Golick: Clean Feed is coming up! This community of players has really been very good at chronicling their performances -- the Bandcamp offerings are immense.
	🦀 ♥ 9:59am Listener Gregory: The cover of HYPER.OBJECT looks like a failed test of a color printer. Need a new cyan cartridge, people!
	🦀 ♥ 9:59am Uncle Michael: Chili night. stylesdeluxe.com...
	🦀 ♥ 10:02am doctorjazz: I am digging this set, headphone listening!
	🦀 ♥ 10:03am doctorjazz: Don't know any of these albums/artists...
	🦀 ♥ 10:03am Listener Gregory: @doctorj, I pray that Ozzie has his own set of 'phones.
	🦀 ♥ 10:04am WR: UM, you put what kind of beans in your chili?
	♥ 10:05am Jeff Golick: @UM, that's beautiful. I'm not crying, it's the onions.
	🦀 ♥ 10:06am Uncle Michael: I'm going to put pinto and kidney in. When I feel motivated I use dry beans from Rancho Gordo but that requires preparing them ahead.
	🦀 ♥ 10:07am doctorjazz: Ozzie's still in recovery from yesterday's 3.5 mile hike in Watchung Reservation (with Maxie) to celebrate end of quarantining (had to carry him over some steep rocky areas, though, his 14 year old legs/hips just couldn't cut it. But he had a great time).
	🦀 ♥ 10:07am Uncle Michael: I made a big batch of red beans with smoked pork shank last week with Rancho Gordo's Domingo Rojo beans.
	🦀 ♥ 10:08am hyde: starting to wonder what Uncle Michael is having for lunch
	🦀 ♥ 10:08am Uncle Michael: I have no idea about lunch. Maybe a grilled cheese.
	🦀 ♥ 10:10am Mxter Baba: mmmm, cheeeeese
	🦀 ♥ 10:10am doctorjazz: Ozzie in his headphones...
	🦀 ♥ 10:16am DJpeterDE: Re the numeric album title, are we sure they’re dates? Some are day-month and others seemingly month-day?
	♥ 10:17am Andrew in Toronto: Hi hyde!
	♥ 10:17am Andrew in Toronto: Hiya doc!
	🦀 ♥ 10:18am Listener Gregory: @doctorj, I would like to take that hike, but only if you will also carry me over the steep parts. I will gladly hold Ozzie.
	🦀 ♥ 10:20am doctorjazz: Hey Andrew!
	🦀 ♥ 10:20am Listener Gregory: @DJpeterDE, could they be track times?
	🦀 ♥ 10:20am Sem: Jeff the G, Destination Out folks, all, good morning.
	🦀 ♥ 10:20am hyde: hello AiT!
	♥ 10:21am Jeff Golick: @DJpeterDE: you raise a good point. I am not in fact sure they are dates. ::shrug emoji:: Welcome back, @Andrew in Toronto! Welcome, @Sem!
	🦀 ♥ 10:22am Listener Gregory: They are! 8.30, etc. are the lengths of the tracks! Good eye, DJpeter.
	🦀 ♥ 10:24am DJpeterDE: @LG good thought but it appears not joselencastre.bandcamp.com...
	♥ 10:25am Doug Schulkind: I've been making chili with Impossible Burger. That shit is unbelievable. No, this is not a paid endorsement.
	🦀 ♥ 10:25am Listener Gregory: @DJpeterDE, good try, but it appears true! www.discogs.com...
	🦀 ♥ 10:25am doctorjazz: That last track was so Ornette-y.
	10:26am abbazabba: Good morning Jeff and everyone
	🦀 ♥ 10:26am doctorjazz: All this food talk, have to think of what to make for dinner...looking through saved NY Times recipes.
	🦀 ♥ 10:26am DJpeterDE: Okay now I’m confused because Discogs has differnt track timings than Bandcamp www.discogs.com...
	🦀 ♥ 10:27am DJpeterDE: Maybe the last track is a fake out?
	♥ 10:28am Jeff Golick: Good morning, @abbazabba!
	♥ 10:29am Jeff Golick: The last cut is the full length as names on my version. Maybe a hinky upload to BC? But thanks for helping me crack that code. Song lengths! Who knew.
	10:32am abbazabba: @Doug- my local Cajun restaurant recently had a chili cheese etoufee with beyond meat dish. It was amazing
	🦀 ♥ 10:33am doctorjazz: Pretty guitar harmonics (you touch and quickly let go of the string to get that "ping" sound)
	🦀 ♥ 10:33am DJpeterDE: Jeff I’m still stuck on some of the anagrams on… I have Steve Lacy and Anthony Braxton… and a few others… ayler-records.bandcamp.com...
	🦀 ♥ 10:33am Listener Gregory: @DJp, I think the time listed for the last track might be for just the free sample. Just a guess. Unless they edited the album for Bandcamp release for some reason.
	♥ 10:41am Jeff Golick: Oh god, @DJpeter, I'm barely keeping it together for this show, I can't be looking at musical anagrams now!
	🦀 ♥ 10:43am Listener Gregory: Jeff, I just realized that your name is an anagram of JKFLGFCEIO! Coincidence?
	♥ 10:49am Jeff Golick: Absolutely no coincidence. I'm the JFK CEO.
	🦀 ♥ 10:53am doctorjazz: Nice Ornette-this I know electric, Prime Time, nice to hear it in acoustic style.
	🦀 ♥ 10:55am Listener Gregory: It is interesting to me that Ornette in most of the 20th century seemed to be admired (by some), but you couldn't see much direct influence on the music. Then it was like a switch was thrown—maybe a new generation?—and you started to hear others play his music and music clearly influenced by him all over... even Branford Marsalis and other mainstream stalwarts.
	♥ 10:56am Jeff Golick: Yeah, that's a very interesting point, @LG. We had to have more time to catch up to Ornette?
	🦀 ♥ 10:57am DJpeterDE: @LG i wonder if Stanley Crouch had anything to do with it. Alongside the expected influences, Wynton incorporated a lot of Don Cherry’s phrasing. Wynton‘s best quality IMO
	10:58am Dean: Does Ornette use the theme from Rite of Spring, or were ADK adding that?
	🦀 ♥ 10:59am DJpeterDE: Crouch basically recuperated Ornette for neocons is what I’m saying. Emphasized that he played forms not free form. Pointed out that there are “rhythm changes” on Shape of Jazz to Come
	🦀 ♥ 10:59am doctorjazz: I believe the theme you are referring to, @Dean is part of the theme.
	🦀 ♥ 10:59am DJpeterDE: Dean he does, yes.
	🦀 ♥ 11:00am doctorjazz: (Redundant redundancy-was part of the melody...)
	♥ 11:01am Jeff Golick: Hey, @Dean. @DJpeter: where/when does Crouch do that? In the Voice?
	🦀 ♥ 11:02am DJpeterDE: Let me go looking… Wynton definitely does, in an interview
	🦀 ♥ 11:04am doctorjazz: Gary Giddens also champoined Ornette, used to read him in the Voice regularly. Would one say Trane was the way most jazzers found their way "out" early on? I do think Ornette was heard and influenced musicians, but mostly they didn't get much play. (would Ayler's sound be out of Ornette?). It took a long time for Cecil Taylor's playing to make its way into other free music as well.
	🦀 ♥ 11:04am DJpeterDE: I’m finding lots of mentions actually. Here’s Branford
	🦀 ♥ 11:05am WR: I don't know that Ornette tune well enough to react. What else ya got (JK). And we did not buy bananas either but we are only two thirds through our shopping rounds.
	🦀 ♥ 11:06am Listener Gregory: Yeah, I think Coltrane took up most of the oxygen in free jazz circles. Ornette's music also requires a closer group integration (I believe), which could be harder to achieve.
	11:06am Dean: Thanks, all. Here's the earliest review I find in Billboard, Dec. 8, 1958: Something Else! Altoist Ornette Coleman stars on this new release from the Contemporary label, and he displays a sensitive and interesting modern style; one that is warm and appealing in the current genre. The tunes in the collection are all Coleman's, written about five years ago. Coleman's style is distinctly his own but basic and emotional. Accompanying him on this LP are D. Cherry on trumpet, W. Norris on piano, D. Payne on bass and B. Higgins on piano [sic]. The group is much better than average, with Cherry a strong support. "Invisible" and "The Blessing" are worth hearing.
	🦀 ♥ 11:07am Listener Gregory: Yikes! Billy Higgins! Hard to imagine a time when everyone didn't know his name (and instrument).
	🦀 ♥ 11:11am chresti: Hi Jeff and de OUTies!
	11:12am Dean: Here's George Lewis on Crouch on Coleman, Current Musicology, spring 2001: In his regular monthly column in the now-defunct men's magazine Players (a kind of African American Playboy), Stanley Crouch, who performed on drums in several of the performances on "Wildflowers," reviewed the live performances that the recordings later documented. Crouch hailed the new music on these recordings as "significant for its variety, its craftsmanship, and finally, its often breathtaking beauty and clarity of its artistry." For Crouch, Hemphill was "masterful," while Mitchell's performance was "almost as exciting and great as anything I've heard from Coltrane, Rollins and Ornette Coleman" (Crouch 1977:6).
	11:13am mic_a: Just getting around here from chore-space. I've been reading, in succession, A.B. Spellman's "Four Lives In The Bebop Business" and John Litweiler's "Ornette Coleman: A Harmolodic Life" (nearly done with that). Both fine books, and they include a lot on the mutual influences flying around between those guys back in the day. Lots of quotes from 'back then' reviews, also. "Harmolodic Life" is out of print -- you'll have to sniff out a used copy, but "Four Lives" is easily available.
	🦀 ♥ 11:14am DJpeterDE: sorry the branford link didn't post: marsalismusic.com...
	🦀 ♥ 11:15am doctorjazz: Craft Records released Audiophile versions of Something Else! and Tomorrow is the Question! recently. craftrecordings.com... craftrecordings.com... craftrecordings.com...
	♥ 11:16am Doug Schulkind: @mic-a I love that Spellman book. I have a copy of it with its original title, Black Music: Four Lives.
	♥ 11:16am Jeff Golick: Hey there, @chresti! Did I thank you yet for your contribution to the Hellraiser? I fear not! THANK YOU!
	🦀 ♥ 11:17am DJpeterDE: Steve Colman talking about Ornette's influence on Coltrane: "First of all, there is no such thing as freedom. We’re human beings, we’re creatures of habit.... But the thing about structure is that you don’t get fooled thinking that you’re doing whatever you want to do. To me, Coltrane’s life is the perfect example of that. He used structure to get to a variety. The word I would prefer to use is not freedom but variety. So you can see that he was playing a certain way and he stumbled on certain kinds of structural things around the time he was doing that Giant Steps stuff, which he felt he needed to investigate. He definitely investigated them to a ridiculous degree. He did it on standards, he did it on originals. He got a lot of response from that. A lot of response from inside the music community itself. Even from the musicians in his band. Some people were saying, “man, why do we have to play all these chords?” Other people outside the group were saying, “well, you know, that’s kind of stiff, playing all these chords.” And other people dug it. He gave an interview where he said he was talking to Ornette Coleman. And Ornette Coleman said to him, “if you want to play all these chords, go ahead, but why do you have to impose that on the rhythm section?” And so he thought about that." m-base.com...
	♥ 11:17am Jeff Golick: Ayo, @mic_a!
	♥ 11:19am coelacanth∅: good morning Jeff, OUTies
	11:19am abbazabba: This is most beautiful
	🦀 ♥ 11:19am DJpeterDE: Crouch doesn't talk about "rhythm changes" here, but he does hit his "blues" theme hard (and I concur): jazztimes.com...
	11:19am mic_a: Apparently, Coltrane and Ornette spent a lot of late nights talking music after playing their respective shows.
	♥ 11:20am Jeff Golick: Good morning, @coelacanth∅! One day I will learn the keyboard shortcut for ∅.
	🦀 ♥ 11:20am Listener Gregory: I wasn't aware of this Lencastre Communion 3 group. It's good!
	🦀 ♥ 11:20am doctorjazz: Digging Song of Hope!
	🦀 ♥ 11:20am chresti: Only 178 to go and one more show, Jeff!
	🦀 ♥ 11:22am Listener Gregory: Jeff, I sent in my nickel, but it might still be in the mail.
	🦀 ♥ 11:22am doctorjazz: Steve Coleman has a strange, angular approach, Ornette and Dolphy likely influences. Jazz or not...
	🦀 ♥ 11:22am DJpeterDE: Here's Stanley praising Prime Time (or at least averring that it's related to George Clinton): www.villagevoice.com...
	11:22am abbazabba: I was listening to the Christopher O’Riley Radiohead album last night. This is reminding me of that
	🦀 ♥ 11:23am DJpeterDE: @doc totally!
	🦀 ♥ 11:25am doctorjazz: (Got to see Steve Coleman at Celebrate Brooklyn, Prospect Park, many years ago...)
	11:25am mic_a: Back to chore-space. Thanks Jeff!
	11:26am Revolution Rabbit Nov63: ...listening while eyes previously elsewhere - but absolutely loving the Ornette love & always appreciating the d:O generally so much of a Sunday. The first associate had for Ornette is 'Free' - but I respond a lot to his Compositions - which probly makes him more accessible ? & the class Quartet : playing with other Titans doesn't hurt the rep. & finally - he's just an expressive & lovely Player in itself. None of which can really be separated from the rest I suppose...
	11:27am Revolution Rabbit Nov63: *association one has
	11:28am Revolution Rabbit Nov63: *classic Quartet ...not yet 100% up to typing speed apparently...
	🦀 ♥ 11:28am hyde: i read a book once called the Eudaemonic Pie. it was great, about a bunch of math whizzes trying to make money in Vegas casinos
	🦀 ♥ 11:30am doctorjazz: @hyde, there was a hit movie with that plot, name escapes me at the moment. I googled it, "21"
	11:31am Revolution Rabbit Nov63: Eu = 'good' if not mistaken ...daemon = demon = spirit, geni - what have you... Right ?
	🦀 ♥ 11:31am doctorjazz: Will get on the floor for Downward Facing Dog and rest of routine, still have show on.
	🦀 ♥ 11:33am hyde: @Doc the book is excellent. you learn a lot about old roulette systems, which sounds boring--but isn't
	🦀 ♥ 11:33am doctorjazz: Change of plans, some errands to run, will listen in car, if I don't get back to the chat board, thanks Jeff, great stuff today!
	11:33am Revolution Rabbit Nov63: ' Anyone can win @ Gambling '...said the Mathematician ...' just quit while you're ahead ' ...which is why he wasn't a Psychologist.
	🦀 ♥ 11:34am DJpeterDE: "My man's gone now" toward the end of the bass intro...
	♥ 11:35am Jeff Golick: Hey there, @Revolution Rabbit Nov63! And received with gratitude, @Listener Gregory! Thank you! And thanks too to @DJpeterDE! Grateful!
	🦀 ♥ 11:37am chresti: Now doc is going into the Driving Dog
	🦀 ♥ 11:40am DJpeterDE: Jeff: how many computers do you have going for this show anyway, when everything is working?
	🦀 ♥ 11:40am Listener Gregory: Album covers are flashing before my eyes! So, this is how it all ends. My family warned me of this, if I didn't stop buying CDs.
	♥ 11:41am Jeff Golick: Three, @DJpeter. One for the playlist stuff; one for playing the music, and one for the outgoing broadcast piece (this one is also recording a local safety copy of the show, just in case).
	♥ 11:42am Jeff Golick: It can be done with fewer machines!
	♥ 11:42am Jeff Golick: @LG: your eyes did not deceive you. I goofed.
	♥ 11:42am Doug Schulkind: Loving the show, but gotta run. Thanks, Jeff!
	♥ 11:46am Jeff Golick: Bye, @Doug, @doc, @mic_a! Hello, Stork Club, coming up next over here: wfmu.org...
	11:47am John in England: Doug -- I thought Four Lives in the Bebop Business was the original (1966) title and Black Music: Four Lives was the later (1970) retitling.
	🦀 ♥ 11:47am Listener Gregory: This music all seems very... international. If we had no idea who was playing, would listeners detect the roots of Iberian music in these performances? Hints of fado or flamenco or something? I don't know enough about those genres to detect them if they're there, but someone here must.
	♥ 11:47am Andrew in Toronto: Great Tunes! Thanks Jeff!
	11:53am rw: Good morning! Slept in again :(
	11:53am Revolution Rabbit Nov63: Interesting. Now thinking of 'Lonely Woman' as a sort of Fado ...probly quite wrongly...
	🦀 ♥ 11:54am DJpeterDE: Jeff: thanks for the pick behind the curtain at the magic that is D:O Radio. I think I speak for everyone when I say: how come there as few technical glitches as there are! (I kid.)
	🦀 ♥ 11:54am DJpeterDE: @RRab Lonely Woman fado sounds incredible
	🦀 ♥ 11:54am Listener Gregory: Jeff, three computers is nothing. I use four just to LISTEN to the show!
	♥ 11:54am Jeff Golick: @John in England! How the heck are you! @Andrew in Toronto: thank you! @LG: I did not sense any kind of Iberian roots either, as I listened. @rw: Glad you stopped by (and got good sleep)!
	🦀 ♥ 11:56am Listener Gregory: I suspect that there is a more mainstream jazz scene that might incorporate Spanish or Portuguese roots more.
	🦀 ♥ 11:56am hyde: thanks. bye!
	🦀 ♥ 11:56am Stork: Lervely, Jeff!! Thank yooo!
	11:56am rw: Jeff, I caught the bulk of the last hour in bits and pieces while getting up, etc. Thank you as always!
	11:56am Dean: It appears that you are correct, John in England, but it gets more complicated. A 2004 "new" edition published by U. Mich Press notes on t.p. verso: Originally published under the title Four Lives in the Bebop Business by Pantheon Books. Later published as Black Music: Four Lives. And yet the 2004 edition is title Four Jazz Lives.
	🦀 ♥ 11:56am Listener Gregory: What the hell? Flute time??? Thanks for an excellent show, Jeff. Very interesting.
	🦀 ♥ 11:57am listener james from westwood: Delightful show; thanks!!
	🦀 ♥ 11:57am chresti: Thanks Jeff!
	11:57am Revolution Rabbit Nov63: ...I just like to Basque in the sound ...no I do not have any shame thank you... ~ TY Always DJ JG ~
	🦀 ♥ 11:58am Listener Gregory: Hmmm, @RevRab no one made a reference to John Lennon's Spaniard In the Works.
	🦀 ♥ 11:58am Yvang: Obrigado, Gracias & thanks Jeff! Three great hours!
	12:00pm John in England: Still paying attention!
	♥ 12:06pm Jeff Golick: Thanks, @Dean, @LG, @ljfw, @chresti, @RRNov63, @Yvang, @John in England, @Stork, @hyde, and one and all. Until next time...
	♥ 12:09pm coelacanth∅: Thanks Jeff!
	🦀 ♥ 12:20pm WR: Thank you, Jeff!

destination: OUT with Jeff Golick: Playlist from October 23, 2022

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