If You Lose Your Horse with Sam Segal:
Playlist
from August 10, 2022
 |
View Sam Segal's profile
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A true disrupter within the freeform internet-radio market, If You Lose Your Horse creates a space for smart consumers to experience a game-changing digital audio brand.
Wednesday
10pm - Midnight
(EDT)
|
On
WFMU's
Give the Drummer Radio
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| Artist | Track | Album | Label | Approx. start time | ||||||
|---|---|---|---|---|---|---|---|---|---|---|
| Light Touch Band |
Chi.Ca.Go (It's My Chicago)
|
12" | Magic Touch | 0:00:00 (Pop-up) | ||||||
| Serengeti |
Dennehy
|
Dennehy (Lights, Camera, Action!) | Audio 8 | 0:09:22 (Pop-up) | ||||||
| Super Djata Band |
Batila
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En Super Forme Vol. 1 | Numero Group | 0:18:56 (Pop-up) | ||||||
| Orchestre Volta-Jazz |
Wêrê Wêrê Magne
|
Air Volta | Numero Group | 0:24:18 (Pop-up) | ||||||
| Orch. Les Volcano |
Kwa Wasiojiweza
|
Crossroads Kenya: East African Benga and Rumba, 1980-1985 | No Wahala Sounds | 0:28:26 (Pop-up) | ||||||
| Biluka Y Los Canibales |
Píllaro Viejo
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Leaf-Playing In Quito, 1960-1965 | Honest Jon's | 0:37:34 (Pop-up) | ||||||
| Celestine Ukwu |
Ejina Uwa Nya Isi
|
No Condition Is Permanent | Mississippi | 0:40:05 (Pop-up) | ||||||
| Sally Anne Morgan |
Hori Hori
|
Cups | Thrill Jockey | 0:52:22 (Pop-up) | ||||||
| Nagisa Ni Te |
Deserting You
|
On The Love Beach | Jagjaguwar | 0:57:33 (Pop-up) | ||||||
| Ferkat Al Ard |
Oghneya
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Oghneya | Habibi Funk | 1:00:44 (Pop-up) | ||||||
| Tenniscoats |
Baibaba Bimba
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Tan-Tan Therapy | Häpna | 1:07:10 (Pop-up) | ||||||
| Shuta Hasunuma |
Field Trip
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Pop Ooga | Headz | 1:11:39 (Pop-up) | ||||||
| Staraya Derevnya |
Scythian Nest
|
Boulder Blues | Ramble | 1:15:58 (Pop-up) | ||||||
| Waajeed |
Mother
|
Planet E 30 | Planet E | 1:20:04 (Pop-up) | ||||||
| Ola Szmidt |
W Las W Siebie
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Music Solidarity 50th Release Edition | OtakeRec | 1:31:22 (Pop-up) | ||||||
| Pigbaby |
In the Movies
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Palindromes | PLZ Make It Ruins | 1:35:12 (Pop-up) | ||||||
| Patrick Shiroishi |
Waiting for Friends at Tokyo Station
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In The Deep Drift You Will Find The Most Serene Of Lullabies | American Dreams | 1:38:26 (Pop-up) | ||||||
| Jonnine |
Raindrops
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Pattern Language | Room40 | 1:41:23 (Pop-up) | ||||||
| Vlad Dobrovolski |
Far Above The Ground
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Studia Spiritual | 12th Isle | 1:44:19 (Pop-up) | ||||||
| Suwuk Chung / Yulhee Kim / Soojin Suh / Sung Jae Son |
Galggabuda
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Near East Quartet | ECM | 1:47:55 (Pop-up) | ||||||
| Talking Therapy Ensemble & Emma-Jean Thackray |
Shh
|
Talking Therapy | Movementt | 1:51:29 (Pop-up) | ||||||
| Daisuke Miyatani |
Edanone
|
Diario | Ahornfelder | 1:53:36 (Pop-up) | ||||||
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Listener comments!
Gary:
drowsy:
Sam Segal:
Sam Segal:
northguineahills:
Sam Segal:
drowsy:
northguineahills:
drowsy:
doctorjazz:
drowsy:
Sam Segal:
drowsy:
Sam Segal:
WR:
Gary via app:
drowsy:
northguineahills:
WR:
northguineahills:
Gary via app:
zzz:
WR:
Sam Segal:
Sam Segal:
zzz:
Connecting Wasulu hunter music, griot praises, Senufo pastoral dances, Fula and Mandingo repertoire alongside Western psychedelia, blues and afro-beat, Zani Diabaté’s Super Djata Band de Bamako was among Mali’s top orchestras by the late 1970’s well into the mid-1980’s. Tracked live inside Radio Mali’s raw but inspiring studio in January 1982, En Super Forme was briefly available via Côte d'Ivoire’s Musique Mondiale imprint. The album centers around Diabaté and his electric guitar’s pyrotechnics, a relentless shredder that stands shoulder to shoulder with Mali’s fingerstyle gods Ali Farka Touré and Rail Band's legendary Djelimady Tounkara.
zzz:
northguineahills:
rw:
Sam Segal:
Sam Segal:
WR:
coelacanth∅:
rw:
Sam Segal:
coelacanth∅:
rw:
northguineahills:
Sam Segal:
Sam Segal:
Dean:
coelacanth∅:
technically we're just past the 1/2way point.
rw:
northguineahills:
Sam Segal:
coelacanth∅:
rw:
coelacanth∅:
zzz:
zzz:
Sam Segal:
StringOFperils:
rw:
Sam Segal:
Sam Segal:
coelacanth∅:
coelacanth∅:
coelacanth∅:
StringOFperils:
northguineahills:
doctorjazz:
coelacanth∅:
i was dazzled and thought i was pretty hip to add this to my musical knowledge; but was soon to learn that an influx of panpipe groups playing on streets, at fairs, in subways. . . had made that style of music quite fashionable in the "mainstream".
Dean:
We are where we are, aren't we?
Sam Segal:
Sam Segal:
northguineahills:
Sam Segal:
coelacanth∅:
- wherever that is
Sam Segal:
coelacanth∅:
ngh i admit i have never heard of "zamfir"
Sam Segal:
northguineahills:
@coel: I remember late nights watching tv at home after returning from japan, and seeing the infomercials (this would have been around 1990)
zzz:
Dean:
coelacanth∅:
...but i'm slightly intrigued. wikipedia says he plays overtones on the pan flute.
northguineahills:
rw:
doctorjazz:
coelacanth∅:
StringOFperils:
Sam Segal:
coelacanth∅:
Sam Segal:
coelacanth∅:
i'm going to check it out.
soon.
rw:
Sam Segal:
Dean:
Zamfir was huge. You've all heard him, trust me.
And it's "piqued."
rw:
doctorjazz:
Sam Segal:
Dean:
doctorjazz:
zzz:
Sam Segal:
northguineahills:
Dean:
coelacanth∅:
it's easily possible to have never heard of him.
northguineahills:
doctorjazz:
coelacanth∅:
coelacanth∅:
Ike:
coelacanth∅:
rw:
rw:
Dean:
"a. transitive. To stimulate or provoke (a person) to action, esp. by arousing jealousy, etc.; to arouse (a feeling, esp. curiosity or interest). Occasionally intransitive."
I never registered the negative valence. It means to anger or annoy. Curious...
Sam Segal:
rw:
doctorjazz:
northguineahills:
coelacanth∅:
Sam Segal:
northguineahills:
rw:
rw:
coelacanth∅:
rw:
rw:
Sam Segal:
Dean:
rw:
WR:
zzz:
WR:
Thank you for the sound track Sam. Thank you for the comments, commentors.
Onward,
rw:
Next time WR!
coelacanth∅:
coelacanth∅:
$¢ is away and Pedro will play, for those not sleeping any time soon
rw:
rw:
coelacanth∅:
coelacanth∅: