Garbage Time with Matt Warwick:
Playlist
from May 7, 2019
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View Matt Warwick's profile
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Official Crumb Cake Capital Of The World.
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| Artist | Track | Album | Label | Approx. start time | ||||||
|---|---|---|---|---|---|---|---|---|---|---|
| Matt & Clay |
Pre-Garbage
|
Matt & Clay's Greatest Hits | No Label | 0:00:00 (Pop-up) | ||||||
| The Family Vibes |
Garbage Man
|
Single | United Artists | 0:15:57 (Pop-up) | ||||||
| Chris Forsyth |
New Paranoid Cat
|
All Time Present | No Quarter | 0:16:32 (Pop-up) | ||||||
| Kevin Ayers |
Decadence
|
Bananamour | Parlophone | 0:24:17 (Pop-up) | ||||||
| Headroom |
City Lights
|
New Heaven | Ever/Never | 0:32:20 (Pop-up) | ||||||
| Stereolab |
Ulan Bator
|
Mars Audiac Quintet | Duophonic Ultra High Frequency Disks | 0:37:02 (Pop-up) | ||||||
| GILA |
This Morning
|
Deutsche Elektronische Musik: Experimental German Rock And Electronic Musik | Soul Jazz | 0:40:01 (Pop-up) | ||||||
| Winslow |
The Vast Silence of the Forest
|
Winslow | Cold Moon | 0:45:01 (Pop-up) | ||||||
| Mark McGuire |
For Mary Lattimore
|
Guitar Meditations Vol. IV | Mark McGuire | 0:52:02 (Pop-up) | ||||||
| Miles Davis |
Sivad
|
Live - Evil | Sony | 1:10:03 (Pop-up) | ||||||
| Orchestre Régional de Kayes |
Kayi
|
The Best of the First Biennale of Arts and Culture for the Young | Mississippi Records | 1:24:56 (Pop-up) | ||||||
| Ibibio Sound Machine |
Basquiat
|
Doko Mien | Merge | 1:30:36 (Pop-up) | ||||||
| Angélique Kidjo |
Born Under Punches (The Heat Goes On)
|
Remain in Light | Kravenworks | 1:34:17 (Pop-up) | ||||||
| Tigue |
Triangle
|
Strange Paradise | New Amsterdam | 1:43:03 (Pop-up) | ||||||
| Munya |
Blue Pine
|
Meet | Luminelle | 1:54:29 (Pop-up) | ||||||
| Don Felder |
Heavy Metal (Takin' a Ride)
|
Heavy Metal Soundtrack | Elektra / Asylum | 2:03:02 (Pop-up) | ||||||
| Octagrape |
Syntoptikon
|
Major Mayyor Maxion Marble | Sounds Familyre | 2:07:09 (Pop-up) | ||||||
| Nisennenmondai |
Itkyokume (Neji)
|
Tori/Neji | Heartworm Press | 2:22:15 (Pop-up) | ||||||
| Gong Gong Gong |
Siren
|
Siren | Wharf Cat Records | 2:29:45 (Pop-up) | ||||||
| Absolutely Free |
Currency (Feat. U.S. Girls)
|
Currency | Idée Fixe | 2:40:47 (Pop-up) | ||||||
| Worthless |
Black Sheep
|
The Cave | Feeding Tube | 2:46:27 (Pop-up) | ||||||
| Shana Cleveland |
A New Song
|
Night of the Worm Moon | Hardly Art | 2:51:36 (Pop-up) | ||||||
| Broadcast |
Tears in the Typing Pool
|
Tender Buttons | Warp Records Limited | 2:55:49 (Pop-up) | ||||||
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Listener comments!
Asheville Jon:
Ike:
Ken From Hyde Park:
Kagami:
zach:
Phillippe Bastille:
randyfrommichigan:
lukavino:
pp:
Marley Dogg:
mb:
Flowers_For_Bokonon:
Krys O.:
Sean d:
cobradan:
THANX MATTY
Rev. Turnip Druid:
Booz:
Peapod Ross:
kimzilla:
BLT:
Matt Warwick:
Cmurtha:
Booz:
Diezel Tea:
Asheville Jon:
Hugo (NL):
zpulpa:
What’s up garbages?!?!?
YETI BOB:
mb:
Haiku Henry:
Dave from Brooklyn:
Diezel Tea:
Irene Trudel:
steveo:
Ike:
Chop Scott:
ignatatus666:
Great set Matt
Phillippe Bastille:
dano59:
YETI BOB:
βrian:
Asheville Jon:
Phillippe Bastille:
Yes:
melinda:
Phillippe Bastille:
steveo:
Phillippe Bastille:
YETI BOB:
lukavino:
YETI BOB:
steveo:
Diezel Tea:
lukavino:
lukavino:
steveo:
www.discogs.com...
lukavino:
Booz:
βrian:
lukavino:
Peapod Ross:
steveo:
Roberto:
steveo:
YETI BOB:
holland oats:
YETI BOB:
banana:
Jersey Cowboy:
The Oscar:
bk845:
Lixiviated Life:
Roberto:
Evan From Seattle:
YETI BOB:
SKI THE POLOCK:
Strandlund:
coelacanth∅:
Peapod Ross:
Roberto:
Parq:
Kerbo:
Phillippe Bastille:
Kerbo:
Strandlund:
YETI BOB:
Rev. Turnip Druid:
Phillippe Bastille:
GListener MW:
Ken From Hyde Park:
Ken From Hyde Park:
Strandlund:
steveo:
steveo:
Phillippe Bastille:
steveo:
Released November 17, 1971
Recorded December 19, 1970 at The Cellar Door in Washington, D.C.
Phillippe Bastille:
scone0scone:
YETI BOB:
mb:
randyfrommichigan:
Andrea in Jersey City:
Passaic River Blues:
YETI BOB:
Ike:
Also, fruit bats like Mark McGwire.
John from Florham Park:
coelacanth∅:
βrian:
Among the many disparaging comments, someone pointed out it was an anagram for "It mean you like evil."
YETI BOB:
Phillippe Bastille:
YETI BOB:
Scott Williams:
steveo:
Phillippe Bastille:
coelacanth:
steveo:
Passaic River Blues:
John from Florham Park:
βrian:
coelacanth∅:
i've been a s4L contributor for a few years and during the marathon my radio disappeared, reappeared, then disappeared again. it still is invisible but i don't care.
tim from champaign:
βrian:
coelacanth∅:
Barney Grubbs:
Phillippe Bastille:
βrian:
Phillippe Bastille:
Webhamster Henry:
YETI BOB:
coelacanth∅:
YETI BOB:
coelacanth∅:
βrian:
YETI BOB:
Peapod Ross:
Peapod Ross:
Asheville Jon:
Joe McG:
βrian:
Andrea in Jersey City:
coelacanth∅:
YETI BOB:
YETI BOB:
Peapod Ross:
Davee:
coelacanth∅:
Thanks Joe! (i may or may not email you about that)
hevykevy:
coelacanth∅:
YETI BOB:
Phillippe Bastille:
steveo:
Ken From Hyde Park:
steveo:
YETI BOB:
Phillippe Bastille:
βrian:
coelacanth∅:
coelacanth∅:
P-90:
βrian:
P-90:
Asheville Jon:
Phillippe Bastille:
Mick:
Ken From Hyde Park:
YETI BOB:
John from Florham Park:
Asheville Jon:
GUUUUUUUUUUUUUUUUUUH
Dano59:
coelacanth∅:
Thanks Matt! (not for the felder, but for every bit of the rest of the music!)
Mister Dobalina:
Brendan:
holland oats:
YETI BOB:
Phillippe Bastille:
John from Florham Park:
Lixiviated Life:
i mean... really?
Brendan:
steveo:
Ike:
YETI BOB:
Mister Dobalina:
Dave in Vermont:
Phillippe Bastille:
gregory:
Andrew Waterloo:
YETI BOB:
YETI BOB:
Andy the painter:
greetings from the transmitter shack, high atop mount garbage! (i’m painting it)
the reception is great!!
Kagami:
GListener MW:
miketp:
Eric from Lake Hiawatha:
P-90:
warmjets:
Booz:
northguineahills:
Nate K.:
Kagami:
Carmichael:
steveo:
aaronfromMI:
Ike:
steveo:
Carmichael:
shawangunk:
maestroso:
steveo:
coelacanth∅:
John from Florham Park:
steveo:
Andrea in Jersey City:
aaronfromMI:
Carmichael:
John from Florham Park:
Asheville Jon:
Asheville Jon:
coelacanth∅:
βrian:
coelacanth∅:
Ike:
digiclam:
YETI BOB:
Zulnutt:
Rev. Turnip Druid:
Ike:
Scott Williams:
Booz:
steveo:
Currency’s lyrics consider how social frameworks like gender performance are built. As a band, we are learning to acknowledge the privilege and power we personally gain from systems such as patriarchy, and are feeling conflicted about how to best use this social capital. We have noticed a lot of white male reactions to this era of intersectional sensitivity have been to stay out of the conversation completely, but this results in music that tends to just operate as "music", and that’s sort of it. We have never been a band who is interested in just making "music”, but also understand that social currency, built solely on statements of solidarity, become platitudes without meaningful action behind them. It's a difficult thing to navigate.
coelacanth∅:
steveo:
Booz:
Ike:
Booz:
YETI BOB:
Booz:
coelacanth∅:
Booz:
coelacanth∅:
...don't mean to be like "you MUST like giant man!"
Mick:
Dano59:
strangegait:
βrian:
Booz:
strangegait:
Booz:
Ken From Hyde Park:
coelacanth∅:
(+ nobody begs people to clickystar a song like Matt does)
Dano59:
steveo:
steveo:
YETI BOB:
coelacanth∅:
Booz:
Dano59:
Booz:
βrian:
coelacanth∅:
strangegait:
Dano59: