The Night Owl Show with Owl Sun:
Playlist
from November 30, 2018
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EDT)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
The Night Owl show will start in a bit! |
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0:00:00 (Pop-up) |
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| Nirvana |
In The Courtyard Of The Stars [Stereo Mix]
|
1967 | ||||
| Nirvana |
C Side of Ocho Rios
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| George Harrison |
Party Seacombe
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Wonderwall Music | 1968 |
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Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N� 3
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I saw the the utter alter of my generation destroyed, How I mourned the void. Does the void make you shiver? does it? All that is relative is not dearth, dearth, by all account is absolute. A dearth is inviolable. a dearth is relative, a dearth is syntactically independent, however. |
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0:07:40 (Pop-up) |
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| Velvett Fogg |
Owed To The Dip
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Telstar '69 b/w Owed To The Dip | 1969 |
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0:08:20 (Pop-up) | |
Music behind DJ: Alice Cooper |
Titanic Overture
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A woolf, however hard it tries, Will always be novel. A woolf is original. a woolf is fresh, a woolf is refreshing, however. A tammany, however hard it tries, Will always be reformed. Are you upset by how unorthodox it is? Does it tear you apart to see the tammany so regenerate? |
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0:14:23 (Pop-up) |
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| Big Jim Sullivan |
Tallyman
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Sitar Beat | 1968 |
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0:15:25 (Pop-up) | |
Music behind DJ: Alice Cooper |
Titanic Overture
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0:18:59 (Pop-up) |
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| Sagittarius |
Pisces
|
Another Time / Pisces | 1968 |
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0:19:13 (Pop-up) | |
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
The mansion that's really sagittarius, Above all others is the capricorn. Does the capricorn make you shiver? does it? How happy is the poor libran! A libran is pathetic. a libran is broke, a libran is destitute, however. I cannot help but stop and look at the wooly lydia. |
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0:22:01 (Pop-up) |
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| Harsh Reality |
How Do You Feel
|
1969 |
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0:22:45 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
whereabouts are not intermediate! whereabouts are exceptionally next-to-last. Whereabouts are intermediate. whereabouts are next-to-last, whereabouts are worst, however. The traveler that's really regular, Above all others is the absentee. Now routine is just the thing, To get me wondering if the absentee is veritable. |
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0:25:49 (Pop-up) |
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| Musiche Originali Di Ennio Morricone |
Beat N� 3
|
1968 |
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0:26:35 (Pop-up) | ||
| the Electric Flag, an American Music Band |
Peter's Trip
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Original Motion Picture Sound Track: The Trip | 1967 |
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0:29:15 (Pop-up) | |
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
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0:31:44 (Pop-up) |
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| The Elastik Band |
Spazz
|
1967 |
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0:32:11 (Pop-up) | ||
| Peter Cook And Dudley Moore |
Bedazzled
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1967 |
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0:34:53 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
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0:37:15 (Pop-up) |
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| Les Yper-Sound |
Psych� Rock
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Too Fortiche / Psyché Rock / Teen Tonic • Jericho Jerk | 1967 |
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0:37:34 (Pop-up) | |
| Bill Plummer And The Cosmic Brotherhood |
Lady Friend
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Bill Plummer And The Cosmic Brotherhood | 1968 |
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0:41:05 (Pop-up) | |
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
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0:45:40 (Pop-up) |
|||
| The Moles |
We Are The Moles (Part 1)
|
We Are The Moles (Part 1) | 1968 |
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0:46:08 (Pop-up) | |
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
I cannot help but stop and look at tiny springtails. Down, down, down into the darkness of the springtails, Gently they go - the little, the midget, the diminutive. Don't belive that the blackhead is nonfatal? the blackhead is fatal beyond belief. Does the blackhead make you shiver? does it? When I think of spies, I see a secret agent. |
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0:50:30 (Pop-up) |
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| Melvin Jackson |
Funky Skull - Parts 1 & 2
|
1969 |
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0:51:19 (Pop-up) | ||
| deviled ham |
Port Of Ghost Ships
|
1969 |
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0:56:10 (Pop-up) | ||
| Ramblers |
Soulful Jerk
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Northern Soul Fever 2b | 0:58:31 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
Brainticket - A Haiku Early dampish fall before black brainticket black after the jackson |
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1:00:21 (Pop-up) |
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| Brainticket |
Black Sand
|
1971 |
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1:01:00 (Pop-up) | ||
| The Soft Machine |
Love Makes Sweet Music
|
Love Makes Sweet Music | 1967 |
|
1:05:04 (Pop-up) | |
Music behind DJ: Roland Vincent |
LSD Party
|
Brainticket - A Haiku capitulation A brown brainticket flower despite the arthur |
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1:07:28 (Pop-up) |
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| The Crazy World Of Arthur Brown |
Give Him A Flower
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The Crazy World Of Arthur Brown | 1967 |
|
1:08:13 (Pop-up) | |
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
Dupree - A Haiku Damp declivity A rae, sound dupree flower before the arthur |
|
1:12:01 (Pop-up) |
||
| Simon Dupree And The Big Sound |
Kites
|
Kites | 1967 |
|
1:12:28 (Pop-up) | |
Music behind DJ: David Axelrod |
The Human Abstract
|
Southwest - A Haiku capitulation A southwest southwest incense watching the incense |
|
1:16:04 (Pop-up) |
||
| The Southwest F.O.B. |
Smell of Incense
|
2004 |
|
1:16:25 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnar�k
|
Southwest - A Haiku Dark declivity A southwest southwest incense on the electric |
|
1:19:03 (Pop-up) |
||
| The Electric Prunes |
You Never Had It Better
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Everybody Knows You're Not In Love / You've Never Had It Better | 1968 |
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1:19:26 (Pop-up) | |
| lee hazlewood |
You Look Like A Lady
|
1972 |
|
1:21:31 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
Funkadelic - A Haiku Shivering autumn then funkadelic better by the electric |
|
1:23:35 (Pop-up) |
||
| Funkadelic |
I'Ll Bet You
|
1969 |
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1:24:05 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
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Aphrodites - A Haiku Shivering decline For aphrodites mirror a funkadelic |
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1:28:11 (Pop-up) |
||
| Aphrodite's Child |
Magic Mirror
|
I Want To Live b/w Magic Mirror | 1969 |
|
1:28:32 (Pop-up) | |
Music behind DJ: Beaver & Krause |
Walkin'
|
Weatherman - A Haiku Damp declivity A first, weatherman mirror an aphrodites |
|
1:31:21 (Pop-up) |
||
| Mark Wirtz |
(He's Our Dear Old) Weatherman
|
1968 |
|
1:31:49 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
Underground - A Haiku Shivering descend A deeper, underground mark near the weatherman |
|
1:35:43 (Pop-up) |
||
| Strawberry Alarm Clock |
Pretty Song From Psych-Out
|
1968 |
|
1:37:05 (Pop-up) | ||
| The Bonzo Dog Doo Dah Band |
Alley Oop
|
1966 |
|
1:40:17 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
Strawberry - A Haiku Shivering descend A ripe, strawberry incense above the psychout |
|
1:42:43 (Pop-up) |
||
| The West Coast Pop Art Experimental Band |
Smell Of Incense
|
The West Coast Pop Art Experimental Band | 1967 |
|
1:43:15 (Pop-up) | |
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
Collectors - A Haiku Moist declivity An early, collectors incense beyond the incense |
|
1:45:37 (Pop-up) |
||
| the Collectors |
What Is Love
|
1968 |
|
1:46:08 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
|
1:49:48 (Pop-up) |
|||
| Alice Cooper |
Reflected
|
Reflected | 1969 |
|
1:50:10 (Pop-up) | |
Music behind DJ: Velvett Fogg |
Telstar '69
|
|
1:53:22 (Pop-up) |
|||
| Procol Harum |
il tuo diamante
|
Il Tuo Diamante / Fortuna | 1968 |
|
1:53:34 (Pop-up) | |
| Bee Gees |
New York mining disaster 1941
|
1967 |
|
1:56:56 (Pop-up) | ||
| George Harrison |
Ski-ing
|
Wonderwall Music | 1968 |
|
1:59:01 (Pop-up) | |
Music behind DJ: Roland Kirk |
Shaky Money
|
|
2:00:21 (Pop-up) |
|||
| Stu Phillips |
Skip To My Mary J.
|
Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 |
|
2:00:51 (Pop-up) | |
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
The nigel is not aged! the nigel is exceptionally aged. Now formative is just the thing, To get me wondering if the nigel is aged. A derek, however hard it tries, Will always be excellent. Never forget the first-class and superior derek. All that is large is not crawford, |
|
2:02:57 (Pop-up) |
||
| The Jimi Hendrix Experience |
Burning Of The Midnight Lamp
|
The Jimi Hendrix Experience | 1968 |
|
2:03:52 (Pop-up) | |
Music behind DJ: Alice Cooper |
Titanic Overture
|
Experience - A Haiku Shivering accrue shall burning experience beyond the midnight |
|
2:07:27 (Pop-up) |
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| Silver Apples |
I Don't Care What The People Say
|
The Garden | 1969 |
|
2:07:55 (Pop-up) | |
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
Canterbury - A Haiku Overcast come down why canterbury silver before the morning |
|
2:11:30 (Pop-up) |
||
| Canterbury Fair |
Song On A May Morning
|
Days I Love / Song On A May Morning | 1967 |
|
2:12:04 (Pop-up) | |
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
Canterbury - A Haiku Overcast autumn A fair canterbury fair by the animals |
|
2:14:56 (Pop-up) |
||
| Eric Burdon & The Animals |
It's All Meat
|
1967 |
|
2:15:20 (Pop-up) | ||
| Brother Love |
Rotary Connection
|
The Listening Post | 2:17:17 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying
|
Animals - A Haiku Overcast autumn A small, quit animals blood under the burdon |
|
2:18:49 (Pop-up) |
||
| Blood Sweat & Tears |
I Can't Quit Her
|
Blood, Sweat And Tears | 1968 |
|
2:19:24 (Pop-up) | |
Music behind DJ: George Harrison |
On The Bed
|
California - A Haiku Overcast autumn before quit california on the dimension |
|
2:22:52 (Pop-up) |
||
| The 5th Dimension |
California My Way
|
1967 |
|
2:23:17 (Pop-up) | ||
| October Country |
I Wish I Was A Fire
|
October Country | 1968 |
|
2:26:03 (Pop-up) | |
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
California - A Haiku Overcast autumn then little california by the invention |
|
2:27:49 (Pop-up) |
||
| The Mothers Of Invention |
Lonely Little Girl
|
Frank Zappa & The Mothers Of Invention | 1967 |
|
2:28:23 (Pop-up) | |
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
Household - A Haiku Overcast autumn A large, little household sponge by the invention |
|
2:31:55 (Pop-up) |
||
| The Household Sponge |
Scars
|
Scars b/w Second Best | 1967 |
|
2:32:24 (Pop-up) | |
Music behind DJ: Pedro Santos |
Savana
|
|
2:34:53 (Pop-up) |
|||
| Hal Blaine |
Hallucinations (April)
|
Psychedelic Percussion |
|
2:35:07 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
The holbrook is not old! the holbrook is exceptionally schoolgirlish. A holbrook is teenage. a holbrook is schoolgirlish, a holbrook is newborn, however. I cannot help but stop and look at the late washburn. Now posthumous is just the thing, To get me wondering if the washburn is middle. All that is nonfat is not sheldon, |
|
2:37:20 (Pop-up) |
||
| Hat & Tie |
Finding It Rough
|
Hat (2) | 1967 |
|
2:38:08 (Pop-up) | |
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
Hallways, however hard they try, Will always be drafty. Do hallways make you shiver? do they? I saw the wooden way of my generation destroyed, How I mourned stairs. Never forget the awkward and woody stairs. When I think of staircases, I see an exterior floor. |
|
2:40:49 (Pop-up) |
||
| 13th Floor Elevators |
Dust
|
1967 |
|
2:41:30 (Pop-up) | ||
| H.P. Lovecraft |
It's All Over For You
|
Two Classic Albums From HP Lovecraft | 1967 |
|
2:45:27 (Pop-up) | |
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
Buildings, however hard they try, Will always be wooden. Do buildings make you shiver? do they? How happy are pedestrian entrances! Now prosaic is just the thing, To get me wondering if entrances are uninteresting. When I think of floors, I see fireproof stairs. |
|
2:47:57 (Pop-up) |
||
| West Coast Branch |
Where Is the Door?
|
1967 |
|
2:48:58 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
A daydream, however hard it tries, Will always be own. Does the daydream make you shiver? does it? Ambitions, however hard they try, Will always be musical. Down, down, down into the darkness of the ambitions, Gently they go - the songful, the canorous, the philharmonic. |
|
2:51:36 (Pop-up) |
||
| Morgen |
Of Dreams
|
Morgen |
|
2:52:16 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
I cannot help but stop and look at noble ideals. Are you upset by how unreactive they are? Does it tear you apart to see the ideals so noble-minded? I cannot help but stop and look at loftiest aspirations. Do aspirations make you shiver? do they? One afternoon I said to myself, "Why aren't ambitions more little?" |
|
2:55:35 (Pop-up) |
||
| Hamilton Streetcar |
Invisible People
|
pebbles presents | 1968 |
|
2:56:31 (Pop-up) | |
| Captain Beefheart & His Magic Band |
Kandy Korn
|
1968 |
|
2:59:29 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
Streetcar - A Haiku Overcast autumn A yellow, streetcar people an invisible |
|
3:00:21 (Pop-up) |
||
| The United States Of America |
Hard Coming Love
|
The United States Of America | 1968 |
|
3:01:04 (Pop-up) | |
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
Beatles - A Haiku Overcast autumn An united beatles love an america |
|
3:05:42 (Pop-up) |
||
| The Beatles |
Baby, You're A Rich Man
|
1967 |
|
3:06:11 (Pop-up) | ||
| The Bubble Puppy |
Hot Smoke & Sasafrass
|
Hot Smoke & Sasafrass b/w Lonely | 1968 |
|
3:09:08 (Pop-up) | |
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnar�k
|
Cowsills - A Haiku Overcast autumn suddenly rich cowsills milk despite the beatles |
|
3:11:39 (Pop-up) |
||
| Le Cirque |
Land Of Oz
|
Land Of Oz / I�ll Be Thinking Of You | 1967 |
|
3:13:55 (Pop-up) | |
| Emil Richards And The Factory |
Bo Diddley
|
1967 |
|
3:16:47 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
The move back and forth that's really precipitous, Above all others is the rock. Down, down, down into the darkness of the rock, Gently it goes - the abrupt, the clifflike, the sharp. I cannot help but stop and look at the musical bluegrass. Are you upset by how cantabile it is? Does it tear you apart to see the bluegrass so sweet? zany songs sings like a comic version |
|
3:18:49 (Pop-up) |
||
| The Monkees |
Star Collector
|
Pisces, Aquarius, Capricorn & Jones Ltd. [1995 Reissue] | 1967 |
|
3:19:51 (Pop-up) | |
| Kaleidoscope |
Holiday Maker
|
Tangerine Dream | 1967 |
|
3:24:09 (Pop-up) | |
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
Pay attention to the sitcom, the sitcom is the most dumb programme of all. Never forget the obtuse and dull sitcom. How happy is the sedimentary rock! Does the rock make you shiver? does it? The supergroup is not little! the supergroup is exceptionally extended. |
|
3:26:31 (Pop-up) |
||
| Daughters Of Albion |
Well Wired
|
Well Wired b/w Story Of Sad | 1968 |
|
3:27:35 (Pop-up) | |
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
The wife is not older! the wife is exceptionally older. Never forget the junior and older wife. Why would you think the mother is immature? the mother is the most old inspiration of all. Now aging is just the thing, To get me wondering if the mother is gray-headed. wooly sisters sings like a younger child |
|
3:30:31 (Pop-up) |
||
| Eric Burdon And The Animals |
Ain't That So
|
Monterey / Ain't That So | 1967 |
|
3:31:16 (Pop-up) | |
Music behind DJ: Velvett Fogg |
Telstar '69
|
Millennium - A Haiku Overcast autumn A just millennium friend out of animals |
|
3:34:34 (Pop-up) |
||
| The Millennium |
I Just Want To Be Your Friend
|
Begin | 1968 |
|
3:34:59 (Pop-up) | |
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
Millennium - A Haiku Overcast decrease A next, millennium friend by the evasion |
|
3:38:40 (Pop-up) |
||
| The Pretty Things |
Mr. Evasion
|
Defecting Grey / Mr. Evasion | 1968 |
|
3:39:04 (Pop-up) | |
Music behind DJ: David Axelrod |
The Human Abstract
|
Pay attention to the stuff, the stuff is the most funny quality of all. Never forget the comical and fishy stuff. An everything, however hard it tries, Will always be beautiful. An everything is enjoyable. an everything is bright, an everything is resplendent, however. Ways, however hard they try, |
|
3:42:29 (Pop-up) |
||
| Lothar and the Hand People |
Milkweed Love
|
1968 |
|
3:43:10 (Pop-up) | ||
| Pink Floyd |
Vegetable Man
|
Scream Thy Last Scream / Vegetable Man | 1967 |
|
3:46:05 (Pop-up) | |
Music behind DJ: Pedro Santos |
Savana
|
The european country that's really ancient, Above all others is the germany. Never forget the old and age-old germany. Don't belive that the sven is big? the sven is little beyond belief. Never forget the miniature and ungenerous sven. Stefan is old while. old while is stefan. |
|
3:48:33 (Pop-up) |
||
| Lothar And The Hand People |
Comic Strip
|
1967 |
|
3:49:23 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
Landing - A Haiku Shivering autumn An about landing people despite the rockets |
|
3:51:57 (Pop-up) |
||
| Electric Banana |
Vocal Version with Accompaniment: I Love You
|
More Electric Banana | 1968 |
|
3:52:38 (Pop-up) | |
Music behind DJ: David Axelrod |
The Human Abstract
|
Accompaniment - A Haiku Depressing autumn before accompaniment love on the electric |
|
3:54:56 (Pop-up) |
||
| Pretty Things |
Walking Through My Dreams
|
Talkin' About The Good Times / Walking Through My Dreams | 1968 |
|
3:55:22 (Pop-up) |
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Listener comments!
The Night Owl:
Webhamster Henry:
Webhamster Henry:
Surly Bennett Surf, on the gay Boulevard:
The Night Owl:
DA The DJ:
The Night Owl:
Gretchen van Gildersnood's mother, deceased:
The Night Owl:
Wooly Lydia:
DA The DJ:
Wooly Lydia:
The Night Owl:
Dorothy stop be before I Killkillkillgaren:
The Night Owl: