I never miscue a record. I am punctual, well-prepared, and dislike clutter. Outgoing and helpful, I'm always appropriately dressed. I do not behave erratically and have excellent penmanship. My CD's never skip, and I am in good health. I like all the notes, in any order.
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August 1, 2008
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| Artist | Track | Album | Label | Comments | Year | |
|---|---|---|---|---|---|---|
| "Piece for Plung Orchestra" | Bangladesh: Ritual Mouth-Organs of the Murung | Inédit | animist menudo, plungs are for bachelors. they got flied to france. lookee. | 1997 | ||
| Jeu Phawn Peng Gawng Ploung Ken | Ethnic Minority Music of Southern Laos | Sublime Frequencies |
the reedy jobber's a khen. Nya Heun subgroup of the Brao recorded by Laurent Jenneau |
mid-2000s | ||
| Nouthong Phimvilayphone | Khangdeuk | Laos: Lam Saravane: Musique pour le Khène | Ocora |
Nouthong's a khen virtuoso & polymath. he's regular ol' Lao. recorded by Jacques Brunet |
late 80s? | |
| Hsiang Waing improvisation, Myanmar | Leaf Music, Drunks, Distant Drums | Anomalous Records |
this is a Pat Waing: twenty-odd melodic drums, arranged in a circle. recorded by Robert Millis |
2000s? | ||
| Kyaw Kyaw Naing | Tay Htat Kwet Sun | Pat Waing: The Magic Drum Circle of Burma | Shanachie | but this track's a Pattala, a bamboo xylophone. | 1996 | |
| a Hsaing Waing | Si Daw Aung Ba Lé – Ninthit Ké Tihtaung | Birmanie: Musique d'Art, vol.1 | Ocora |
directed by Sein Ky Win recorded by Jacques Brunet |
1975–9 | |
| Khan Heuan | Phat Cheay | The Music of Cambodia, vol. 3: Solo Instrumental Music | Celestial Harmonies | he's playing the now quite rare Kse Diev. | ||
| Chungja, jews harp | Ethnic Minority Music of North Vietnam | Sublime Frequencies |
Black Hmong lady recorded by Laurent Jenneau |
2006 | ||
| Le Tu Cuong | Tieng Khen Goi Ban | The Music of Vietnam, vol. 1.2 | Celestial Harmonies |
Hmong bloke on the Lam Kep reed flute recorded by David and Kay Parsons |
93 or 4 | |
| solo on a brass jews-harp | Music of the Montagnards of Central Vietnam | Le Chant du Monde |
Hmong recorded by Pribislav Pitoëff |
1997 | ||
| solo on the Dao bamboo buzzing fork | Music of the Montagnards of Central Vietnam | Le Chant du Monde |
Khmu person. recorded by Georges Condominas |
1973 | ||
| Kalimantan, Tumbak, Kalait Cambung, & Sengkumang | Music of Indonesia, vol. 17: Kalimantan: Dayak Ritual and Festival Music | Smithsonian Folkways |
"people of the Upper Jelai River", Dayak subgroup in southeastern West Kalimantan senggayung: 7 pairs of differently tuned bamboo tubes, each closed at one end & sliced into a tongue at the other. they're smacked together, grip pressure determining which rings. played once every 3 or 4 years, when several kinds of fruit ripen simultaneously. recorded by Philip Yampolsky |
1995–6 | ||
| Ii'eresi, Aaresi, & Wasitarao | Trio of Tapping Tubes | Solomon Islands: 'Are'Are Intimate and Ritual Music | Le Chant Du Monde |
bamboo tubes, closed on one end, tapped on rocks recorded by Hugo Zemp |
1977 | |
| Ensemble of 8 Panpipes | Solomon Islands: 'Are'are Panpipe Ensembles | Le Chant Du Monde |
the 'Are'are of southern Malaita this is an 'Au Paina ensemble. largest pipes are over 5 feet long. recorded by Hugh Zemp |
1975 | ||
| Ensemble of 10 Panpipes | Solomon Islands: 'Are'are Panpipe Ensembles | Le Chant Du Monde |
the Marau of Guadalcanal the 'Au Taka'iori ni Marau ensemble recorded by Hugo Zemp |
1974 | ||
| Ensemble of 6 Panpipes | Solomon Islands: 'Are'Are Panpipe Ensembles | Le Chant Du Monde | the 'Are'are of Malaita. an 'Au Keto ensemble. | 1975 | ||
| Stingray, Dolphin, Curlew and Shark Songs | Australia: Aboriginal Music | Unesco | folks from Groote Eylandt | 1964 & 69 | ||
| Drummed Message | Central African Republic | Unesco |
Banda-Linda folks recorded by Simha Arom |
|||
| Dance Music | Central African Republic | Unesco |
Banda-Linda recorded by Simha Arom |
|||
| Drum Dance | South Pacific: Island Music | Nonesuch |
Cook Islands recorded by David Fanshawe |
1978 | ||
| Nyanza Ikimanura (arrival of the Tutsi) | Anthology of World Music: Africa: Music from Rwanda | Rounder | recorded by Denyse Hiernaux-L'hoëst | 1954–5 | ||
| Nhe Situ Yere La Ni Ye O Be Ni Faa | Burkina Faso: Rhythms of the Grasslands | Nonesuch | recorded by Kathleen Johnson | 1973–5 | ||
| Djongo | Burkina Faso: Savannah Rhythms | Nonesuch | recorded by Kathleen Johnson | 1973–5 | ||
| Take Me Back to Mabayi | Burundi: Music from the Heart of Africa | Nonesuch | recorded by Giuseppe Coter | early 70s | ||
| Mboloko Sambe Disambe | Central Africa: Aka Pygmies | Ocora | recorded by Susanne Fürniss | 1997 & 90 | ||
| Kingo Ke Nde Ya Nyama | Central Africa: Aka Pygmies | Ocora | recorded by Susanne Fürniss | 1997 & 90 | ||
| Mongombi | Aka Pygmy Music | Unesco | recorded by Simha Arom | 1971 | ||
| Bow Harp and Vocal | Echoes of the Forest: Music of the Central African Pygmies | Elipsis Arts... | recorded by Jean-Pierre Hallet | 1994 | ||
| Sanza | Echoes of the Forest: Music of the Central African Pygmies | Elipsis Arts... | recorded by Jean-Pierre Hallet | 1994 | ||
| Lukembi | Mbuti Pygmies of the Ituri Rainforest | Smithsonian Folkways | recorded by Colin Turnbull & Francis S. Chapman | mid-50s | ||
| Gbada | Forest Music: Northern Belgian Congo | SWP | recorded by Hugh Tracey | 1952 | ||
| Nyamaropa yevana vaVaMushonga | Zimbabwe: The Soul of Mbira: Traditions of the Shona People | Nonesuch | recorded by Paul Berliner | early 70s | ||
| Kikobole Kiluba | Tanzania Instruments | SWP | recorded by Hugh Tracey | |||
| Citaumvano | Lo Mna Ndigula Ngohlanya | The Nguni Sound: South Africa & Swaziland | SWP | recorded by Hugh Tracey | 1957 | |
| solo on the forked harp, Do | Ivory Coast: Music of the Wè | Le Chant du Monde | recorded by Hugo Zemp | 1965 or 67 | ||
| Theko Moshesh | Khajoane | Tsawana and Sotho Voices | SWP | recorded by Hugh Tracey | 1957 | |
| Litsoanya | Tsawana and Sotho Voices | SWP | recorded by Hugh Tracey | 1959 | ||
Fri. 8/1/08 12:10pm
From:
Larry
Hello Bryce. Ths signal is strong. Keep doing a good show.
Fri. 8/1/08 12:24pm
From:
Scott
Very nice music. Sounded like Terry Riley.
Fri. 8/1/08 12:28pm
From:
Hugo
Exactly!
Check this source:
http://sonomu.net/text/~532/
Fri. 8/1/08 12:32pm
From:
north guinea hills
hugo, you rock!
Fri. 8/1/08 12:39pm
From:
Hugo
One more (and closer to home, as it were):
http://blog.wfmu.org/freeform/2006/08/ritual_mouth_or.html
Fri. 8/1/08 12:41pm
From:
Ike
Today, my job (almost) makes me want to die, but this music makes me want to live.
Fri. 8/1/08 12:41pm
From:
R. P.
It's appropriate that some music considered "cutting edge" today sounds like music made hundreds of years ago in Burma.
Fri. 8/1/08 12:58pm
From:
Andrew
The Jew's Harp in my throat is greatly appreciative.
Fri. 8/1/08 1:03pm
From:
Hugo
But there seems to be a little confusion about the area of residence of the Murung. I have to agree with the poster on the WFMU blog that if they reside in the forest hills close to Burma, then that would have to be in the East/South East, most likely in the Chittagong Hill Tracts. Sorry folks, it's the old Asia hand peeking through here ...
the music's thrilling, though - Bryce sure knows how to find 'em ...
Fri. 8/1/08 1:13pm
From:
bryce
hugo's on it! these guys are tibeto-burmesey for sure. bengal got all britishly drawed up around them, paving the way for future evil: unending bengladeshi resettlement asshattery. hooray for men.
Fri. 8/1/08 1:28pm
From:
alan
dude- peruvian flutes sound like that too
Fri. 8/1/08 1:34pm
From:
alan
i think they travel across the pacific-- i want to know more about that comunication between asia and south american music-- some words of quechua are the same in chinese-- if you have some more information please let me know
Fri. 8/1/08 1:44pm
From:
Ken from Hyde Park
Drummed message seems pretty soft (not very loud). I can barely hear it. Is it going to suddenly louden up and scare my co-workers?
Fri. 8/1/08 1:47pm
From:
bryce
depends. what continent are you on?
Fri. 8/1/08 1:51pm
From:
alan
i am from Peru- and i am here now
Fri. 8/1/08 1:58pm
From:
alan
check this peruvian video!------http://es.youtube.com/watch?v=WNmq-12BrJY&feature=related
NICE SHOW-.
Fri. 8/1/08 2:16pm
From:
sm
hey bruce you are always awsome, but today the show is just amazing. All my senses are shaken
montreal
Fri. 8/1/08 2:20pm
From:
Bad Ronald
Manhattan checking in...
Fri. 8/1/08 2:22pm
From:
m
bryce, any east african music out there that isn't jangly guitars?
Fri. 8/1/08 2:27pm
From:
Harvey
I've been waiting my whole life for a show like this
Fri. 8/1/08 2:29pm
From:
Steve
I'll Second the motion. Today's show is kicking my ass all around the room. Keep it coming!
Fri. 8/1/08 2:32pm
From:
Hugo
This last set of Central African pygmies music is nothing less than astounding. I've never heard anything like it. Mind-bending!
Fri. 8/1/08 2:34pm
From:
Nick
oh it's mind bending all right
Fri. 8/1/08 2:36pm
From:
Steve
Bryce,
If it weren't for you, your show and WFMU I'd have to waste my time in reality and that would trully suck. Thank you.
Fri. 8/1/08 2:37pm
From:
bryce
all this stuff, from the fmu library. what a racket!
Fri. 8/1/08 2:38pm
From:
Steve
And NICK - get back to work!
Fri. 8/1/08 2:39pm
From:
lily
i am enjoying these plinks
Fri. 8/1/08 2:39pm
From:
Nick
WFMU is my reality whats wrong with that. no one judges me here. hoo ooh ooowww yteaaah
Fri. 8/1/08 2:42pm
From:
Bad Ronald
No mind to bend here but I did bend my Wookie!!!
Fri. 8/1/08 2:43pm
From:
Nick
i don't know what a wookie is but it sounds like that hurts
Fri. 8/1/08 2:46pm
From:
lily
oh no. don't be confused, please. i think the song is ending.
Fri. 8/1/08 3:09pm
From:
bryce
thanks for the good vibes, everyone....
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