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February 4, 2008: In Between Hangovers
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| Artist | Track | Album | Label | New | Approx. start time | |
|---|---|---|---|---|---|---|
| Electric Kulintang | Track 1 | Dialects | Plastic | * | 0:00:00 (Real) | |
| Atlas Sound | Cold As Ice | Let the Blind Lead Those Who Can See But Cannot Feel | Kranky | * | 0:05:38 (Real) | |
| S.S.P.S. | Sweet Children Part 1 | Split 7" w/ Led Er Est | * | 0:09:11 (Real) | ||
| Mobile Unit | We Live in Our Own World... | Split 7" w/ Temperatures | Six String | * | 0:15:13 (Real) | |
| Felix Kubin und das Mineralorchester | Hollywood | Music for Theater and Radio Play | Dekorder | * | 0:19:08 (Real) | |
| Growing | First Contact | Lateral | The Social Registry | * | 0:23:25 (Real) | |
| Metabolismus | Snowy Meadows | The Social Club No. 7 (7") | The Social Registry | * | 0:27:36 (Real) | |
| Edda Dell'Orso / Ennio Morricone | Un Altro Mare | Voice | Bella Casa | 0:31:15 (Real) | ||
| Fire On Fire | Hangman | Fire On Fire | Young God | * | 0:43:37 (Real) | |
| Moondog | Lullaby | Snaketime Series | Moondog | 0:47:24 (Real) | ||
| Rings | Mom Dance | Black Habit | Paw Tracks | * | 0:49:32 (Real) | |
| Titus & Ross | Cycle Song | Titus & Ross | Fallout | 0:54:25 (Real) | ||
| Keithe Lowrie Duet | Firetime | Second Stringers: Hatch's 2007 Marathon Premium | WFMU | 0:57:10 (Real) | ||
| Tiza | Juventud | Papagayo! (V/A) | Toytown | 1:02:10 (Real) | ||
| Jonathan Segel | I Love You | Honey | Magnetic | * | 1:05:04 (Real) | |
| Sons & Daughters | The Nest | This Gift | Domino | * | 1:07:53 (Real) | |
| Cyro Baptista | Frevo De Rua | Love the Donkey | Tzadik | * | 1:20:37 (Real) | |
| Walderez Walderia | Flavio Kurt | Obsession (V/A) | Bully | 1:22:56 (Real) | ||
| Mahjongg | Those Birds Are Bats | Kontpab | K | * | 1:25:32 (Real) | |
| Hot Chip | Hold On | Made in the Dark | Astralwerks | * | 1:28:32 (Real) | |
| Daedelus | Press Snooze | Live at Low End Theory | Alpha Pup | * | 1:34:52 (Real) | |
| Agent Side Grinder | Voice of Your Noise | Agent Side Grinder | Enfant Terrible | * | 1:38:20 (Real) | |
| 2/5 BZ | Militant Oriental | No Exotic | Gozel | * | 1:43:03 (Real) | |
| Ghislain Poirier | Ladies & Gentlemen | No Ground Under | Ninja Tune | * | 1:46:39 (Real) | |
| Augustus Pablo | Far East | In Fine Style | Pressure Sounds | 1:49:38 (Real) | ||
| Esplendor Geometrico | Maria Luisa | Esplendor Geometrico | Vinyl On Demand | 2:01:45 (Real) | ||
| Led Er Est | Fingers Curling Up | Split 7" w/ S.S.P.S. | * | 2:13:20 (Real) | ||
| Karl's Empty Body | 1464 | Snatch Paste (V/A) | Vinyl On Demand | 2:18:13 (Real) | ||
| Weltklang | Auferstanden Aus Ruinen | Exil-System Remixed (V/A) | Pripuzzi | * | 2:21:19 (Real) | |
| Rigas Den Andre | No Class | Too Low For Show 7" | Flogsta Danshall | * | 2:24:18 (Real) | |
| DJ/Rupture | Rumbo Babylon | Redux | Broklyn Beats | * | 2:27:34 (Real) | |
| Ian Helliwell | Voices Reached the People's Ears | Workshop of the World | Superbo | * | 2:38:41 (Real) | |
| Felix Kubin und das Mineralorchester | Fischrevue | Music for Theater and Radio Play | Dekorder | * | 2:41:56 (Real) | |
| Menck | Hey War Pigs | Hey War Pigs 7" | ActionMusik | * | 2:43:52 (Real) | |
| Mudboy | Wwhirlpool, Wwindow Liight Nightt | Hungry Ghosts! These Songs Are Doors | Digitalis Industries | * | 2:46:59 (Real) | |
| Black Lips | Bad Kids (edit) | Live at the Clermont Hotel | Rob's House | * | 2:51:32 (Real) | |
| Das Black Milk | Fatigue | Das Black Milk | Summerstep | * | 2:53:55 (Real) | |
Mon. 2/4/08 9:32am
From:
mike
what a great song! (metabolismus!)
Mon. 2/4/08 9:32am
From:
fishmonkeystew
Good morning, Liz!
Mon. 2/4/08 9:35am
From:
jonathan
is this morricone song from a film. i just saw grand slam with klaus kinsky this weekend. great morricone soundtrack.
Mon. 2/4/08 9:36am
From:
Liz B.
Yes, Jonathan this tune is from the film Dirty Angels (Vergogna Schifosi).
Mon. 2/4/08 9:39am
From:
jonathan
thanks.
Mon. 2/4/08 10:13am
From:
Kosta
Loved the Jonathan Segal / Sons & Daughters combo!
Mon. 2/4/08 10:15am
From:
Will
Hi Liz. What's this playing behind you?
Mon. 2/4/08 10:18am
From:
Will
Cheers, I can see why you wouldn't want to type all that in.
Mon. 2/4/08 10:58am
From:
BillyJam
hey Liz, great show today. BTW the Live at the Low End Theory guys - including D-Styles and Kevvy Kev will be in NYC at Knit Factory on March 1st @ 11PM - should be good show
Mon. 2/4/08 11:04am
From:
hector
Esplendor Geometrico, Spanish bizarre for the universe!
Mon. 2/4/08 11:17am
From:
north guinea hills
i can't get enough of esplendor geometrica... how did that gem lay hidden for so long?
Mon. 2/4/08 11:19am
From:
Liz B.
Esplendor Geometrico is fantastic, their song "Moscu Esta Helado" has been circulating around for a while, but this more comprehensive look at their work is really cool (and far more experimental/weird).
Mon. 2/4/08 11:31am
From:
north guinea hills
is this dj /rupture new?, i swear i have this on 7" i got 4 years ago....
Mon. 2/4/08 11:33am
From:
north guinea hills
ne'er mind me, i'm just geeking out
Mon. 2/4/08 11:51am
From:
HotRod
Great show, Liz! Perfect soundtrack for this morning.
Mon. 2/4/08 11:53am
From:
Jim Evans
Love being able to stream WFMU again at work here in Seattle. Great soundtrack to a weird Monday morning.
Mon. 2/4/08 11:58am
From:
gerardo
hi, liz
i'm back at last - after weeks listening to the shows in archive form (sending e-mail soon)
((i noticed you played Tiza's "Juventud" - what does the compilation say about them?. Because they were a Chilean band formed in the early 70's, during the Unidad popular period...))
Mon. 2/4/08 11:59am
From:
Michael Sumner
Ian Helliwell’s “Voices Reached the People's Ears” is pretty much a quick-n-easy pop copy of John Cage’s (then) radical and amazingly difficult to construct tape piece “Variations IV” (1964). Excerpts can be heard on Everest LP 3132.
Tue. 2/19/08 8:56am
From:
Ian Helliwell
There was nothing quick and easy about my tape piece Voices Reached... It was assembled over several months on 4 track cassette which is argueably more difficult to manipulate than the open reel tape Cage would have used. I hadn`t heard his piece then (in the early 1990s) and believe now the connection between the 2 compositions is tenuous. His purely chance recordings captured with a network of microphones to create a musical 'happening', are quite different from my techniques or intentions. I should also point out that the Cage piece came several decades after Walter Ruttman`s 'Weekend' which unlike the Cage, truly was radical and difficult to construct (using 35mm film circa 1930).
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