The Night Owl Show with Owl Sun:
Playlist
from December 22, 2022
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EDT)
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On
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Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Mono]
|
1967 | 0:00:22 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:48 (Pop-up) | ||||
| Syd Barrett |
Rats
|
1989 |
|
0:03:18 (Pop-up) | ||
| Bob Seger and the Last Heard |
Chain Smokin'
|
1967 |
|
0:06:25 (Pop-up) | ||
| The Naturals |
Theme From A Natural
|
1967 |
|
0:09:07 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
|
0:11:59 (Pop-up) |
|||
| Affinity |
Three Sisters
|
1970 |
|
0:12:21 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
A mom, however hard it tries, Will always be dear. Are you upset by how near it is? Does it tear you apart to see the mom so heartfelt? All that is younger is not nephews, nephews, by all account is older. Nephews are big. nephews are elderly, nephews are old, however. |
|
0:17:16 (Pop-up) |
||
| Steamhammer |
Even the Clock
|
1969 |
|
0:17:56 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
I saw the the partial disregard of my generation destroyed, How I mourned the omission. Now incomplete is just the thing, To get me wondering if the omission is slanted. One afternoon I said to myself, "Why isn't the paucity more unusual?" Are you upset by how common it is? Does it tear you apart to see the paucity so customary? |
|
0:21:58 (Pop-up) |
||
| Rotomagus |
Madame Wanda
|
1970 |
|
0:22:39 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
I cannot help but stop and look at the fifth revised. I don't like the fact that it, learned to submit before it knew how to update. A left, however hard it tries, Will always be above. Does the left make you shiver? does it? One afternoon I said to myself, |
|
0:26:00 (Pop-up) |
||
| The Jimi Hendrix Experience |
Moon, Turn The Tides...gently gently away
|
1968 |
|
0:26:40 (Pop-up) | ||
| Les Yper-Sound |
Psyché Rock (outro)
|
Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 |
|
0:35:27 (Pop-up) | |
Music behind DJ: David Axelrod |
The Human Abstract
|
Brainticket - A Haiku Dampness wintertime suddenly black brainticket the tidesgently |
|
0:35:44 (Pop-up) |
||
| Brainticket |
Black Sand
|
1971 |
|
0:36:36 (Pop-up) | ||
| Lost & Found |
Professor Black
|
1968 |
|
0:40:37 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
I saw the the previous inconvenience of my generation destroyed, How I mourned the unavailability. An unavailability is late. an unavailability is former, an unavailability is premature, however. The scarcity that's really such, Above all others is the dearth. Are you upset by how so much it is? Does it tear you apart to see the dearth so such that? |
|
0:44:46 (Pop-up) |
||
| Tyrannosaurus Rex |
King Of The Rumbling Spires
|
1969 |
|
0:45:32 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
Tyrannosaurus - A Haiku Coldness wintertime shall tyrannosaurus band on the motherhood |
|
0:47:36 (Pop-up) |
||
| The Apple Pie Motherhood Band |
Super Music Man
|
1969 |
|
0:48:02 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
Motherhood - A Haiku Coldness wintertime A super motherhood mark after the mecki |
|
0:52:17 (Pop-up) |
||
| Mecki Mark Men |
Free
|
1967 |
|
0:52:36 (Pop-up) | ||
| Funkadelic |
Music For My Mother (Instrumental)
|
1969 |
|
0:56:42 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
A been, however hard it tries, Will always be late. A been is unpunctual. a been is advanced, a been is deep, however. An omission, however hard it tries, Will always be intentional. Are you upset by how deliberate it is? Does it tear you apart to see the omission so undesigned? |
|
1:00:23 (Pop-up) |
||
| The Cape Kennedy Construction Company |
Armageddon
|
1969 |
|
1:01:11 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
How happy is the expectant neglected! Down, down, down into the darkness of the neglected, Gently it goes - the great, the big, the large. One afternoon I said to myself, "Why isn't the been more middle?" Now after-hours is just the thing, To get me wondering if the been is new. When I think of the revised, I see a twice life. |
|
1:05:28 (Pop-up) |
||
| Hapshash And The Coloured Coat |
H-O-P-P-Why?
|
1967 |
|
1:06:17 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
Strawberry - A Haiku Polar wintertime A red, strawberry mushroom despite the mushroom |
|
1:13:43 (Pop-up) |
||
| The Strawberry Alarm Clock |
Rainy Day Mushroom Pillow
|
1968 |
|
1:14:21 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
I saw the the global cardinal compass point of my generation destroyed, How I mourned the south. Never forget the ball-shaped and planetary south. I cannot help but stop and look at the norwegian christine. Does the christine make you shiver? does it? A nigel, however hard it tries, Will always be yellow. |
|
1:18:43 (Pop-up) |
||
| Syd Barrett |
Dolly Rocker
|
1989 |
|
1:19:24 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
|
1:22:21 (Pop-up) |
|||
| The Triangle |
Try Harder
|
1969 |
|
1:22:34 (Pop-up) | ||
| Bob Seger and the Last Heard |
Heavy Music (Part 2)
|
1967 |
|
1:25:05 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
One afternoon I said to myself, "Why aren't luis more dark?" Now dark is just the thing, To get me wondering if luis are nighttime. All that is difficult is not eddie, eddie, by all account is easy. Never forget the unproblematic and painless eddie. A lloyd, however hard it tries, |
|
1:27:52 (Pop-up) |
||
| Pink Floyd |
Jugband Blues
|
1968 |
|
1:28:48 (Pop-up) | ||
Music behind DJ: The Beatles |
The Bus
|
Jugband - A Haiku Dampness wintertime suddenly last jugband last because of the whatt |
|
1:31:42 (Pop-up) |
||
| The Whatt Four |
Our Love Should Last Forever
|
1966 |
|
1:32:05 (Pop-up) | ||
| Stu Phillips |
Hells Angels On Wheels
|
Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 |
|
1:33:43 (Pop-up) | |
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
Why would you think the unavailability is absolute? the unavailability is the most relative inconvenience of all. Never forget the proportional and absolute unavailability. I cannot help but stop and look at the usual inability. Never forget the unusual and regular inability. How happy is the cunning lack! Never forget the dodgy and crafty lack. Refresh until you're happy with your poem. |
|
1:36:07 (Pop-up) |
||
| Rotomagus |
Eros
|
1970 |
|
1:37:04 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
A neglected, however hard it tries, Will always be colombian. Does the neglected make you shiver? does it? How happy is the questionnaire revised! I don't like the fact that it, learned to update before it knew how to submit. Forgotten is bloody amount. |
|
1:40:11 (Pop-up) |
||
| The Jimi Hendrix Experience |
Voodoo Child (Slight Return)
|
1968 |
|
1:40:58 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
Experience - A Haiku Icy wintertime then growing experience a society |
|
1:46:02 (Pop-up) |
||
| The Growing Society |
Just for fun
|
1967 |
|
1:46:36 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
Butterfly - A Haiku Dampness wintertime A large, butterfly iron a society |
|
1:49:06 (Pop-up) |
||
| Iron Butterfly |
My Mirage
|
1968 |
|
1:49:39 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
Butterfly, Part 2 - A Haiku Darkness wintertime A blue, high butterfly rick after the jarrard |
|
1:54:27 (Pop-up) |
||
| Rick Jarrard |
High Coin
|
1966 |
|
1:54:50 (Pop-up) | ||
| The Shadows |
A Place in the Sun
|
1996 |
|
1:57:46 (Pop-up) | ||
| George Harrison |
Party Seacombe
|
Wonderwall Music | 1968 |
|
1:59:56 (Pop-up) | |
Music behind DJ: Martin Denny |
Incense & Peppermints
|
The jessup is not old! the jessup is exceptionally teenaged. Down, down, down into the darkness of the jessup, Gently it goes - the childlike, the teenaged, the vulnerable. How happy is the gaza jericho! Does the jericho make you shiver? does it? Jack is hydraulic systems. |
|
2:00:22 (Pop-up) |
||
| Tyrannosaurus Rex |
Do You Remember
|
1969 |
|
2:01:20 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
How happy is the single stegosaurus! Never forget the exclusive and unwed stegosaurus. Don't belive that the dino is ripe? the dino is green beyond belief. A dino is inexperienced. a dino is naif, a dino is colored, however. Why would you think the anteater is thin? the anteater is the most fat edentate of all. |
|
2:03:32 (Pop-up) |
||
| White Noise |
The Visitation
|
1969 |
|
2:04:17 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
Visitation - A Haiku Frigid wintertime A first, visitation noise on the invention |
|
2:15:23 (Pop-up) |
||
| The Mothers Of Invention |
Later That Night
|
1968 |
|
2:15:48 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Quicksilver - A Haiku Early wintertime A much, quicksilver service on the messenger |
|
2:19:40 (Pop-up) |
||
| Quicksilver Messenger Service |
The Fool
|
1968 |
|
2:20:05 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
Quicksilver, Part 2 - A Haiku Previous winter A pure, quicksilver service on the messenger |
|
2:32:08 (Pop-up) |
||
| The Ventures |
1999 A. D.
|
1967 |
|
2:32:30 (Pop-up) | ||
| Syd Barrett |
Effervescing Elephant
|
1987 |
|
2:34:29 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
|
2:35:28 (Pop-up) |
|||
| G.F. Fitz-Gerald |
April Affair
|
1970 |
|
2:35:49 (Pop-up) | ||
| Velvett Fogg |
Telstar '69
|
Telstar '69 b/w Owed To The Dip | 1969 |
|
2:41:09 (Pop-up) | |
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
|
2:43:50 (Pop-up) |
|||
| Tasmanians |
Love, Love, Love
|
1967 |
|
2:44:25 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
|
2:46:13 (Pop-up) |
|||
| Lightnin' Hopkins |
Got Her Letter This Morning
|
1968 |
|
2:46:28 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
|
2:51:23 (Pop-up) |
|||
| Rotomagus |
The Sky Turns Red
|
1971 |
|
2:52:41 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
Rotomagus - A Haiku Dampness wintertime before rotomagus rain beyond the crystal |
|
2:55:28 (Pop-up) |
||
| The Crystal Rain |
Hey Ma Ma
|
1969 |
|
2:55:52 (Pop-up) | ||
| Pink Floyd |
Let There Be More Light
|
1968 |
|
2:59:24 (Pop-up) | ||
| Iron Butterfly |
Termination
|
1968 |
|
3:04:38 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
I saw the the possible travail of my generation destroyed, How I mourned the application. Does the application make you shiver? does it? The electronic equipment that's really pay, Above all others is the phone. Does the phone make you shiver? does it? |
|
3:07:20 (Pop-up) |
||
| country joe And The Fish |
Thing Called Love
|
1966 |
|
3:08:08 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
|
3:10:40 (Pop-up) |
|||
| SRC |
Exile
|
1968 |
|
3:10:51 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
Harrisson - A Haiku Icy wintertime before sound harrisson sound watching the magoos |
|
3:15:06 (Pop-up) |
||
| The Seeds |
Two Fingers Pointing On You
|
1968 |
|
3:17:00 (Pop-up) | ||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme
|
Latchkey - A Haiku Early wintertime A humble, lost latchkey dog under the pointing |
|
3:20:07 (Pop-up) |
||
| Lost Dog |
Latchkey Child
|
2009 |
|
3:20:36 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
Thirteenth - A Haiku Polar wintertime A mid, thirteenth thirteenth floor the elevators |
|
3:23:35 (Pop-up) |
||
| Thirteenth Floor Elevators |
I'm Gonna Love You Too
|
1968 |
|
3:23:57 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
Thirteenth, Part 2 - A Haiku Early wintertime A yard, thirteenth thirteenth floor on the yesterday |
|
3:25:51 (Pop-up) |
||
| The United States Of America |
Where Is Yesterday
|
1968 |
|
3:26:22 (Pop-up) | ||
| The Unusuals |
Summer Is Over
|
1966 |
|
3:29:21 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
Why would you think the commonwealth is undemocratic? the commonwealth is the most democratic political unit of all. A commonwealth is direct. a commonwealth is classless, a commonwealth is republican, however. Pay attention to the public, the public is the most indian body of all. Does the public make you shiver? does it? |
|
3:31:56 (Pop-up) |
||
| The What-Nots |
Morning
|
1966 |
|
3:32:45 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
The textual matter that's really wise, Above all others are the words. Do words make you shiver? do they? One afternoon I said to myself, "Why aren't details more abstract?" Never forget the real and abstract details. entities are not big! |
|
3:35:05 (Pop-up) |
||
| Pretty Things |
I See You
|
1968 |
|
3:35:46 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
Things - A Haiku Glacial wintertime A little, pretty things cut after the pretty |
|
3:39:42 (Pop-up) |
||
| Chris Farlowe |
Paint It Black
|
1968 |
|
3:41:00 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
I cannot help but stop and look at the gay gordon. Are you upset by how jovial it is? Does it tear you apart to see the gordon so cheerful? I cannot help but stop and look at the legendary kelly. Down, down, down into the darkness of the kelly, Gently it goes - the known, the unreal, the fabled. Just like a campbell bannerman, is the dunn. A dunn is outsized. a dunn is high, |
|
3:44:28 (Pop-up) |
||
| Eric Burdon & The Animals |
St. James Infirmary
|
1968 |
|
3:45:17 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
I cannot help but stop and look at the gay gordon. Are you upset by how jovial it is? Does it tear you apart to see the gordon so cheerful? I cannot help but stop and look at the legendary kelly. Down, down, down into the darkness of the kelly, Gently it goes - the known, the unreal, the fabled. Just like a campbell bannerman, is the dunn. A dunn is outsized. a dunn is high, |
|
3:50:14 (Pop-up) |
||
| Syd Barrett |
It Is Obvious [Take 1]
|
1970 |
|
3:51:02 (Pop-up) | ||
| The Creation |
The Girls Are Naked
|
1968 |
|
3:53:48 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
Kingsley - A Haiku Early wintertime An obvious kingsley grab after the gershon |
|
3:55:39 (Pop-up) |
||
| Gershon Kingsley |
Have It - Or Grab It - Or Go
|
1970 |
|
3:56:14 (Pop-up) | ||
Music behind DJ: The Beatles |
The Bus
|
Kingsley, Part 2 - A Haiku Glacial wintertime suddenly mean kingsley mean before the gershon |
|
4:03:51 (Pop-up) |
||
| The Koala |
Don't You Know What I Mean?
|
1969 |
|
4:04:17 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
Faces - A Haiku Foggy wintertime A wooden faces wooden at the perfect small |
|
4:06:53 (Pop-up) |
||
| Small Faces |
Up The Wooden Hills
|
1967 |
|
4:07:22 (Pop-up) | ||
| Pink Floyd |
Interstellar Overdrive (Reprise)
|
1968 |
|
4:09:18 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
Fitzgerald - A Haiku Foggy wintertime before fitzgerald wooden despite the faces |
|
4:11:05 (Pop-up) |
||
| G.F. Fitz-Gerald |
May Four
|
1970 |
|
4:11:35 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
|
4:14:29 (Pop-up) |
|||
| Mom's Boys |
Up And Down
|
1967 |
|
4:14:40 (Pop-up) | ||
| The Storybook |
Psych-out Sanctorum
|
1968 |
|
4:16:43 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
I cannot help but stop and look at tufted ears. Do ears make you shiver? do they? How happy are vertical slides! Slides are unerect. slides are fastigiate, slides are perpendicular, however. When I think of hatches, I see wooden creatures. Hatches are runty. hatches are infinitesimal, |
|
4:20:05 (Pop-up) |
||
| Randy Burns |
Susan your Mind's got Wings
|
1968 |
|
4:20:57 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
The Even And Randy Clock Whose clock is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her clock a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
4:24:36 (Pop-up) |
||
| Steamhammer |
Even the Clock
|
1969 |
|
4:25:23 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Pay attention to the lack, the lack is the most persistent need of all. Never forget the relentless and continual lack. How happy is the sad omission! Now bad is just the thing, To get me wondering if the omission is depressive. An absent, however hard it tries, Will always be yellow. |
|
4:29:24 (Pop-up) |
||
| Rotomagus |
Madame Wanda
|
1970 |
|
4:30:00 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
|
4:33:21 (Pop-up) |
|||
| country joe And The Fish |
Section 43
|
1966 |
|
4:33:32 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
|
4:40:13 (Pop-up) |
|||
| Rainbow Ffolly |
Sun Sing
|
1968 |
|
4:41:27 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
|
4:45:22 (Pop-up) |
|||
| T.I.M.E. |
See Me As I Am
|
1969 |
|
4:45:31 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
4:51:12 (Pop-up) | ||||
| Big Jim Sullivan |
Translove Airways (Fat Angel)
|
Sitar Beat | 1968 |
|
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