Eclectical Banana with Julie:
Playlist
from October 16, 2022
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Wrap up your weekend with an excursion through the flowery underbelly of the 60s and 70s where the roots are deep, the weeds are plentiful and the grass is high. Sunday will never be the same.
On
WFMU's
Sheena's Jungle Room
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| Artist | Track | Album | Label | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|---|
| Delia Derbyshire |
Doctor Who (Opening Title Theme, 1970)
|
0:00:00 (Pop-up) | |||||
| Velvet Illusions |
Velvet Illusions
|
Acid Head | Tune In | 2011 | single from 1967 |
|
0:00:54 (Pop-up) |
| The Pink Floyd |
Candy And A Currant Bun
|
The Early Singles | Columbia | 1992 | b-side from 1967 |
|
0:02:49 (Pop-up) |
| Moonstone |
David (Blue)
|
Moonstone | Void Records | 1973 |
|
0:05:31 (Pop-up) | |
| Fever Tree |
Day Tripper / We Can Work It Out
|
Fever Tree | UNI Records | 1968 |
|
0:09:59 (Pop-up) | |
| Trader Horne |
Morning Way
|
Morning Way | Janus Records | 1970 |
|
0:13:28 (Pop-up) | |
| The Beatles |
I Want To Tell You
|
Revolver | Capitol Records | 1966 |
|
0:17:55 (Pop-up) | |
| Sixto Rodriguez |
Only Good For Conversation
|
Cold Fact | Sussex | 1970 |
|
0:20:22 (Pop-up) | |
| Bachdenkel |
Strangerstill (You Leave Me)
|
Lemmings | Philips | 1973 |
|
0:22:36 (Pop-up) | |
| Picadilly Line |
At The Third Stroke
|
The Huge World Of Emily Small | CBS | 1967 |
|
0:29:23 (Pop-up) | |
Music behind DJ: Vic Lewis and his Orchestra |
Lalena
|
0:32:26 (Pop-up) |
|||||
| Lynsey de Paul |
Water
|
Surprise | MAM | 1973 |
|
0:37:46 (Pop-up) | |
| Notes From The Underground |
Why Did You Put Me On
|
Notes From The Underground | Vanguard | 1968 |
|
0:41:59 (Pop-up) | |
| Warren Zevon |
Traveling In The Lightning
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Wanted Dead Or Alive | Imperial | 1969 |
|
0:44:28 (Pop-up) | |
| Donovan |
There Was A Time (2008 remaster)
|
A Gift from a Flower to a Garden | Epic | 1967 |
|
0:47:25 (Pop-up) | |
| Boudewijn de Groot |
Glazen Stilte
|
Picknick | Decca | 1968 |
|
0:49:24 (Pop-up) | |
| Paper Garden |
Raining
|
Paper Garden | Musicor Records | 1969 |
|
0:51:28 (Pop-up) | |
| Earth and Fire |
Atlantis
|
Atlantis | Polydor | 1973 |
|
0:53:26 (Pop-up) | |
| Ramases |
Journey To The Inside
|
Space Hymns | Vertigo | 1971 |
|
1:09:53 (Pop-up) | |
| Elton John |
Sails
|
Empty Sky | DJM Records | 1969 |
|
1:15:49 (Pop-up) | |
| The Peanut Butter Conspiracy |
Living Dream
|
The Great Conspiracy | Columbia | 1967 |
|
1:19:25 (Pop-up) | |
Music behind DJ: Marty Gold |
Yesterday
|
1:23:57 (Pop-up) |
|||||
| Nico |
It Has Not Taken Long
|
The End... | Island Records | 1974 |
|
1:28:33 (Pop-up) | |
| Nico |
It Was A Pleasure Then
|
Chelsea Girl | Verve Records | 1967 |
|
1:32:26 (Pop-up) | |
| Nico |
Facing the Wind
|
The Marble Index | Elektra | 1968 |
|
1:40:30 (Pop-up) | |
| Nico |
All That Is My Own
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Desertshore | Reprise Records | 1970 |
|
1:45:15 (Pop-up) | |
| Kevin Ayers with Nico |
Part One: Irreverible Neural Damage
|
The Confessions Of Dr.Dream & Other Stories | Island Records | 1974 |
|
1:48:48 (Pop-up) | |
| The Velvet Underground & Nico |
I'll Be Your Mirror
|
The Velvet Underground & Nico | Verve Records | 1966 |
|
1:53:28 (Pop-up) | |
Music behind DJ: The Electric Concept Orchestra |
Atlantis
|
1:55:45 (Pop-up) |
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Listener comments!
Scobot:
Roberto:
MHLee:
Julie:
Ken From Hyde Park:
Roberto:
Julie:
MHLee:
Julie:
Aitch:
MHLee:
Julie:
Revolution Rabbit Nov63:
Nico (Christa Paffgen)
b. October 16th, 1938
Koln, Germany
d. July 18, 1988, Ibiza, Spain
Androu B.:
Julie:
MHLee:
Revolution Rabbit Nov63:
- laptop plugged into Stereo to amplify Julie signal...
MHLee:
Yvang:
Julie:
Revolution Rabbit Nov63:
MHLee:
Julie:
Revolution Rabbit Nov63:
...so put 'em on the end of it & that masterpiece doesn't have to end with the somewhat retrograde 'Run For Your Life'...
Scobot:
Androu B.:
My brother's birthday, which was the 14th, on which his stepdaughter gave birth to her new babe, and the same happened to the daughter of one of my aunts down in Miami that day, as well! How's that for serendipity?
Revolution Rabbit Nov63:
MHLee:
Revolution Rabbit Nov63:
Androu B.:
Revolution Rabbit Nov63:
Julie:
David Shortell:
I was wrong, but that is the group's first female singer Judy Dybel.
MHLee:
Revolution Rabbit Nov63:
Julie:
Julie:
Revolution Rabbit Nov63:
Revolution Rabbit Nov63:
David Shortell:
MHLee:
Revolution Rabbit Nov63:
Before or after National Lampoon 'Lemmings' ? :D
Revolution Rabbit Nov63:
David Shortell:
wfmu.org...
MHLee:
Revolution Rabbit Nov63:
Dean:
Julie:
MHLee:
Revolution Rabbit Nov63:
MHLee:
MHLee:
MHLee:
MHLee:
Scobot:
Julie:
Revolution Rabbit Nov63:
Revolution Rabbit Nov63:
Revolution Rabbit Nov63:
Donovan has seemed inevitable here...
Julie:
Scobot:
Revolution Rabbit Nov63:
Revolution Rabbit Nov63:
Revolution Rabbit Nov63:
MHLee:
MHLee:
Revolution Rabbit Nov63:
MHLee:
Dean:
Revolution Rabbit Nov63:
Julie:
Julie:
MHLee:
"This New York group recorded an accomplished album of psychedelic pop in 1968, drawing liberally from the Lovin' Spoonful and Magical Mystery Tour-era Beatles, as well as the block harmonies of the 1967-era Zombies. Bassist, 12-string guitarist, and singer Joe Arduino; rhythm guitarist, keyboard player, and singer Sandy Napoli (who also played sitar); lead guitarist and singer Paul LoGrande; drummer Jimmy Tirella; and keyboard man John Reich had been playing together all through 1967, building up a solid live show that used the sounds of the Beatles' Revolver and Sgt. Pepper's Lonely Hearts Club Band albums as a jumping-off point -- they had enough flexibility between them, as multi-instrumentalists, to do very well by the music on-stage, and in addition to their three voices, Arduino, Napoli, and LoGrande were all good songwriters gifted with various levels of talent. They'd already begun building a serious local reputation on college campuses and by 1968 were good enough to impress producer Geoff Turner, an Englishman who was working for Art Talmadge's New York-based Musicor Records. Musicor was perhaps best-known for releasing the work of Gene Pitney during the early and mid-'60s, and like any other label they were always interested in exploring more cutting-edge pop sounds that had come along since 1967, and the Paper Garden seemed to offer this opportunity. With Turner running the sessions, the quintet recorded an LP in 1968 -- rather than recording the songs that Turner had heard them doing, however, the Paper Garden decided to make the most of this chance by writing a whole new, more ambitious repertory. Paper Garden proved more ambitious and expensive than Turner or Musicor had intended, but the producer and label decided to go for broke by cutting it, complete with string orchestra arrangements on some of the songs and major contributions from a session violinist, trumpet man, and trombonist, and very elaborately arranged and recorded harmonies. The whole record came off as a kind of vestpocket successor to Revolver or Odessey & Oracle, not terribly original and a little precious at times -- especially for 1968 -- but also very accomplished. Paper Garden received good reviews, but sales were minimal without a single to reach the airwaves or a major label's promotional muscle behind it, and by 1970 the group had broken up."
MHLee:
Revolution Rabbit Nov63:
MHLee:
MHLee:
Revolution Rabbit Nov63:
Dean:
Julie:
Dean:
Dean:
Dean:
Julie:
Scobot:
Julie:
Revolution Rabbit Nov63:
Dean:
Julie:
timinoak:
Julie:
timinoak:
Tome:
Julie:
Revolution Rabbit Nov63:
www.youtube.com...
Revolution Rabbit Nov63:
Julie:
Dean:
Androu B.:
Yvang:
Revolution Rabbit Nov63: