Ken's Last Ever Radio Extravaganza:
Playlist
from June 27, 2018
Ken's Last Ever Radio Extravaganza:
Playlist
from June 27, 2018
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View Kenzo (Ken's Last Ever)'s profile
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A live, improvised sound collage experiment, going back 28 years, weaving mesmerizing new soundscapes from found and collected materials right in the present moment.
Pop music, speeches, live phone calls and spontaneous monologues become ambient loopy layered threads riding the liminal spaces between waking and dreaming. [On hiatus.]
(Visit homepage.)
Also available as an MP3 podcast.
More info at our Podcast Central page.
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June 27, 2018: Other Shapes are Possible (fish dances, before it's too late) (Show #461/599) | Download 100-minute MP3
Inspired, immersive, endless live sound collage, an all-time favorite episode!
"Somehow, it's always optimistic in vibe at the end."
Stream/download it anytime!
Listen to this show:
MP3 - 192K | 
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Contains rearranged fragments of: Bach, George Lucas, CocoRosie, John Wayne, Linda Draper, Bruce Schneier, Eric Prydz, Steve Winwood, James Burke, Clint Mansell, Leo Delibes, David Letterman, big city orchestra, Procol Harum, Van Morrison, Alan Watts, Kurt Vile, Mark Mothersbaugh, Bruce Dern, Donald Sutherland, Ghana post office, Grey Revell, Fridge, Dan Deacon, Miranda July, Jacques Tati, Patrick McGoohan, Jonathan Pryce, Robert De Nero, Michael Kamen, Barack Obama, Stepford Wives, Andre Gregory, sound effects, Fleetwood Mac, Holcombe Waller, Kraftwerk, spontanteous monologues
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| Artist | Track | Album | Year | Comments | Approx. start time |
|---|---|---|---|---|---|
| Ken |
Identification
|
2013 | 0:00:00 (MP3 | Pop-up) | ||
| Johann Sebastian Bach |
Mir Hat Die Welt Tr Blich Gericht
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Mattus Passion 2 | 0:00:25 (MP3 | Pop-up) | ||
| Johann Sebastian Bach |
So Ist Mein Jesus Nun Gefangen
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Mattus Passion 2 | 0:01:52 (MP3 | Pop-up) | ||
| George Lucas, Walter Murch |
How shall the new environment be programmed? It all happened so slowly that most men failed to realize that anything had happened at all.
|
THX-1138 | 0:03:40 (MP3 | Pop-up) | ||
| Live stream feedback echo chamber |
Give the Drummer Radio live stream
|
0:04:32 (MP3 | Pop-up) | |||
| Ken |
Check
|
2013 | 0:05:11 (MP3 | Pop-up) | ||
| Ken's Last Ever Radio Extravaganza |
Ken's East Extra Radioganza Lover
|
Show #460, from 6/26/13 | 2013 | Contains many samples, and shows within shows, not listed here. Try looking here | 0:06:04 (MP3 | Pop-up) |
| Linda Draper |
Shine
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Keepsake | 2007 | Loop | 0:06:12 (MP3 | Pop-up) |
| Medicine Calf |
Oof
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Urgrund | 2013 | 0:07:18 (MP3 | Pop-up) | |
| Broken Little Sister |
A To Fade In (Adorable cover)
|
Little Darla Has a Treat for You Vol. 28 (V/A) | Piano loop built from Nazario Scenario on WFMU's GTDR 7/3/13 | 0:08:02 (MP3 | Pop-up) | |
| CocoRosie |
Smokey Taboo
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Grey Oceans | 2010 | 0:08:54 (MP3 | Pop-up) | |
| James Burke |
If you didn't fit the mold, you were rejected
|
Connections: The Day the Universe Changed | 1985 | 0:09:33 (MP3 | Pop-up) | |
| Ken |
Testing the limits, pushing out to the edges, notice when you've gone too far
|
2013 | 0:10:18 (MP3 | Pop-up) | ||
| Max Headroom |
This junk is a machine, it is a computer-generated geek. It is useless
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0:11:15 (MP3 | Pop-up) | |||
| God knows nothing of the potential of the microchip or the silicon revolution | Time Bandits | 0:11:48 (MP3 | Pop-up) | |||
| John Wayne |
The Pledge of Allegiance
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America, Why I Love Her | a.k.a. Marion Morrison | 0:12:05 (MP3 | Pop-up) | |
| Medicine Calf |
Day Cake
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Urgrund | 2013 | 0:19:17 (MP3 | Pop-up) | |
| Mark Sgaelt |
fel lo
|
0:19:38 (MP3 | Pop-up) | |||
| Ken |
You see that panicked look come across someone's face. Then you have a choice. You can find new edges. We can finish conversations at the pre-determined time.
|
2013 | But other shapes are possible. With Linda Draper loop and CocoRosie | 0:12:40 (MP3 | Pop-up) | |
| Bruce Schneier |
Liars and Outliers
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Liars and Outliers-Google Talk 6/17/13 | 2013 | 0:18:43 (MP3 | Pop-up) | |
| Eric Prydz, Steve Winwood |
Call On Me
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2004 | Loop, via 1982's Valerie | 0:23:10 (MP3 | Pop-up) | |
| James Burke |
You wanted straight streets to move weapons, so safe streets were built, behind walls, all you needed was food, and ammunication
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Connections: The Day the Universe Changed | 1985 | 0:25:02 (MP3 | Pop-up) | |
| Clint Mansell |
Together We Will Live Forever
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The Fountain soundtrack | 2006 | 0:25:56 (MP3 | Pop-up) | |
| Clint Mansell |
Death Is The Road To Awe
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The Fountain soundtrack | 2006 | 0:27:13 (MP3 | Pop-up) | |
| Leo Delibes |
Lakme (Excerpt)
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The Hunger movie soundtrack | 0:27:41 (MP3 | Pop-up) | ||
| Ken |
I don't know why. We can try to look for meaning in the random occurances all around us. Things are happening for a reason, they're happening to us. You can speak truth to lies.
|
2013 | You can create alternative realities to truth. With Clint Mansell and Delibes | 0:28:35 (MP3 | Pop-up) | |
| David Letterman's guest |
It's getting so you can't tell the mutants from the androids
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Dave Letterman's Summer Time Sunshine Happy Hour | 1985 | 0:31:11 (MP3 | Pop-up) | |
| Big City Orchestra |
A Child's Garden of Noise
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A Child's Garden of Noise | 1994 | There ought to be a sign that says, quiet please! | 0:31:39 (MP3 | Pop-up) |
| Procol Harum |
A Whiter Shade of Pale
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1967 | 0:32:17 (MP3 | Pop-up) | ||
| Van Morrison |
Tupelo Honey
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1971 | Loops | 0:32:57 (MP3 | Pop-up) | |
| Cato Institute |
Property Rights 21st Century
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Cato Institute Book Forum | 2006 | 0:33:25 (MP3 | Pop-up) | |
| Alan Watts |
Om
|
Om - The Sound Of Hinduism | with lazy live Tupelo Honey loops. Who puts it on, your body? What an act that is? And who put that on, your mother and father? Deep in the middle of your heart, you know it. The you in you is the same as the you in me. You're not just some tourist visiting here for a short time. You belong here. You are the energy of the world. You don't know who you are. You can't really get at yourself, just as the fingertip can't touch itself. | 0:35:22 (MP3 | Pop-up) | |
| Live phone caller |
Guitar
|
0:38:18 (MP3 | Pop-up) | |||
| Alan Watts |
The mind is like a piece of burnt wood
|
0:39:04 (MP3 | Pop-up) | |||
| Ken |
We bring each other fish dances, and earthy delights
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2013 | w/continued live loops of Van Morrison | 0:46:53 (MP3 | Pop-up) | |
| Kurt Vile |
Wakin On A Pretty Day
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Wakin on a Pretty Daze | 2013 | 0:48:08 (MP3 | Pop-up) | |
| Mark Mothersbaugh |
Mothersbaugh's Canon
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Royal Tenenbaums Soundtrack | 2001 | 0:48:51 (MP3 | Pop-up) | |
| Bruce Dern |
The difference is that I grew it, and I picked it, and you could smell it...
|
Silent Running movie | 1972 | Real food | 0:50:12 (MP3 | Pop-up) |
| Donald Sutherland |
Any step that one takes is useful, is positive, has to be positive, because it is a part of life. Even negation of the previous step is a part of life
|
Little Murders | 1971 | 0:51:45 (MP3 | Pop-up) | |
| Donald Sutherland |
Nothing can hurt if you do not see it as hurtful, nothing can destroy if you do not see it as destructive
|
Little Murders | 1971 | 0:52:28 (MP3 | Pop-up) | |
| Donald Sutherland |
If it works, fine! If it fails, fine. Look elsewhere for satisfaction
|
Little Murders | 1971 | 0:52:36 (MP3 | Pop-up) | |
| Donald Sutherland |
Not only are the legal questions that I ask you meaningless, but so too are the inner questoins that you ask yourself meaningless
|
Little Murders | 1971 | 0:52:47 (MP3 | Pop-up) | |
| Donald Sutherland |
You all know why we're here
|
0:52:55 (MP3 | Pop-up) | |||
| Donald Sutherland |
Everyone accepts it: Ritual
|
Little Murders | 1971 | 0:53:01 (MP3 | Pop-up) | |
| Donald Sutherland |
Betrayal, too, is all right, it too is a part of what we all are
|
Little Murders | 1971 | 0:53:14 (MP3 | Pop-up) | |
| Donald Sutherland |
each of these is an answer for somebody
|
Little Murders | 1971 | 0:53:21 (MP3 | Pop-up) | |
| Donald Sutherland |
I will not put them down for that
|
Little Murders | 1971 | 0:53:30 (MP3 | Pop-up) | |
| Donald Sutherland |
In as much as this ceremony connotes an abandonment of ritual in the search for truth, I agreed to perform it
|
Little Murders | 1971 | 0:53:56 (MP3 | Pop-up) | |
| Donald Sutherland |
The odds are not good
|
Little Murders | 1971 | 0:54:03 (MP3 | Pop-up) | |
| Ghana Postal Workers |
Canceling Stamps At The University Of Ghana Post Office
|
Worlds Of Music 1 | 1996 | 0:54:34 (MP3 | Pop-up) | |
| Grey Revell |
Lost in Graceland
|
2007 | Layered | 0:57:02 (MP3 | Pop-up) | |
| Ken |
Maybe things can be heard
|
2013 | 0:57:56 (MP3 | Pop-up) | ||
| Fridge |
A Slow
|
Semaphore | 1998 | 1:00:54 (MP3 | Pop-up) | |
| Dan Deacon |
USA Iii. Rail
|
America | 2012 | 1:01:46 (MP3 | Pop-up) | |
| Ken |
Identification 2018
|
2018 | with Dan Deacon | 1:03:15 (MP3 | Pop-up) | |
| Dan Deacon |
USA Iii. Rail
|
America | 2012 | Dan Deacon explosive section: with Robert De Niro ("now you can't make a move without a form") + The Prisoner ("in your hearts must still be the desire to be a human being" "this is a serious breach of etiquette") + Steven Soderbergh ("it should lay out a new course of action that can change direction at any time") + Barack Obama ("If you can't trust the executive branch, the judiciary, or congress, we're going to have some problems") + Andre Gregory ("escape, before it's too late") + Margarita Levieva ("the whole secret of power is to make it unresponsive") | 1:05:10 (MP3 | Pop-up) |
| Miranda July |
Everyone ultimately believes that they don't have credentials
|
Miranda July interview | 1:04:59 (MP3 | Pop-up) | ||
| Jacques Tati |
You have the respect of the young generation, or you have the respect of the bank of France. It's a choice
|
On PlayTime | 1:05:51 (MP3 | Pop-up) | ||
| Patrick McGoohan |
this farce,20th cent democ,solitary confinement,tried to break you,heads must be brain,desire to be human,serious breach of ettiquette
|
The Prisoner, episode 4: The Schizoid Man | 1967 | 1:06:40 (MP3 | Pop-up) | |
| Patrick McGoohan |
some who talk,some leave place,much prisoner as i am,doesn't matter who #1 is,both sides are the same,world order
|
The Prisoner, episode 4: The Schizoid Man | 1967 | Has it ever occurred to you that you're just as much a prisoner as I am? | 1:07:08 (MP3 | Pop-up) |
| Jonathan Pryce, Robert De Nero |
simpler to work with central services,couldn't stand paperwork,expect certain amt,go anywhere,man alone,whole country sectioned off,can't make move without form
|
Brazil | 1985 | I couldn't even turn on a tap without filling out a 27B-6 | 1:07:58 (MP3 | Pop-up) |
| Patrick McGoohan |
Brainwashed imbeciles
|
The Prisoner | 1967 | 1:08:58 (MP3 | Pop-up) | |
| Steven Soderbergh |
It should be lengthy enough to seem substantial, yet concise enough to feel breezy
|
Schizopolis | 1:09:35 (MP3 | Pop-up) | ||
| Michael Kamen |
Central Services/The Office
|
Brazil s.t. | 1:10:10 (MP3 | Pop-up) | ||
| Patrick McGoohan |
In your heads must still be the remnants of a brain, in your hearts must still be the desire to be a human being again (this is a most serious breach of etiquette)
|
The Prisoner | 1967 | 1:10:37 (MP3 | Pop-up) | |
| Barack Obama |
If people can't trust the executive branch, and can't trust congress, and can't trust judges, then we're going to have some problems
|
Press conference | 2013 | We've got congressional oversight and judicial oversight | 1:11:57 (MP3 | Pop-up) |
| Katharine Ross, John Aprea |
Can't just walk around at night, moved from city so i could walk around at night
|
Stepford Wives | 1975 | 1:14:01 (MP3 | Pop-up) | |
| Margarita Levieva |
You summon all your rage, you hurl yourself at it, and nothing happens. The whole secret to power is to make it unresponsive. The more arbitrary, the more cruel, the more we respect it,more we love it
|
Noise | 2007 | 1:15:27 (MP3 | Pop-up) | |
| Steven Soderbergh |
It should be serious, but with a slight wink
|
Schizopolis | 1996 | 1:15:48 (MP3 | Pop-up) | |
| Andre Gregory |
This is the beginning of the rest of the future. Escape, before it's too late.
|
My Dinner with Andre | 1981 | 1:16:12 (MP3 | Pop-up) | |
| Patrick McGoohan |
Why don't you put us all into solitary confinement and have done with it
|
The Prisoner | 1967 | 1:17:01 (MP3 | Pop-up) | |
| Barack Obama |
The people who are involved in America's national security, they take this work very seriously
|
2013 | 1:18:24 (MP3 | Pop-up) | ||
| Ken |
If you can't trust this radio program, then we're going to have some problems
|
2013 | 1:19:28 (MP3 | Pop-up) | ||
| Ken |
How far past your boundaries can you move? How far through your limits can you take it? How long before you stop feeling like yourself. We'll make a contest out of it.
|
2013 | 1:21:17 (MP3 | Pop-up) | ||
| The Monitors |
Believe in the Monitors
|
The Monitors | 1969 | The Monitors bring peace. Peace brings happiness. | 1:22:27 (MP3 | Pop-up) |
| The Monitors |
Monitors are your friends
|
The Monitors | 1969 | All life is sacred. All men are brothers. Reason, not force. The monitors will protect you. The monitors work for your welfare. Be kind. Kindness is strength. The monitors are kind. Helping others helps you. | 1:23:43 (MP3 | Pop-up) |
| Barack Obama |
They cherish our constitution. The last thing they'd be doing would be taking programs like this to listen to somebody's phone calls
|
2013 | 1:24:39 (MP3 | Pop-up) | ||
| Andre Gregory |
We really feel like Jews in Germany in the late 30's. Of course, the problem is, where to go, because it's obvious the whole world is going in the same direction
|
My Dinner with Andre | 1981 | There will be almost nobody left to remind us that there once was a species called a human being | 1:25:00 (MP3 | Pop-up) |
| Sound effects |
Large Crowd Of Pedestrians
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235 City, Traffic Ambiences | 1:26:51 (MP3 | Pop-up) | ||
| The Paper Magic Group, Inc. |
Terrified Crowd
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Scary Sounds | 2003 | 1:27:04 (MP3 | Pop-up) | |
| Sound effects |
Jetfighter Take Off
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Planes, Trains and Automobiles | 1:27:15 (MP3 | Pop-up) | ||
| Sound effects |
Prop Plane (fly by)
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Planes, Trains and Automobiles | 1:27:25 (MP3 | Pop-up) | ||
| Sound effects |
Air Force Prop Plane (v1)
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Planes, Trains and Automobiles | 1:27:36 (MP3 | Pop-up) | ||
| Sound effects |
Air Force Prop Plane (v2)
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Planes, Trains and Automobiles | 1:27:44 (MP3 | Pop-up) | ||
| Sound effects |
planet defeated 02
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Female Voices | 1:27:53 (MP3 | Pop-up) | ||
| Sound effects |
Fighter Plane in Action
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Planes, Trains and Automobiles | 1:28:17 (MP3 | Pop-up) | ||
| Sound effects |
Sound of single explosion
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101 Digital Sound Effects - the machines of war | 1:29:04 (MP3 | Pop-up) | ||
| Sound effects |
Sound of large dynamite explosion
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101 Digital Sound Effects - the machines of war | 1:29:14 (MP3 | Pop-up) | ||
| Sound effects |
Cockpit Warning Alarm
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2003 | 1:29:22 (MP3 | Pop-up) | ||
| Sound effects |
Warning Defcon 1
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2003 | 1:29:33 (MP3 | Pop-up) | ||
| Sound effects |
Warning reactor offline
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Doom 3 Female Computer voice | 1:29:44 (MP3 | Pop-up) | ||
| Sound effects |
Nuclear explosion
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101 Digital Sound Effects - the machines of war | 1:29:52 (MP3 | Pop-up) | ||
| Ghana Postal Workers |
Canceling Stamps At The University Of Ghana Post Office
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worlds of m | 1996 | 1:34:08 (MP3 | Pop-up) | |
| Andre Gregory |
now, of course Bjornstrand, feels that there is really almost no hope, and that we’re probably going back to a very savage, lawless, terrifying period
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My Dinner with Andre | 1981 | 1:36:06 (MP3 | Pop-up) | |
| Fleetwood Mac |
Sara
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Tusk | 1979 | Loop | 1:36:35 (MP3 | Pop-up) |
| Ken |
Identification 2018
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2018 | with Ghana Postal Workers | 1:37:05 (MP3 | Pop-up) | |
| Fleetwood Mac |
Sara
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Tusk | Loop | 1:38:43 (MP3 | Pop-up) | |
| Ken |
It was all just a dream
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2013 | 1:39:24 (MP3 | Pop-up) | ||
| Fridge |
Five Combs
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Happiness | 2001 | Loops | 1:41:12 (MP3 | Pop-up) |
| Sound effects |
Large Crowd Of Pedestrians
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235 City, Traffic Ambiences | 1:42:53 (MP3 | Pop-up) | ||
| Holcombe Waller |
I Can Feel It
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Into the Dark Unknown | 2011 | Shaker loops | 1:43:45 (MP3 | Pop-up) |
| Ken |
You are everything right now. You are everything right now.
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2013 | with Holcombe Waller loops | 1:48:28 (MP3 | Pop-up) | |
| Alan Watts |
Spiritual Authority II
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Myth and Religion | 1:50:28 (MP3 | Pop-up) | ||
| Kraftwerk |
Autobahn
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1974 | Loops | 1:50:50 (MP3 | Pop-up) | |
| Ken |
We have everything
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2013 | 1:51:54 (MP3 | Pop-up) | ||
| Ken |
Post-logue 2018
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2018 | with Kraftwerk loops | 1:52:56 (MP3 | Pop-up) | |
| Kraftwerk |
Autobahn
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1974 | Loops | 1:54:35 (MP3 | Pop-up) |
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And so that You can feel really you, that outside world has to feel really strange, different, weird. You old trickster ... deep down in, You know the whole bit. And therefore, what You want is a surprise. So you have to let things get out of control. You have to feel lost and lonely to know You is you. You play the thing out by inventing lusts and loves, fears and terrors, gnawing anxieties and screaming meemees. Also, you can imagine, "It's not really me ... it's IT that runs the show. But our secret is ... as we say ... Tatvamasi ... You Are IT. You are running the show, by not letting your right hand know what your left is doing. By making life as a whopping great split between what You do and what happens to You. And this is what we call Maya, the great illusion ... and Lila, the play, the big act. And You don't just play your game with such simple elements as on and off, black and white, or life and death. To seem as real as real can be, this world that You are playing must be so complicated that you can't figure IT out ... especially if you are using figures to figure IT. So between black and white, there is a whole range of colors, between thunder and silence, the whole scale of tones, and between something and nothing, between a smashing fist on the face, and trying to touch air, there are all the textures of feeling; burning, throbbing, pushing, hugging, fondling, tickling, kissing, brushing, and light wind on the skin. Your world is all these elements of light and sound; of tastes, smell and touch, woven together in many dimensions on the fabulous loom of your brain. Your brain ... the most complicated thing in the world, which you ... Yourself ... grew ... without even thinking about it. |
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